Featured New Releases for
February 26, 2013

To Dust

Tru Thoughts
R&B
Despite better-known peers, this Essex singer is the true blue-eyed soul queen, and To Dust proves it inarguably.

— Thom Jurek

Amok

XL
More about sounds than songs, the first Atoms for Peace full-length sounds like a fleshier sequel to Thom Yorke's first solo album.

— Andy Kellman

The Messenger

New Voodoo
Marr joyously embraces all of his signature strengths as a songwriter and guitarist on his solo debut.

— Stephen Thomas Erlewine

In Time

Valory
The Mavericks first new studio album in eight years is not only a return to form for the band, but an extension of it.

— Steve Leggett

OutRun

Casablanca / Republic
Combining EDM and '80s video game-influenced music, the French producer succeeds in giving old-school Sega-heads their dream soundtrack.

— David Jeffries

Deathfix

Dischord Records
Made up of alumni from D.C.'s punk scene, this new project is decidedly diverse, taking cues from Big Star, LCD Soundsystem, and '90s grunge.

— Fred Thomas

Hagar's Song

ECM
This is an intuitive conversation on jazz and pop standards between two jazz masters, and also offers a major new composition by the saxophonist.

— Thom Jurek

Miracle Temple

Merge
The second album by Jenks Miller and Heather McEntire offers a gritty, elegiac, Southern Gothic Americana bursting with desire, poetry, and pathos.

— Thom Jurek

Les Revenants

Rock Action
The band's score for a French TV show where zombies walk the earth and the world doesn't end defies expectations with an intimate, low-key brilliance.

— Heather Phares

Anxiety

Software
Paradoxically, Anxiety's bold sonics and vulnerability make it some of Autre Ne Veut's most confident-sounding music.

— Heather Phares

Optica

Merge
The band's self-produced fourth album signals a return to a less mopey/more energetic and slightly less polished sound.

— Tim Sendra

Ride

Bloodshot
This set is right in line with what one expects from Wayne Hancock, although it is perhaps a tad more personal.

— Steve Leggett

Black Sun

Astralwerks
The full-length debut from Australia's Gold Fields is dance-oriented mix of '80s new wave-influenced pop.

— Matt Collar

Soft Opening

Smalltown Supersound
Filled with playful samples, Soft Opening offers a low-key but promising introduction to the Brooklyn duo's take on minimal techno.

— Heather Phares

Chapter II

Sony Music
On his major-label debut, the pioneering dubstep producer moves in many directions, displaying the range of his talents.

— Thom Jurek

An A.merican D.ream

Mexican Summer
After a five-year disappearance, this Brooklyn unit returns with their finest album to date, full of street sermons and dark imagery.

— Fred Thomas

Silent Comedy

Tzadik Records
This is the guitarist as we've never heard him before on record, improvising live in a studio with electric guitar, effects, and no overdubs.

— Thom Jurek

BOY

Mutual Friends

Nettwerk
BOY's full-length debut is a melodic, introspective album grounded in the group's poignant, female-centric lyrics.

— Matt Collar

Antipodes

Carpark Records
The New Zealand trio's first full-length is a surprisingly subtle and moody marriage of melody and noise.

— Heather Phares

Better Tomorrow

VP Records
With the singer backed by her live band, the reigning queen of socially conscious reggae continues to innovate and empower on her excellent third album.

— David Jeffries

This Generation

Stones Throw
The L.A. reggae band signed to Stones Throw for this soulful, dusty-sounding sophomore outing.

— Jason Lymangrover

Cover Art

Concord Jazz
The debut from the jazz supergroup features songs by artists from such genres as pop, rock, R&B, and hip-hop.

— Matt Collar

Crusher

Hardly Art
Purposely destroyed by cassette distortion, these goth pop anthems are very enjoyable all the same.

— Jason Lymangrover

Touching

HighNote Records
Jazz tenor saxophonist Eric Alexander delivers his first album of all ballads.

— Matt Collar

Fanny

Real Gone Music
Self-titled 1970 debut from the first all-female rock & roll band signed to a major record label.

— Lindsay Planer

Nemesis

Armoury Records / Eagle Rock
Another riveting, ludicrous, ornate, hammy, and explosive set from one of the genre's finest practitioners.

— James Christopher Monger

Fusion

Real Gone Music
The second album from this late-'60s concept band fuses various styles of the day for a weird mesh of convoluted but pleasant songs.

— Fred Thomas

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