Editors' Choice for September 2020

Album cover for Apple

Apple

PC Music

The singer/songwriter and producer's second debut album is a satisfying blend of electronic noise, pop theatrics, and indie balladry.

— Heather Phares

Album cover for All Thoughts Fly

All Thoughts Fly

Southern Lord Records

On her Southern Lord debut, the Swedish artist delivers seven pipe organ instrumentals inspired by a 16th century Italian "monster park."

— Thom Jurek

Album cover for As God Intended

As God Intended

Mello Music Group
Rap

Buffalo's Che Noir demonstrates her remarkably focused lyricism and stylistic versatility over Apollo Brown's rich, earthy productions.

— Paul Simpson

Album cover for Artemis

Artemis

Blue Note

The all women jazz collective's debut showcases their improvisational virtuosity and deeply textured sound.

— Matt Collar

Album cover for Gold Record

Gold Record

Drag City

The singer/songwriter imbues these character sketches with the deeply personal warmth of his previous album, Shepherd in a Sheepskin Vest.

— Heather Phares

Album cover for Blue Hearts

Blue Hearts

Merge

A world in flames drives the punk/indie legend to create one of his toughest and most passionate works since his days in Hüsker Dü.

— Mark Deming

Album cover for #KingButch

#KingButch

Concord Jazz

The seasoned Richmond, Virginia jazz-funk quintet consolidate their known powers and reveal new ones on their major-label debut.

— Andy Kellman

Album cover for Host

Host

Sinderlyn

The duo's musically dense, emotionally candid fourth album folds trip-hop and sci-fi influences into songs about escaping parasitic relationships.

— Heather Phares

Album cover for Ohms

Ohms

Reprise

The alt-metal wizards' stunning ninth set reunites them with producer Terry Date on a heady sci-fi vision quest.

— Neil Z. Yeung

Album cover for Dumb It Down

Dumb It Down

Post Present Media

The Black Dice member switches gears dramatically with an album of concise pop tunes, but still can't escape his own inherent weirdness.

— Fred Thomas

Album cover for RE-ANIMATOR

RE-ANIMATOR

Everything Everything

A sleek, poignant fifth album from the Manchester art rockers, who prioritized songwriting and vocals with help from producer John Congleton.

— Marcy Donelson

Album cover for Shore

Shore

Anti-

The folk-rock band's fourth album is a compassionate and rewarding work of Indian summer liminality.

— Timothy Monger

Album cover for Mazunte 2016

Mazunte 2016

Devil in the Woods

Third album by Mexican garage band sees them expanding and tightening their sound in exciting new ways.

— Tim Sendra

Album cover for WE ARE CHAOS

WE ARE CHAOS

Loma Vista

The one-time shock master ages gracefully with the help of Shooter Jennings on another set of catchy earworms.

— Neil Z. Yeung

Album cover for Phantom Birds

Phantom Birds

Acid Jazz

Eschewing the usual psychedelic folk mix of previous albums, Berry dips into country-rock for a relaxed set of songs.

— Tim Sendra

Album cover for Yellow Coat

Yellow Coat

Dangerbird Records

Tuneful and bittersweet, the West Coast musician's sixth album is equally well-suited for summer drives or broken hearts on the mend.

— Marcy Donelson

Album cover for Dreaming

Dreaming

Groenland

Languid soundscapes and trippy ambient pop from Neu!/Harmonia co-founder Michael Rother.

— Paul Simpson

Album cover for Solo II

Solo II

Groenland

Box set of the Neu!/Harmonia co-founder's solo works from 1983 onwards, moving from Krautrock to dreamy ambient pop.

— Paul Simpson

Album cover for Protean Threat

Protean Threat

Castle Face

After a couple of albums that exploded in proggy grandeur, the group dial it back in favor of more-focused and energetic avant-garage punk.

— Tim Sendra

Album cover for Too Numb to Know

Too Numb to Know

Wharf Cat Records

Noah Anthony further refines the darkwave pop sound of 2018's Somewhere Else, incorporating acoustic instruments into his sophisticated arrangements.

— Paul Simpson

Album cover for Fluid Architecture

Fluid Architecture

Cuneiform Records

The legendary guitarist and composer returns with a wide-ranging set that explores the future through the twin lenses of past and present.

— Thom Jurek

Album cover for Haunted Painting

Haunted Painting

Wax Nine Records

The Speedy Ortiz frontwoman digs deep on her second solo album, pairing intricate, mercurial sounds and words with newfound emotional openness.

— Heather Phares

Album cover for Thread

Thread

Thrill Jockey

The Black Twig Pickers and House and Land member makes her solo debut on this winsome and gently experimental folk set.

— Timothy Monger

Album cover for Baudelaire & Piano

Baudelaire & Piano

Susannasonata

The singer/songwriter pays tribute to one of her biggest influences with artfully restrained interpretations of his poems.

— Heather Phares

Album cover for Conspiracy

Conspiracy

ECM

On his first ECM studio outing in two decades, the Norwegian guitarist delivers luxuriant melodies and textures in new compositions and improvisations.

— Thom Jurek

Album cover for American Head

American Head

Warner Bros. / Warner Records

Gorgeous melodies and songs drawn from childhood memories make this album equally magical and down to earth.

— Heather Phares

Album cover for Back a Yard

Back a Yard

VP Records

Over 50 years and dozens of albums in, these roots reggae veterans sound as fresh and inspired as they did on their earliest songs.

— Fred Thomas

Album cover for By the Fire

By the Fire

Daydream Library Series

On his seventh solo album, the art rock icon explores elongated approaches to his already sprawling mystical guitar noise.

— Fred Thomas

Album cover for Black Moon

Black Moon

Numero Group

This long-overdue reissue of the entire recorded output of the Duster side project is late-'90s slowcore and space rock at its best.

— Tim Sendra

Album cover for After Silence

After Silence

VOCES8 Records

A gorgeous album in four parts, uniting previous releases of the individual parts and combining music thematically in new ways.

— James Manheim

Album cover for Clot

Clot

Captured Tracks

The band's cathartic second album adds clarity, heft, and cultural relevance to their searing brand of post-punk.

— Heather Phares

Album cover for Sketches of China

Sketches of China

Decca

Synoptic adaptation of thousands of years of Chinese tradition for the classical guitar, an instrument from outside of that tradition.

— James Manheim

Album cover for L' Ère du Verseau

L' Ère du Verseau

Recreation Center

The French duo tone down the technicolor in favor of a more expressive sound that's still hooky and fun.

— Tim Sendra