Editors' Choice for October 2020

Album cover for Karma & Desire

Karma & Desire

Ninja Tune

Darren Cunningham is joined by a mix of vocalists and instrumentalists, including Vanessa Benelli Mosell and Sampha, on his least esoteric LP.

— Andy Kellman

Album cover for Renaissance

Renaissance

Mad Decent

Signed to Diplo's label, one-half of AlunaGeorge takes complete control on her gratifying, wide-ranging solo debut.

— Andy Kellman

Album cover for Sad Hunk

Sad Hunk

Republic

The Canadian singer/songwriter continues to explore organic '70s soul vibes on his fifth album.

— Matt Collar

Album cover for Fake It Flowers

Fake It Flowers

Dirty Hit

The singer/songwriter's debut album updates the legacy of outspoken '90s female artists with heartfelt songwriting and a genre-blurring sound.

— Heather Phares

Album cover for Something to Lose

Something to Lose

Arbutus Records / Mansions and Millions

The debut full-length from this Polish crooner shapes synth pop influences into a thick atmosphere of wistful reflection.

— Fred Thomas

Album cover for The Symbol Remains

The Symbol Remains

Frontiers Records

On the band's first studio outing in two decades, they pull out all the stops to reveal there remains plenty of creativity and energy in the tank.

— Thom Jurek

Album cover for Skeletons

Skeletons

Snakefarm Records

On their third album, the duo ratchet up both the rock and disco without losing their down-home identity.

— Stephen Thomas Erlewine

Album cover for Letter to You

Letter to You

Columbia

Recorded live in the studio with the E Street Band, this is a celebration of life and a meditation on mortality.

— Stephen Thomas Erlewine

Album cover for Good Luck with Whatever

Good Luck with Whatever

Rounder

The Los Angeles group balance existential dread and classic rock influences on their engagingly literate seventh album.

— Matt Collar

Album cover for Harry

Harry

Fire Records

The onetime Flying Nun and Utility Records act returns with its first material in 30 years, and it's an indie pop gem.

— Marcy Donelson

Album cover for Crack a Light

Crack a Light

Drag City

After a brief hiatus, the Baltimore noise rock band return with one of their most focused and powerful albums yet.

— Fred Thomas

Album cover for Free Now

Free Now

Park the Van

The onetime Beverly leader makes an engaging solo debut that recovers from a breakup while drawing on '80s and '90s musical touchstones.

— Marcy Donelson

Album cover for III

III

In the Red Records

Pummeling, riff-heavy proto-metal spiked with biker rock and psych delivered with unvarnished power.

— Tim Sendra

Album cover for Agüita

Agüita

Jagjaguwar

Diversifying in every respect, the multi-instrumentalist and vocalist moves across Latin trap, reggaeton, funk, and other forms with ease.

— Andy Kellman

Album cover for Nightcap at Wits' End

Nightcap at Wits' End

Beyond Beyond Is Beyond

This prolific neo-jam band distills their wide-ranging creative impulses into relatively compact forms for their most engaging album to date.

— Fred Thomas

Album cover for Whatever It Is

Whatever It Is

Rough Trade

Cut from 200 days of sessions, this West Coast sextet's ambitious, Technicolor debut uses the Beach Boys and Queen merely as launching points.

— Marcy Donelson

Album cover for Who Are You?

Who Are You?

Blue Note

The vibraphonist's sophomore album of expansive, harmonically and tonally colorful jazz.

— Matt Collar

Album cover for Be True to Yourself

Be True to Yourself

Omnivore

Collaborating with producer Mark Hudson, the Badfinger guitarist makes a warm, welcoming coda to his power pop career.

— Stephen Thomas Erlewine

Album cover for Maya

Maya

Planet Mu / Timesig

The RHCP guitarist's first purely electronic album under his own name is an impressive set of tracks inspired by jungle and breakbeat hardcore.

— Paul Simpson

Album cover for Album No. 8

Album No. 8

BGU / BMG

The Georgian-born British singer returns with her most personal and artfully experimental album to date.

— Matt Collar

Album cover for Budapest Concert

Budapest Concert

ECM

An improvised concert from perhaps his final European tour finds the pianist keenly exploring the musical spirits that have informed his career.

— Thom Jurek

Album cover for Closer Than They Appear

Closer Than They Appear

Bars Only Entertainment
Rap

Executive-produced by Phonte, this EP from the sharp and smooth rapper/singer packs the wallop of an album.

— Andy Kellman

Album cover for A View of U

A View of U

Ninja Tune

Travis Stewart fuses hip-hop, drum'n'bass, and other genres on an album informed by out-of-body experiences.

— Paul Simpson

Album cover for 2020

2020

Drag City

The trio's first album in nearly a decade captures the fragmented feel of its namesake year with delicate folk-pop, clattering rock, and open emotion.

— Heather Phares

Album cover for Atlas Vending

Atlas Vending

Sub Pop

Album four from this Canadian math rock assault team is intelligent and well detailed while still brutally hard.

— Mark Deming

Album cover for The Great Dismal

The Great Dismal

Relapse Records

The band's fourth album sees them adding metal back into their shoegaze sound; the result is almost on par with their brilliant debut.

— Tim Sendra

Album cover for Optic Sink

Optic Sink

Goner Records

The debut release by the dystopian minimal synth project of Natalie Hoffmann, co-founder of Memphis garage punks NOTS.

— Paul Simpson

Album cover for Forgotten Days

Forgotten Days

Nuclear Blast

Arkansas' psychedelic doom metal merchants balance a back-to-basics approach with melodic invention, prog asides, and fine production.

— Thom Jurek

Album cover for Some Funkettes

Some Funkettes

Dark Entries
R&B

A raw set of previously unearthed disco and funk covers recorded by the iconic producer between 1975 and 1977.

— Paul Simpson

Album cover for A La O Terre

A La O Terre

Castle Face

Drifting, thrilling, and fierce psychedelia with free jazz and prog influences from a trio of Canadian explorers.

— Tim Sendra

Album cover for Rainbow Sign

Rainbow Sign

Blue Note

Composed as his father was dying, the trumpeter and his all-star quintet provide an intimate dialogue of emotional and spiritual resonance.

— Thom Jurek

Album cover for Sam Amidon

Sam Amidon

Nonesuch

Amidon's artistry is on full display on a return to folk covers that updates traditional fare as well as more-modern touchpoints like Taj Mahal.

— Marcy Donelson

Album cover for I Can Go With You

I Can Go With You

Tompkins Square

The Utah native delivers a timeless-sounding debut of windblown country-folk grace and rambling melancholia.

— Timothy Monger

Album cover for Big Vibe

Big Vibe

Pure Noise

The Canadian punk-pop band embrace big power pop choruses on their transformational fourth album.

— Matt Collar

Album cover for Milestones

Milestones

Mello Music Group
Rap

The Brooklyn rapper celebrates fatherhood on this highly autobiographical, jazz-tinged EP.

— Paul Simpson

Album cover for A Strange Dream

A Strange Dream

Slumberland

Working with the Clean's David Kilgour gives the indie pop trio a chance to dig deep into their love of Flying Nun-style pop.

— Tim Sendra

Album cover for SODO Pop

SODO Pop

Don Giovanni

Brilliant re-creation of the moment in the early '90s when grunge and power pop collided.

— Tim Sendra

Album cover for Islands

Islands

Century Media / Inside Out Music

In direct response to the global pandemic, the band wrote this sprawling work about isolation while in transcontinental quarantine.

— Thom Jurek

Album cover for Clearing

Clearing

Stones Throw

The experienced producer's first album is a joyous yet introspective fusion of synth-funk, hip-hop, and sci-fi themes.

— Paul Simpson

Album cover for La Noche De Los Dioses

La Noche De Los Dioses

Brownswood

The iconic, nonagenarian musician and architect of Mexican jazz delivers a brand-new recording for Gilles Peterson's Brownswood label.

— Thom Jurek

Album cover for Wildflowers & All the Rest

Wildflowers & All the Rest

Warner Bros. / Warner Music / Warner Records

Tom Petty's warm, stripped-down 1994 classic gets an expanded reissue with unreleased songs, demos, and live recordings.

— Stephen Thomas Erlewine

Album cover for 10 Songs

10 Songs

BMG

The focused ninth set from the Scottish quartet returns them to the heartfelt earnestness and warmth of their early days.

— Neil Z. Yeung