Editors' Choice for November 2016

Album cover for Redeux

Redeux

Blank Records

Concise and effective overview of this all-female noise-making trio; brutal, cathartic, and uncompromising music.

— Mark Deming

Album cover for Mass

Mass

RareNoise Records

The master drummer and bandleader formally weds Renaissance liturgical music, improvisation, and heavy metal to devastating effect.

— Thom Jurek

Album cover for 24K Magic

24K Magic

Atlantic
R&B

An all-out R&B affair with references that span the '80s and scrape the '90s, from post-disco boogie to new jack swing.

— Andy Kellman

Album cover for Black America Again

Black America Again

Def Jam
Rap

Reunited with 1997-2007 collaborator Karriem Riggins, the rapper delivers some of the most thoughtful and vital material of his career.

— Andy Kellman

Album cover for Daniel Bachman

Daniel Bachman

Three Lobed Recordings

The acoustic guitarist follows up the acclaimed River with a raw, atmospheric, skeletal exploration of sound that searches for melody.

— Thom Jurek

Album cover for Redemption

Redemption

Local Action
R&B

The proudly defiant conclusion to the expectation-defying singer and songwriter's "heart trilogy."

— Andy Kellman

Album cover for Luz

Luz

Leaving Records

The West Coast beatmaker's excellent first LP for Leaving Records is full of sunny, laid-back but not sluggish synth-funk.

— Paul Simpson

Album cover for DNCE

DNCE

Republic

The debut from Joe Jonas' dance-rock-meets-disco band is a hooky and exuberant party album.

— Matt Collar

Album cover for Raw Wave

Raw Wave

Dirtnap Records

The collaborative punk outfit from members of Riverboat Gamblers and Rise Against come out fully formed on their debut.

— Timothy Monger

Album cover for Pause for the Jets

Pause for the Jets

Anyway / Lizard Family

The Ohio indie rock institution delivers another finely crafted set of dynamic, jagged, and tuneful guitar pop.

— Timothy Monger

Album cover for Snake Pit

Snake Pit

Tompkins Square

On his first widely distributed album in 20 years, the legendary guitarist and a young band from Chicago deliver a stone killer.

— Thom Jurek

Album cover for Eternally Even

Eternally Even

Capitol / Virgin EMI

My Morning Jacket frontman offers a soulful, moody, collection about modern tensions and hopeful living in spite of hard truths.

— Thom Jurek

Album cover for Haydn: Sonatas

Haydn: Sonatas

Steinway & Sons

John O'Conor's 2016 release on Steinway & Sons offers five representative piano sonatas by Franz Joseph Haydn.

— Blair Sanderson

Album cover for FLOTUS

FLOTUS

Merge

Long-running country-accented chamber pop band adds electronics to its formula on this 2016 release.

— Mark Deming

Album cover for Glory Days

Glory Days

Sony Music / Syco Music

A fun, hooky album that balances '60s girl group R&B and contemporary dance-pop.

— Matt Collar

Album cover for Marvin Whoremonger

Marvin Whoremonger

Blacklite / Now-Again
R&B

Fascinating '70s private press deep funk album conceptualized by a Las Vegas hustler and played by a trio of high-school students.

— Paul Simpson

Album cover for Je Dis Oui!

Je Dis Oui!

Heinz / Heinz Records

Inspired by cinematic glamour, the little orchestra's ninth album is another celebration of globally minded pop.

— Heather Phares

Album cover for Lodestar

Lodestar

Domino

First album in nearly 40 years from the U.K. folk icon finds her older but no less commanding in her embrace of traditional songs.

— Mark Deming

Album cover for Jessica Rabbit

Jessica Rabbit

Torn Clean

The duo borrow some Top 40 gloss, delivering some of their most pointedly catchy music in the process.

— Heather Phares

Album cover for A Seat at the Table

A Seat at the Table

Columbia
R&B

Potent, cathartic, and tender, the third album from the expectation-defying singer, songwriter, and producer weighs a ton and levitates.

— Andy Kellman

Album cover for 57th & 9th

57th & 9th

Interscope / Polydor

For the first time in 13 years, Sting returns to pop and rock.

— Stephen Thomas Erlewine

Album cover for Let's Take a Trip

Let's Take a Trip

First Word
Rap

Terrel Wallace's slightly heavier second album is another fine and modest hip-hop fusion of soul, jazz, and funk.

— Andy Kellman

Album cover for Centerfold

Centerfold

Arts & Crafts / Arts & Crafts Productions

A frothy, hooky, new wave and disco-inflected production from the Canadian duo.

— Matt Collar

Album cover for Nine Suns, One Morning

Nine Suns, One Morning

Drag City

On their third album in a year, this Masaki Batoh-led ensemble marries the sounds of their previous dates and breaks through to the other side.

— Thom Jurek

Album cover for An Odd Entrances

An Odd Entrances

Castle Face

A companion to their A Weird Exits album from earlier in the year, it's a more experimental take on their blown-out and adventurous psych sound.

— Tim Sendra

Album cover for Long Dream

Long Dream

Dischord Records / Ernest Jenning

The group's third album is modern power pop that balances the power and pop perfectly.

— Tim Sendra

Album cover for Ruins

Ruins

Jagjaguwar

The English rockers' fourth LP doubles down on the neo-pagan psych-metal of 2014's Fain with some of their best material to date.

— James Christopher Monger

Album cover for Black Focus

Black Focus

Brownswood

This South London duo smears spiritual jazz funk onto broken beat, hip-hop, and more on their startling full-length debut.

— Thom Jurek