City of Refuge
Abigail Washburn's wildly ambitious City of Refuge was produced by Tucker Martine.
Abigail Washburn's wildly ambitious City of Refuge was produced by Tucker Martine.
Afrodesia, the sole and ultra rare album by the Afro-Soultet, gets a welcome reissue by Luv N'Haight.
Deerhoof return with some of their catchiest and weirdest pop since Friend Opportunity.
The lo-fi indie duo appropriates doo wop, '60s psych, and garage rock on its Hardly Art debut.
Expanded to a quartet, Fujiya & Miyagi's style has taken a dark turn, and it suits the Brighton electro-pop group well.
Iron & Wine's fourth full-length album is their most exceedingly well produced to date, and Sam Beam's songs are as strong as ever.
While on their 2010 world tour, LCD Soundsystem stopped by a London studio to rip through the highlights of their live set.
On the appropriately titled Hilarious, the recently divorced standup comedian gives his thoughts on reentering the dating world at the age of 41.
Once more the Ethiopiques series delves into the catalog of vocalist Mahmoud Ahmed, this time fronting the swinging Imperial Bodyguard Band.
Minks' moody pop comes into its own on the duo's first full-length.
Wighnomy Brothers' Robag Wruhme assembles an exceptionally layered set of mostly subdued techno for the Kompakt label.
Sam Shackleton's exhilirating contribution to the Fabric series consists of his own unclassifiable productions, just over half of which are brand-new.
Sic Alps return from a two-and-a-half-year hiatus with a sprawling mosaic of psych-pop and noise.
On his second album -- and first in the West -- guitarist Sidi Touré and friends play the organic Songhai Blues of Mali.
Smith Westerns clean up their sound but still deliver indie pop with a classic rock punch.
Major-label debut that helped the alternative country band's accessible, familiar sound start to reach a wider audience.
The comically inclined U.K. indie pop band ends on a high note after ten years together.
Taking a lesson from '60s garage punk, Ottawa's the White Wires offer up a dozen songs blessed with great melodies, memorable hooks, and lyrics that are cool, witty, and heartfelt all at once.
On Lagrimas Mexicanas, Vinicius Cantuaria and Bill Frisell offer an exotic, sexy, and sophisticated collection of Latin songs crossing all borderlines.
Though influenced heavily by shoegazers and Sonic Youth, the quintet from San Francisco creates its own unique noise on its debut album.