Featured New Releases for
January 27, 2017

Ty Segall [2017]

Drag City
With Cairo Gang's Emmett Kelly on board and a live studio band, the album is a thunderous noise-fest balanced with sweet folk-rock tunes.

— Tim Sendra

Three Stripes

Entertainment One / eOne
R&B
The trio's first album in over 15 years, synchronized with the televised mini-series The New Edition Story.

— Andy Kellman

Changer

Polyvinyl
The prolific songwriter balances intense poetic narratives with more reflective electronic pieces on his first album since moving to Montreal.

— Paul Simpson

SweetSexySavage

Atlantic / TSNMI
R&B
Excellent proper debut from the Grammy-nominated, TLC-inspired singer and songwriter.

— Andy Kellman

Hey Mr. Ferryman

Merge
The outstanding singer and songwriter teams in the studio with Suede guitarist Bernard Butler, and the results are impressive.

— Mark Deming

Piano Song

Thirsty Ear
On his final Thirsty Ear date, the pianist/composer and his trio deliver an accessible but no less questing set of new tunes.

— Thom Jurek

Gods of Violence

Nuclear Blast
On an album nearly five years in the making, the lineage thrash metallers and producer Jens Bogren show the kids how it's done.

— Thom Jurek

Pure, Beyond Reproach

Halocline Trance
Drifting further from club music conventions, Egyptrixx presents some of his best work yet with this trippy, atmospheric full-length.

— Paul Simpson

Borders

Thrill Jockey
Moving to Thrill Jockey, the experimental electronic duo creates a hypnotic, bracing album using self-built instruments and loads of distortion.

— Paul Simpson

Nothing Feels Natural

Sister Polygon Records
The group's furious, eclectic debut album expresses the ills of the late 2010s -- and the human condition -- with poetic eloquence.

— Heather Phares

DJ-Kicks

!K7
The artist's first mix album in almost nine years leads with an exclusive highlight and features a block of his intense Audion productions.

— Andy Kellman

Jardín

Stones Throw
R&B
Inviting, frolicsome, and delightfully off-center love songs from the multi-instrumentalist Stones Throw signee.

— Andy Kellman

C U L T U R E

300 Entertainment / Atlantic
Rap
Sophomore LP from the north Atlanta trio that signals their mainstream arrival with next-level production and the ubiquitous "Bad and Boujee."

— Neil Z. Yeung

Marbles in the Park

Ear Music / Racket Records (New Age)
Recorded in the Netherlands in 2015, this complete -- and fantastic -- performance of 2004's Marbles studio album transcends its origins.

— Thom Jurek

Oto Hiax

Editions Mego
Seefeel's Mark Clifford and Scott Douglas Gordon (Loops Haunt) team up for a chaotic yet joyful album of free-form explorations.

— Paul Simpson

Myths 002

Mexican Summer
Loose, slightly chaotic collaborative EP between Ariel Pink and Weyes Blood, released in association with the Marfa Myths festival.

— Paul Simpson

Lemon Memory

Memphis Industries
The Leeds indie rock outfit moves deftly into a more experimental phase on their strong sophomore set.

— Timothy Monger

Not Even Happiness

Ba Da Bing Records
The Ba Da Bing Records debut of a singer/songwriter whose impressionistic indie folk can evoke the gentler work of Joni Mitchell.

— Marcy Donelson

Messes

Urinal Cake
Longtime Michigan indie scene regular Stef Chura perfects her anxious, visceral sound with her excellent first studio album.

— Paul Simpson

Imperial

Loma Vista
Rap
Sophomore set from the Miami rapper whose intricate wordplay and engrossing storytelling place him levels ahead of his contemporaries.

— Neil Z. Yeung

Love Mirage

Stoner Disco
The New Pornographers guitarist's third solo outing is a warm-hearted tribute to '70s AM pop and disco studiocraft.

— Timothy Monger

Trials & Truths

Bella Union
A tweaked sophomore effort that's likely to bring along existing fans of the quintet's tumbleweed-shaded psych-pop.

— Marcy Donelson

Closure

Second Language
The twelfth, and final, Piano Magic album is an apt elegy to the band, and a fine final flourish.

— Bekki Bemrose

Elegy

ECM
The composer's and vocalist's leader debut for ECM is a graceful exercise in poetic improvisation and warm abstraction in a quintet setting.

— Thom Jurek

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