Featured New Releases for
March 5, 2013

Iconic

Big Beat Records
This collection of early tracks is a fine introduction to Icona Pop's brashly catchy style.

— Heather Phares

Girl Talk

INgrooves
The British singer’s third album is a raucous, punk-inflected album full of feminist self-reflection and riot grrrl empowerment.

— Matt Collar

Honky Tonk

Rounder
Honky Tonk finds Jay Farrar landing in the Bakersfield country territory of Buck Owens and Merle Haggard, with nary an electric guitar in sight.

— Steve Leggett

Exai

Warp
Booth and Brown's lengthy 11th album has too many unique standouts to be disregarded as merely another Autechre release.

— Andy Kellman

Woman

Loma Vista
Robin Hannibal (Quadron) and Mike Milosh (aka Milosh) offer achingly romantic soul-pop elegance on their plush debut.

— Andy Kellman

Love from London

Yep Roc
Released just days after his 60th birthday, Love from London signals a return to the trippy psych-rock of Fegmania! and Globe of Frogs.

— James Christopher Monger

Naomi

Jagjaguwar
On their fourth album, this Seattle indie folk group expands on their rootsy sound with tropical basslines and an increased sense of hopefulness.

— Fred Thomas

The Blue Room

Decca / Emarcy
The singer successfully revisits songs from Ray Charles' Modern Sounds in Country and Western Music and interprets other songwriters through its lens.

— Thom Jurek

The Stand-In

ATO
Caitlin Rose builds on 2010's Own Side Now, and delivers a strong collection of songs that poise themselves right at the junction of country and pop.

— Steve Leggett

New Moon

Sacred Bones
New Moon finds the Brooklyn noise rockers exploring melody over mayhem with a relatively subdued fourth outing.

— Gregory Heaney

Invisible Life

Asthmatic Kitty
Invisible Life balances concise pop and dreamy reveries with the usual warmth and mystery of Roberto Carlos Lange's music.

— Heather Phares

Hymnal

Kranky
The fourth Benoit Pioulard album delivers sublimely serene ambient folk inspired by European churches and religious iconography.

— Heather Phares

Hi Beams

Luaka Bop
Though it moves toward a more traditional song-based approach, the duo's inventive electronic pop still dazzles.

— Tim Sendra

Like a Rose

Warner Bros.
Pistol Annie Ashley Monroe delivers a dynamite debut that feels simultaneously retro and modern.

— Stephen Thomas Erlewine

Dirty Dynamite

The End / Sony Music
The Swiss hard rockers continue to show the old ways can be the best ways on their 17th album, Dirty Dynamite.

— Gregory Heaney

Untogether

Arbutus Records
The duo trades the free-flowing warmth of its earlier work for crisply elegant electro-pop on this impressive debut album.

— Heather Phares

Inheritance

Republic / Universal Music
The major-label debut from Chesapeake, Virginia-based indie folk outfit sounds like a born-again Avett Brothers fronted by a tamer Daniel Smith.

— James Christopher Monger

Ride on the Train

Alive / Alive Naturalsound Records
Ride on the Train is Hollis Brown's debut full-length, and it's a gem, full of memorable songs and a sharp, taut, and unembellished sound.

— Steve Leggett

Character

The Leaf Label
On her third solo album, cellist and composer Julia Kent ambitiously reflects upon the sounds of life's chronology and those of the inner world.

— Thom Jurek

Wondrous Bughouse

Fat Possum Records / Turnstile
Trevor Powers' second album is full of lush psychedelia that recalls the Flaming Lips, Pink Floyd, and the Beatles at their trippiest.

— Heather Phares

Magnetic Heads

Family Vineyard
Collecting tracks from the band's first two cassette releases, these oddball obscuro-folk songs sound like a different entity entirely.

— Fred Thomas

Originator

Swoon Moon Music
Jack White's touring pianist Brooke Waggoner makes a startling statement of purpose with The Originator.

— Stephen Thomas Erlewine

Love

Earthology
On their ninth album, the Twin Cities' indie large ensemble deals with themes of joy and pain in a by-the-numbers epic style.

— Fred Thomas

Free Reign II

Domino
This version of Clinic's most psychedelic album features Daniel Lopatin's even trippier mixes.

— Heather Phares

Between Places

Modular / Modular Recordings
Young Dreams' debut features the Norwegian band's mix of melodic, '60s-influenced baroque pop and synth-driven alt-rock.

— Matt Collar

Images du Futur

Secretly Canadian
Improving on their 2010 debut, this second effort from the Montreal art rockers has a dark brilliance, blending tense rock with airy synth textures.

— Fred Thomas

Wyoming

Fat Possum Records / Turnstile
The stellar second album by this guitar/drums duo hides the subtlety of dark lyrical themes beneath consistently strong alt country songwriting.

— Fred Thomas

Woolen Men

Woodsist
Using the Wipers and Dead Moon as starting points, the Portland trio bashes out snappy mid-fi indie rock with an off-beat energy.

— Tim Sendra

Down Side Up

Fat Wreck Chords
Down Side Up is Old Man Markley's second full-length album, and it roars into things right out of the gate, and then never lets up.

— Steve Leggett

Sudden Elevation

One Little Indian
The dreamy and delicate third outing from Icelandic singer/songwriter Ólöf Arnalds is also her first to be delivered entirely in English.

— James Christopher Monger

Zia

Dorian Sono Luminus
A worthwhile exploration of the juncture where the intellectual medium of the string quartet meets the current enthusiasm for world traditions.

— James Manheim

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