Editors' Choice for July 2020

Album cover for Forever Blue

Forever Blue

Bella Union

The first album from this vocalist, songwriter, and multi-instrumentalist is a beautifully dark exercise in post-rock dynamics.

— Mark Deming

Album cover for Hum

Hum

Ipecac

The masterful third solo outing by the guitarist, producer, and songwriter reflects deeply on loss, acceptance, and rebirth.

— Thom Jurek

Album cover for Grand Prix

Grand Prix

Wrasse

France's pre-eminent pop songwriter looks back at a life of joys, failures, relationships, musical obsessions, and Formula 1 Racing.

— Thom Jurek

Album cover for Cannibal

Cannibal

Music for Nations / Sony Music

The British metalcore group's sixth effort delivers a weighty set that tosses melody and might into a blender and spams the pulse button.

— James Christopher Monger

Album cover for Connect

Connect

Gearbox

A rare small-group date from the trumpeter and his first studio album since 2007's Grammy-nominated With Love.

— Matt Collar

Album cover for Be Water

Be Water

Mack Avenue

The jazz pianist draws inspiration from the philosophy and skill of martial arts legend Bruce Lee.

— Matt Collar

Album cover for Flower of Devotion

Flower of Devotion

Fire Talk

With sharper production and an overall push for more electric performances, the Chicago indie trio's third album finds them growing deeper into their melancholic, twilight-toned sound.

— Fred Thomas

Album cover for Adelphi

Adelphi

Discos De Kirlian / Shelflife

On their first new full-length since 1993, this Australian indie pop band rewire their fuzzy pop sound into something more futuristic and daring.

— Fred Thomas

Album cover for Ekhidna

Ekhidna

Rune Grammofon

Commissioned by the Vossajazz Festival and re-created in the studio, this sextet outing is the fiery guitarist's first outside her longstanding trio.

— Thom Jurek

Album cover for Interloper

Interloper

Reverberation Appreciation Society

The reliably psychedelic Texas combo add more synths to the mix on their nuanced and atmospheric fifth album.

— Tim Sendra

Album cover for All the Time

All the Time

Hyperdub

The Hyperdub artist's third album is characterized by a stronger emphasis on lyrics and a sturdier post-disco R&B foundation.

— Andy Kellman

Album cover for Legends Never Die

Legends Never Die

Interscope
Rap

Posthumous studio album from genre-bending rapper/songwriter is some of his best, and saddest, material.

— Fred Thomas

Album cover for Wu Hen

Wu Hen

Black Focus / Warp

On his second date as a leader, the keyboardist and producer offers a variety of familiar genres and styles as building blocks for a new sound.

— Thom Jurek

Album cover for The Absence of Presence

The Absence of Presence

Inside Out Music

Four years on from Prelude Implicit, the American rockers returned to the studio to deliver an album comparable to their best work.

— Thom Jurek

Album cover for Dream or Don't Dream

Dream or Don't Dream

Darla Records

Sounding like a lost gem from the guitar-heavy early '90s, the Canadian group's fourth album is a dreamy, gazey, near-grunge delight.

— Tim Sendra

Album cover for The Balladeer

The Balladeer

CN Records

The veteran singer/songwriter turns in another reliably poignant and warmly crafted collection with a deeply personal feel.

— Timothy Monger

Album cover for Brazilian Dorian Dream

Brazilian Dorian Dream

Far Out / Far Out Recordings

Privately pressed in 1976, this set lives up to the "holy grail" hype with a perfect beat-centric fusion of jazz, funk, samba, and classical harmony.

— Thom Jurek

Album cover for Long Lost Solace Find

Long Lost Solace Find

Paradise of Bachelors

The solo debut from the leader of the abrasive Purling Hiss is a stunning turn towards gentle acoustic beauty and understated arrangements.

— Fred Thomas

Album cover for Pure Luxury

Pure Luxury

Memphis Industries

Michael Lovett's satirically funky third album decries the issues of the 2020s and has fun doing it.

— Heather Phares

Album cover for Maxyboy

Maxyboy

Ghostly International

More refined and detailed than his earlier releases, Max Ravitz's first Ghostly LP is a moody, vibrant collection of IDM, electro, and acid tracks.

— Paul Simpson

Album cover for Dry: Demos

Dry: Demos

Island / Universal

The demos of the singer/songwriter's brilliant debut album let the beautiful, nimble bones of its songs stand on their own.

— Heather Phares

Album cover for Ultimate Success Today

Ultimate Success Today

Domino / Domino Recording Co. Ltd.

The Detroit post-punk heroes add flashes of free jazz and experimentalism to their formula and reach a new high in artful bad karma.

— Mark Deming

Album cover for Comma

Comma

Thrill Jockey

The Chicago post-rock fixture presents his most focused and emotionally resonant set of electronic instrumentals yet.

— Fred Thomas

Album cover for Heart's Ease

Heart's Ease

Domino

The British folk icon returns to the recording studio to create a strong, confident, and forward-thinking album at the age of 85.

— Mark Deming

Album cover for The Making of You

The Making of You

Ba Da Bing Records / Glass Modern

The second album from these Scottish folk-rock advocates blends British cool and American warmth and twang with gorgeous results.

— Mark Deming

Album cover for Feel Feelings

Feel Feelings

Because Music

The singer/songwriter moves on from trauma with uninhibited songs that blur joy, loss, and sensuality together beautifully.

— Heather Phares

Album cover for Jump Rope Gazers

Jump Rope Gazers

Carpark Records

Born from 18 months on the road, the more reflective follow-up to their breakout debut makes room for slower tempos without skimping on catchy hooks.

— Marcy Donelson

Album cover for Gaslighter

Gaslighter

Columbia / Sony Music

The Chicks leave country and the past behind on this richly emotional and defiant album.

— Stephen Thomas Erlewine

Album cover for Recover

Recover

Somewhat Damaged

The Los Angeles-based New Zealand-bred synth pop outfit pares down to a duo for their effusive, uplifting fourth album.

— Matt Collar

Album cover for Flail

Flail

Dais

The confrontational Brooklyn duo produce a challenging, unstable mixture of broken industrial and power electronics on their bracing second LP.

— Paul Simpson