Featured New Releases for
March 24, 2017

The Afterlove

Atlantic / East West
The "You're Beautiful" crooner takes a risky but rewarding shift into pop territory with the help of Ryan Tedder and Ed Sheeran.

— Neil Z. Yeung

Brood X

In the Red Records
Long-awaited album from this punk-blues supergroup is less physical than their early work, but just as dirty and satisfying.

— Mark Deming

Untouchable

God
Recorded at Ty Segall's studio and featuring the man himself on drums, the band's fifth album is a punchy, jangling delight.

— Tim Sendra

Heartless

Profound Lore
On their third full-length, this Little Rock doom quartet move further afield to excellent result without leaving their origins behind.

— Thom Jurek

Whiplash Splash

Arrested Youth Records
As Whiplash Splash proves yet again, the Dollyrots are made for fun, built for speed, and safe at any speed.

— Tim Sendra

The Wild

Ice H2O / Mood Muzik
Rap
Mostly strong-arming street survivalism from Corey Woods, enhanced with guest appearances from Andra Day and CeeLo Green.

— Andy Kellman

A Crow Looked at Me

P.W. Elverum & Sun
Recorded shortly after the death of Phil Elverum's wife, Geneviève Castrée, this is a beautiful, harrowing expression of grief.

— Heather Phares

Eternity, in Your Arms

Roadrunner / Roadrunner Records / Warner Music
The English horror-punk outfit's stellar debut delivers pit-worthy, minor-chord verses that almost always yield fist-pumping, arms-around-your-mates choruses.

— James Christopher Monger

Tuxedo II

Stones Throw
More robo-funk, post-disco glitter, and '80s R&B from the natty revivalists Mayer Hawthorne and Jake One.

— Tim Sendra

Concrete Desert

Ninja Tune
This meeting of two seemingly dissimilar talents results in a successful, holistic exercise in atmospheric paranoia, tension, and dread.

— Thom Jurek

Under the Pines

Fire Records
The Philadelphia space rock veterans conjure up an uneasy mix of bliss and sadness on their 2017 full-length.

— Paul Simpson

The Valley

RCA
The singer's second album expands her influences from the '80s to the Top 40 of the 2010s.

— Heather Phares

Wildhorse

Warner Bros.
An affable mix of electronic-laced pop and warm country storytelling from this budding star.

— Timothy Monger

You Had Me at Goodbye

Ramseur Records
Still with producer John Vanderslice, the indie folkstress' fifth LP embraces synths and glistening strings for a turn toward earthy indie pop.

— Marcy Donelson

Tremaine the Album

Atlantic
R&B
The follow-up to the chart-topping, platinum-certified singer's sixth album is stocked with hyper-libidinal slow jams.

— Andy Kellman

Midnight

Cooking Vinyl
For his Cooking Vinyl debut, the English singer returns with more love songs and a ramped-up sound with production by Oh Wonder's Anthony West.

— Marcy Donelson

Feral Ohms

Silver Current
A three-headed beast of brazen, noisy guitar rock from this Bay Area power trio.

— Timothy Monger

Year of the Snake

Tankcrimes Records
The Canadian punk band lets its experimental side run wild on this installment of its Zodiac singles series.

— Mark Deming

Imaginary Enemies

Father/Daughter Records
Fast, infectious morsels of indie rock/pop-punk from a power trio formed by members of The Chris Gethard Show's house band.

— Marcy Donelson

Epithymía

Kranky
Dark, devastating second album from Anjou, the duo of former Labradford members Mark Nelson and Robert Donne.

— Paul Simpson

The Psalms

Black Country Rock
A hushed, haunting testimonial to the power of enduring faith produced by Lenny Kaye.

— Stephen Thomas Erlewine

Electric Glitter Boogie

In the Red Records
Monumentally loud and just as simple, this Australian power trio has energy and snazz to spare, but the songs are lacking.

— Mark Deming

Prototype

Shanachie
A set of slickly delivered contemporary jazz from the keyboardist and his group, featuring bassist Jimmy Haslip and saxophonist Andy Snitzer.

— Matt Collar

Undertow

Lower Floor Music
Debuting their Lower Floor imprint, Michigan's trip metal kings Wolf Eyes deliver another descent into confusion and paranoia.

— Paul Simpson

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