Featured New Releases for
February 19, 2013

Confessions

11-7 Recordings
As Buckcherry get slightly older, they're winding up relying more on melody than riffs, as the STP-influenced Confessions illustrates.

— Stephen Thomas Erlewine

Jamie Lidell

Warp
R&B
A collaboration-free solo affair, and a record that's supercharged with the type of electro-funk and soul he's made a hallmark.

— John Bush

Don't Be S.A.F.E.

Def Jam
Rap
The rapper's debut mixtape surrounds its massive hit, "All Gold Everything," with like-minded numbers and quirky, creative interludes.

— David Jeffries

You're Nothing

Matador
With their second album, these Danish punk revivalists branch out from the wiry sounds of their debut to more introspective moods.

— Fred Thomas

No World

4AD
R&B
Album one from these 4AD R&B brothers shows promise, but never eclipses the deep and quiet Maxwell album cuts it seems to emulate.

— Andy Kellman

Clash the Truth

Captured Tracks
Adding live drums and studio production to their already excellent songs, Beach Fossils' second album sounds energized and alive.

— Tim Sendra

Howls of Joy

Ample Play
Excellent indie pop dunked in noise from a French quartet who'd make the Vaselines very proud.

— Tim Sendra

III

Woodsist
This Portland, Oregon noise pop band's third record is also its most colorful, introspective, and well conceived to date.

— Fred Thomas

One Track Mind

Sacred Bones
The fourth album from this once heavily experimental New York band takes on a more focused sound steeped in lonely, arid desert psych.

— Fred Thomas

Flume

Mom + Pop Music
The debut album from Australian experimental electronic musician and producer Flume mixes pop, dubstep, indie rock, and R&B.

— Matt Collar

The Waiting Room

Ghostly International
The Ghostly artist branches out from IDM and ambient techno with a fat, straightforward production that features guest vocalists.

— Jason Lymangrover

Helen Burns

Org Music
This daring EP by the Red Hot Chili Peppers' bassist is full of pleasant surprises.

— Jason Lymangrover

Flowers

Morr Music
Sin Fang's third album delivers some of Sindri Sigfússon's most confident -- and loudest -- music.

— Heather Phares

The Electric Word

Yep Roc
R&B
Over 40 years since its formation, this Dallas group delivers a true and powerful debut album -- a fusion of gospel, funk, and psychedelic soul.

— Andy Kellman

Be Your Own King

Bella Union
French pop outfit offers up a well-executed set of staccato dance-rock anthems that flirt with excess yet never overstay their welcome.

— James Christopher Monger

Total Folklore

Thrill Jockey
The Parts & Labor keyboardist/vocalist combines noise pop's crunch with melodic synth anthems to make an enjoyably abrasive album.

— Jason Lymangrover

We Will Not Harm You

Big Dada
The U.K. underground hip-hop producer messes with house music beats and quirky samples on this attractive and deep set.

— David Jeffries

Bringing It Back Home

Provogue
On his first studio album in six years, the guitarist delivers a very strong set of covers with a crack band, and dazzles as a singer to boot.

— Thom Jurek

Miracle Mile

Polyvinyl
On its third album, this Portland, Oregon indie electro act finds its groove with a set of hook-heavy, slow-burning dance-pop.

— Fred Thomas

Wishbone

ATO
On his sophomore effort for ATO, Bobby Long cranks up the electric guitar, tightens his songwriting, and delivers big.

— Thom Jurek

Chromatisms

Tapete Records
On its third album, this Seattle-based soft psych-rock band is increasingly in control of its powers, blending spacy echoes with indie folk.

— Fred Thomas

Artist Proof

Drag City
Drag City's series of great Americana reissues continues with the nearly forgotten country-rock debut by one of L.A.'s studio aces.

Vento Sul

Light in the Attic Records
In celebration of Marcos Valle's 70th birthday, Light in the Attic offers a reissue of this once misunderstood Brazilian pop-psych masterpiece.

— Thom Jurek

Poorly Formed

Fat Wreck Chords
Swingin' Utters look to the proto-punk sounds of the Velvet Underground on their eighth album, Poorly Formed.

— Gregory Heaney

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