Max Richter

Biography by Heather Phares

Blending classical and electronic elements in his music, Richter divides his time between scores and stand-alone albums.
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Title	Year	Genre
Vivaldi's Four Seasons, re-composition for violin, harpsichord & orchestra		Concerto
Sleep	2013	Keyboard
Vladimir's Blues		Keyboard
The Leftovers, television series score	2014	Film Score
Songs from Before, for pre-recorded readings, 2 violins, viola, 2 cellos, piano & electronics		Chamber Music
Written on the Sky		Keyboard
Mercy, for violin & piano		Chamber Music
Black Mirror: Nosedive, television episode score	2016	Film Score
Memoryhouse, for soloists, ensembles & orchestra		Orchestral
The Congress, film score	2013	Film Score
Electronic Soundscapes, for violin & synthesizer		Chamber Music
Berlin by Overnight, for violin & double bass (from 24 Postcards)		Chamber Music
Perfect Sense, film score	2011	Film Music Film Score Soundtracks Stage & Screen
The Blue Notebooks, for piano		Keyboard
On the Nature of Daylight		Chamber Music
Horizon Variations, for keyboards		Keyboard
Three Worlds: Music from Woolf Works, suite from the ballet for narrator, soloists & orchestra		Orchestral
Wadjda, film score	2013	Film Score
The Last Days on Mars, film score	2013	Film Score
Andras, for piano		Keyboard