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Kristin Chenoweth and Her Powerhouse Friends Celebrate Women on ‘For the Girls’

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  • I Made a Place
    Bonnie "Prince" Billy
    I Made a Place
    Pop/Rock
    Refined instrumentation and a lighter approach mark this indie country icon's first set of new original songs since 2011.
    - Fred Thomas
  • One of the Best Yet
    Gang Starr
    One of the Best Yet
    Rap
    Unexpected, gratifying return from Premier and late ex-partner Guru, built with previously unreleased verses and hooks dating from 2005 through 2009.
    - Andy Kellman
  • The Band
    The Band
    The Band
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    The 50th Anniversary edition of The Band's eponymous second album offers a host of extras, some of which are making their debut on this set.

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Album Premiere: Federale, ‘No Justice’

Classical

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Kristin Chenoweth and Her Powerhouse Friends Celebrate Women on ‘For the Girls’

AllMusic Staff Picks

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Maestro

Kaizers Orchestra

Maestro

2005

Alternative/Indie Rock

Anybody wondering what happened to Tom Waits after Frank's Wild Years or Radiohead after OK Computer need look no further than Norway's Kaizers Orchestra. While they remain true to their penchant for Tin Pan Alley nightmare music, the 12 cuts that inhabit Maestro veer wildly from genre to genre, taking bits and pieces of punk, folk, funk, jazz, and rock and shredding them to bits.

- James Monger

Middle Cyclone

Neko Case

Middle Cyclone

March 3, 2009

Alternative Country-Rock

Neko Case has made consistently dark and tuneful albums throughout her career and Middle Cyclone is a terrific showcase of her arresting lyricism and lush instrumentation. Highlights include the bittersweet "Magpie to the Morning" and a pleading and stomping cover of Harry Nilsson's "Don't Forget Me."

- Zac Johnson

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New Classical Reviews, September 2019

Album Premiere: Joshua Radin, ‘Here, Right Now’

Album Premiere: Ursula 1000, ‘Esoterique’

Nils Lofgren Recalls the Genesis of Ringo’s First All-Starr Band

Adam Dubin Showcases the Camaraderie of the Bay Area Thrash Metal Scene in ‘Murder in the Front Row’

New Classical Reviews, August 2019

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