Instruments
Banjo
Often thought of as the quintessential musical emblem of the Appalachian mountains, the banjo actually provides a tangible reminder of American popular music's African origins. A plucked stringed instrument with a long neck and a round sound chamber covered with animal skin or plastic, the banjo may have evolved from any one of several similar African instruments. (The word itself may be an Africanization of the Portuguese bandore, or bandora, an early lute.) Its first popular heyday was in the blackface minstrel show of the nineteenth century, where, as part of the genre's racist caricatures, it was used to represent a characteristic timbre of slave music. From all available evidence, it appears that the instrument was in fact in common use among slaves. One of the most famous minstrel-show banjoists, Joel Walker Sweeney, may have been responsible for adding the short fifth string that appears on modern instruments; other noted banjoists of the day included Daniel Emmett, the composer of "Dixie." Because of the influence of the minstrel show and of the numerous amateur banjo clubs that flourished early in the twentieth century, the banjo became entrenched in southern mountain culture. Over the last half century it has been central to bluegrass music, that culture's vital artistic statement.
Artist Highlights
Artist |
Active |
Styles |
Earl Scruggs
|
1940s - 2010s |
Bluegrass, Traditional Bluegrass, Traditional Folk |
Béla Fleck
|
1970s - 2020s |
Bluegrass, Contemporary Bluegrass, Fusion, New Acoustic, Progressive Bluegrass, Post-Bop, Folk Jazz, Keyboard |
Eric Weissberg
|
1950s - 2020s |
Bluegrass, Progressive Bluegrass, Traditional Bluegrass |
Tony Trischka
|
1970s - 2020s |
Bluegrass, Contemporary Bluegrass, Progressive Bluegrass, Show/Musical, Traditional Bluegrass |
Uncle Dave Macon
|
1890s - 1950s |
Field Recordings, Old-Timey, Traditional Country, Appalachian, North American Traditions, String Bands |
Doug Dillard
|
1950s - 2010s |
Bluegrass, Country-Rock, Progressive Bluegrass, Traditional Bluegrass |
Dock Boggs
|
1920s - 1970s |
Appalachian, Country Blues, North American Traditions, Old-Timey, Traditional Folk, Folk Revival |
Roscoe Holcomb
|
1950s - 1970s |
Old-Timey, Field Recordings, Appalachian, North American Traditions, Traditional Folk |
Danny Barnes
|
1990s - 2020s |
Alt-Country, Bluegrass, Progressive Bluegrass, Traditional Bluegrass, Alternative/Indie Rock, Country Blues, Indie Rock, Contemporary Bluegrass, New Acoustic |
Bud Scott
|
|
Early Jazz, New Orleans Jazz, Jazz Instrument, Trumpet Jazz |
Fred Guy
|
|
Early Jazz, Swing |
Lonnie Donegan
|
1940s - 2000s |
British Folk, Skiffle, Rockabilly |
John McEuen
|
1960s - 2020s |
Bluegrass, Progressive Bluegrass, Progressive Country, Country-Rock |
Tommy Makem
|
1950s - 2000s |
Irish Folk, Traditional Celtic, Celtic, Folk Revival, Sea Shanties |
John Hartford
|
1950s - 2000s |
Neo-Traditional Folk, Progressive Country, Country-Folk, Country-Rock, Gospel, Country-Pop, Bluegrass, Progressive Bluegrass, Old-Timey, Traditional Country |
Pete Wernick
|
1970s - 1990s |
Bluegrass, Progressive Bluegrass, Instrumental Country |
Ralph Stanley
|
1940s - 2010s |
Bluegrass, Traditional Bluegrass, Bluegrass-Gospel, Contemporary Bluegrass, Gospel, Truck Driving Country, Appalachian, North American Traditions |
Herb Pedersen
|
1960s - 2020s |
Bluegrass, Progressive Bluegrass, Traditional Bluegrass, Country-Rock |
Happy Traum
|
1950s - 2020s |
Folk-Blues, Political Folk, Folk-Pop, Singer/Songwriter, Acoustic Blues |
Bill Keith
|
1950s - 1990s |
Bluegrass, Progressive Bluegrass, Instrumental Country |