Another fascinating mix of punk energy and prog rock fantasies from the Austin, TX mavericks.
A succinct sampling of Franklin's early-'60s output for Columbia, featuring interpretations of "God Bless the Child," "Skylark," and "How Deep Is the Ocean."
Producers like Four Tet, Clark, and Interpol’s Sam Fogarino help the underground rapper deliver this challenging but very rewarding effort.
Fans of orchestral pop will find much to love on the band's debut record, from excellent arrangements right through to the very hooky tunes.
Showcased the saxophonist/multi-reedist's phenomenal multiphonic improvisation style and circular breathing technique.
The Lancastrian terror alchemists combine and expand their three continuously mesmerizing releases from 2010.
A 20-track overview covering the guitarist's four albums released on Sussex from 1971 through 1973.
Dream Diary's debut album is a treat for fans of indie pop as originated by Sarah Records in the late '80s, full of great songs and wonderfully sensitive vocals.
Earth's sound evolves texturally and melodically on Angels of Darkness, Demons of Light, Vol. 1 thanks to a new bassist and cellist.
Featuring the smash Jamaican hit “Nuh Linga,” Dance & Sweep! is an aggressive and authentic blast of dancehall.
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Debut solo album that reflected the pop singer's maturity and made him an award-winning international star.
Grizzly Bear's nostalgic music and Penny & the Quarters' "You & Me" provide the perfect backdrop to this film's broken hearts and dreams.
Gil Scott-Heron and Jamie xx collaborate on the remix of 2010's I'm New Here with ear-opening results.
The second volume in Johnny Cash's Bootleg series is packed with rarities and unreleased material that focuses on the '50s and '60s.
Kurt Elling's The Gate makes a convincing case for new jazz standards with innovative readings from the canons of rock, pop, and soul.
Bitches Brew Live compiles two different performances from the Newport and Isle of Wight festivals with three unreleased cuts.
Mogwai reunite with their Young Team producer on this small-scale triumph.
Atkins' second release is a solid breakup record, with guitar-driven arrangements and fiery vocals to match the songs' content.
Keith Morris captures the raw aggression of old-school hardcore with his new project, Off!
By turning her focus from the personal to the political on these angry, mournful songs, Harvey reaches new artistic heights.
Asleep on the Floodplain was three years in the making and worth the wait.
Like fellow Australians the Birthday Party, Slug Guts fill their sophomore outing with dark, fractured post-punk.
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With an experimental haze and themes reflecting the film's vignette-like storytelling, Simon Werner a Disparu stands among Sonic Youth's best soundtrack work.
Party Store is a tribute to the founders and innovators of Detroit techno done loud and raw Dirtbombs style.
The group's third album features inspired guest appearances, a revitalized sound, and their catchiest songs to date.
Intimate Americana album whose recording location -- a vacant factory -- added resonance to the band's close harmonies and folk songs.
Toro y Moi's second album is less chillwave and more space age bachelor pop (à la Stereolab) with a couple disco tracks thrown in for good measure.
The Kompakt label's 12th ambient compilation features some new blood in the form of Crato, Barnt, and Bhutan Tiger Rescue.
The Canadian band shifts to a more mature, ambitious brand of '80s-influenced sophisti-pop.
