Music Sounds Better with You continues the Acid House Kings' streak of perfectly produced, super hooky indie pop records that rank among the best of the style.
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Beady Eye, the Liam Gallagher-fronted group rising from the ashes of Oasis, play some furious rock and pop on their debut album Different Gear, Still Speeding.
More masterful than dazzling, Mind Bokeh is nevertheless another set of gorgeous electronic pop songs.
The Puerto Rico-based garage punks' second album is just as much wall-shaking, snot-nosed fun as their debut.
The German audiovisual duet returns with another album of vivid, mischievous electronic pop.
Grails add more dramatic textural elements to their sound and create a heavier-than-thou brand of 21st century library music.
Hunx & His Punx's debut album updates the pop of the '50s and '60s, giving it a modern lyrical outlook and a ramshackle garage punk energy.
The follow-up to Hudson's Grammy-winning debut is highlighted by collaborations with Alicia Keys, Swizz Beatz, Salaam Remi, and R. Kelly.
Vile's laconic, serpentine melodies and amiable, burnout wisdom keep the listener enthralled.
Left Lane Cruiser's fourth album (and third for Alive Records) continues the two-piece band's distinctive and searing merger of North Mississippi hill country blues with thrash punk.
The solo debut from Floetry's Marsha Ambrosius features several steamy ballads and a cover of Portishead's "Sour Times."
Ben Lamdin's Nostalgia 77, fronted by Josa Peit, deliver a jazzed-up pop stunner with folk and R&B overtones.
Though Jason Quever and company pursue a bigger and brighter sound, Papercuts' pop pleasures are as subtle as ever.
Phil Ranelin's Perseverance, with Big Black and Henry Franklin, showcases the compositions of a visionary jazz master at a peak.
Rival Schools return with a focus on melody on their long-awaited sophomore album, Pedals.
This irresistible set collects all of Sam the Sham & the Pharaohs’ singles and B-sides for MGM Records between 1965 and 1968, plus lead singer and organist Domingo Samudio’s one-off comeback single for the label from 1973.
Belong has the sonic qualities of a classic early-'90s alt-rock album along with the high-quality songwriting and energetic performances that made the group's debut so satisfying.
Those Dancing Days' polished '80s dance-rock and post-punk-influenced sophomore album.
On their second album, Those Darlins toss aside the folk, country, and cowpunk of their debut in favor of a garage punk attack that sounds more Detroit than Tennessee.
