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This globe-trotting double album finds the band confronting society's ills with optimism and hope.
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A sleek, synthesized collaboration with Pharrell Williams that's suprisingly introspective.
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Classic Rod hits are overdubbed with sentimental new orchestrations.
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Macklemore and Julien Baker guest on an intensely personal second album of adult pop and poetry that Lambert has called "a breakup album to shame."
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Indie pop combo is back after a nine-year layoff with an album that blends the bitter, the sweet, and the snarky.
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Nilsson's last songs are given a sharp polish by Mark Hudson, helping this posthumous collection feel like a real Nilsson album.
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![Surrender [20th Anniversary Expanded Edition]](https://rovimusic.rovicorp.com/image.jpg?c=6RPeKRT8YGoO9QDXvswsgFWnbEN5fCjifro6xhIBuB4=&f=3)
The third set from the big beat dance duo, which rode the success of their sophomore breakout with a similar formula.
Houston Chamber Choir / Kim Kashkashian / Sarah Rothenberg / Steven Schick / Robert Simpson
Rothko Chapel: Morton Feldman, Erik Satie, John Cage
October 23, 2015
The program locates the intellectual origins of the American avant-garde composers Morton Feldman and John Cage in the music of Erik Satie. At the beginning is Feldman's 1967 masterpiece Rothko Chapel. The album reflects local roots for the Houston Chamber Choir (the Rothko Chapel resided there), a solid regional ensemble hitherto hardly suspected capable of the heights they achieve here.
October 17, 2011
The first solo album from Jamie Teasdale (formerly of dubstep duo Vex'd) pulled together strands of Vangelis film scores, footwork, trap, and Balearic pop, resulting in something magical and futuristic. Nearly a decade on, nobody else has really nailed this balance of cinematic suspense and dancing-on-air rhythmic precision, and the album is regarded as an ahead-of-its-time cult classic in some circles.
