Editors' Choice for August 2020

Album cover for Whole New Mess

Whole New Mess

Jagjaguwar

A recontextualized solo version of 2019's All Mirrors (recorded prior to it) that stands emphatically on its own.

— Marcy Donelson

Album cover for Valentine

Valentine

Blue Note / Decca

The recorded debut by this trio delivers a slew of new tunes and deftly re-examines selections from the guitarist's catalog.

— Thom Jurek

Album cover for Acceptance

Acceptance

Mack Avenue

With the band that appeared on the Grammy-winning Rebirth and guests, the composer/pianist delivers an exotic, musically expansive outing.

— Thom Jurek

Album cover for BRONSON

BRONSON

Ninja Tune

A darker, more dramatic diversion from Seattle electronic duo ODESZA and Australian producer Golden Features.

— Paul Simpson

Album cover for Freeze, Melt

Freeze, Melt

Cutters Records

Influenced by ambient music and classic techno and sprinkled with subtle melodies, this sleekly minimalist album is a satisfying left turn.

— Tim Sendra

Album cover for Whoosh!

Whoosh!

Ear Music

The iconic hard rockers team with Bob Ezrin for the third time and "...put the 'Deep' back in 'Deep Purple'."

— Thom Jurek

Album cover for Late Checkout

Late Checkout

Carpark Records

Another slice of '70s-influenced summery pop delivered with whimsical charm and sugary sweetness, but more confidence than ever.

— Tim Sendra

Album cover for The Neon

The Neon

Mute

Following the politically mindful World Be Gone, an effervescent return to the clubs proves that the veteran duo are still masters of the melodic hook.

— Marcy Donelson

Album cover for Dreamland

Dreamland

Polydor / Republic / Wolf Tone

Autobiographical songwriting and playful pop culture references make the band's third album some of their richest music.

— Heather Phares

Album cover for Brazil305

Brazil305

Sony Music

With joyful abandon, the singer/songwriter explores the African musical connections between Brazil and Cuba via re-envisioned hits and new tracks.

— Thom Jurek

Album cover for Dialogues On Race, Vol. 1

Dialogues On Race, Vol. 1

Iacuessa Records

A sprawling, poignant, and cannily timed modern big band meditation on America's racial tensions that includes vocalists and strings.

— Thom Jurek

Album cover for All Rise

All Rise

Blue Note

The Grammy-winning singer returns to his original, crossover soul and jazz sound on his romantic, richly produced sixth album.

— Matt Collar

Album cover for Mirrored Aztec

Mirrored Aztec

GBV / Guided by Voices, Inc.

The band's fourth album in a 16-month period embraces power pop and clean production, with songs a cut above even their usual strong output.

— Fred Thomas

Album cover for Joy Unlimited

Joy Unlimited

Cadillac

A once-forgotten masterpiece of Caribbean- and African-influenced electric jazz led by one of Britain's finest musicians gets its due.

— Thom Jurek

Album cover for This Devastating Map

This Devastating Map

Joyful Noise

The ninth album from this Duster/Built to Spill side project is a homespun and pleasantly unpredictable take on melancholic indie songcraft.

— Fred Thomas

Album cover for Pyramid

Pyramid

Brainfeeder

Recorded and self-produced by the band in two weeks, Jaga Jazzist's seventh studio album is one of their most effortless-sounding releases.

— Paul Simpson

Album cover for Eight Gates

Eight Gates

Secretly Canadian

Lost 2008 recordings from the Magnolia Electric Co./Songs: Ohia leader revel in beautiful, introspective sorrow.

— Mark Deming

Album cover for Prisyn

Prisyn

Sargent House

Evan Patterson leaves Americana traditions in the dust in favor of shadowy, surreal electronic collages.

— Heather Phares

Album cover for Crave

Crave

Zebra Spirit Tribe

After injuries sustained in a car crash derailed her career, the singer/songwriter returns with life-affirming pop indebted to the '80s and '90s.

— Heather Phares

Album cover for The Wild Card

The Wild Card

Listen Back Entertainment
R&B

After a decade with Verve, the reliable 12-time Grammy nominee keeps moving forward with a solid first release for her new label.

— Andy Kellman

Album cover for Motherhood

Motherhood

Joyful Noise

Once strictly a doomy shoegaze band, this Montreal group uses their new album to explore everything from trip-hop to metalcore.

— Fred Thomas

Album cover for Source

Source

Concord

After two acclaimed EPs, the London-based saxophonist's debut album weds striking modern jazz to Afro-Caribbean musical traditions.

— Thom Jurek

Album cover for In Search of Lost Time

In Search of Lost Time

RCA

Adventurous production and excited, inspired collaborations make for one of this reggae singer's most colorful and progressive albums.

— Fred Thomas

Album cover for Use Me

Use Me

Warner Records

Cathartic breakup set that pushes Lynn Gunn's sound further into beat-centric, electronic rock territory.

— Neil Z. Yeung

Album cover for Nashville Tears

Nashville Tears

Century Media / Cooking Vinyl

The British singer's immaculately produced exploration of the work of country songwriter Hugh Prestwood.

— Matt Collar

Album cover for Shabrang

Shabrang

Butler Records

The singer, songwriter, and producer's second album blends traditional and futuristic sounds in an epic journey from pain to strength.

— Heather Phares

Album cover for Happy Birthday

Happy Birthday

Merge

Another confident and original outing from Eva Moolchan that explores everything from astrological traits to weather and politics.

— Timothy Monger

Album cover for En Español

En Español

Mono Mundo Recordings

Putting their country and retro-rock influences on hold, the band deliver an eclectic Latin set showcasing vocalist Raul Malo.

— Mark Deming

Album cover for Microphones in 2020

Microphones in 2020

P.W. Elverum & Sun

Phil Elverum revisits his beloved indie pop project with an ambitious yet humble musical memoir that honors his past and present selves.

— Heather Phares

Album cover for Which Way Am I?

Which Way Am I?

Mint Records

The simple but expansive guitars of this Canadian indie pop trio build on the influences of the Feelies and Television.

— Mark Deming

Album cover for Flowers of Evil

Flowers of Evil

House of Mythology

In celebration of their 25th anniversary, Ulver dig even deeper into dark, doom dance sounds birthed on 2017's Assassination of Julius Caesar.

— Thom Jurek

Album cover for 1978: The Year the UK Turned Day-Glo
Various Artists

1978: The Year the UK Turned Day-Glo

Cherry Red

Excellent three-disc set chronicling the year British punk began splitting off in new directions and grew from a fad into a movement.

— Mark Deming

Album cover for Plum

Plum

Captured Tracks

As grounded in reality as it is dreamy, the duo's fifth album is some of their most immediate and compelling music.

— Heather Phares