Featured New Releases for
September 16, 2016

We're All Gonna Die

Hub Records
A literate, lightly experimental fifth album from the Los Angeles outfit finds them pushing their rootsy rock in imaginative directions.

— Matt Collar

Hard II Love

RCA
R&B
The R&B superstar's most pleasing album in over a decade, highlighted by work with Pop & Oak, the-Dream, and PartyNextDoor.

— Andy Kellman

The Divine Feminine

Warner Bros.
Rap
Crass and heartfelt love songs from the Rust Belt rapper, featuring collaborations with Ariana Grande, Anderson Paak, and Dâm-Funk.

— Andy Kellman

Secular Hymns

Verve
The acclaimed vocalist delivers an intimate set of covers recorded with her trio at the Parish Church of Saint Mary the Virgin in England.

— Matt Collar

KoKoro

The Control Group
Adding a diverse array of world instruments to the already forward-thinking pop sound makes for the Swedish artist's most interesting record to date.

— Tim Sendra

Kindly Now

Oak Ten Records / PIAS / Play It Again Sam
The singer/songwriter's third official solo LP balances heart-wrenching balladry with occasionally experimental chamber pop.

— Marcy Donelson

Sonderlust

Joyful Noise
K Ishibashi's third solo LP tweaks his sound toward the electronic and loads elaborate design into wistful dance grooves.

— Marcy Donelson

Braver Than We Are

429 Records
Meat Loaf reunites with his greatest composer, Jim Steinman, for this operatic and bittersweet album.

— Stephen Thomas Erlewine

Bodywash

Stones Throw
R&B
More post-Dâm-Funk than it is post-Dilla, Ringgo Ancheta's second Stones Throw album is a kicked-back modern funk diversion.

— Andy Kellman

Sinner

Dot
The Staind singer's second country album is an improvement over the first thanks to producer Buddy Cannon.

— Stephen Thomas Erlewine

DSU

Run for Cover Records
Label debut of songwriter and bedroom-recording specialist Alex Giannascoli, who'd already created a buzz with several uploaded records.

— Marcy Donelson

Disappear Here

BMG / Vagrant
The L.A.-based band's much anticipated sophomore LP delivers a summery blast of windows-down guitar and synth pop with a post-punk twist.

— James Christopher Monger

Porcupine Meat

Rounder / Rounder Records
On his best-produced album in years, the 83-year-old blues, soul, and funk wildman cuts the mustard and then some.

— Mark Deming

Pocho Aztlan

Nuclear Blast
First album in 16 years from these grindcore/death metal legends finds them covering familiar ground with impressive strength.

— Mark Deming

CC Dust

K Records
Moody electro and New Order-style synth pop from a duo fronted by the impressive Mary Jane Dunphe, also of Olympia punk band Vexx.

— Tim Sendra

Legends Never Die

eOne
Rap
The rapper's second posthumous effort is inferior to the first one, if not without some highlights.

— Andy Kellman

Ride or Die

Ruf Records
The most confident recording to date from this Southern songwriter and guitarist is drenched in blues, soul, and rock.

— Thom Jurek

Popestar

Loma Vista
Popestar finds Ghost parsing through their vestment-black Rolodex and pulling out a compelling quartet of covers, along with a new, radio-ready original.

— James Christopher Monger

FurFour

Thrill Jockey
Alexander Tucker and Daniel O'Sullivan continue to refine their experimental synth pop sound on their fourth album as Grumbling Fur.

— Paul Simpson

Become Zero

Thrill Jockey
Cellist/composer Alison Chesley's stunning fifth album (and first for Thrill Jockey) reflects on the death of both of her parents.

— Paul Simpson

Orphée

Deutsche Grammophon
The composer's first album in six years builds on the Orpheus myth, exploring death, rebirth, and creativity with affecting nuance and beauty.

— Heather Phares

Feature Magnetic

Mello Music Group
Rap
Hip-hop's most legendary eccentric sounds energized and surreal as ever on this collaboration-heavy, mostly self-produced full-length.

— Paul Simpson

The Small Hours

Acid Jazz
His first album recorded with a band is also the strongest collection of songs and performances yet from the actor/musician.

— Tim Sendra

Psi

Warp
With the help of a guest vocalist, patten's second album for Warp is more focused and immediate than past efforts.

— Paul Simpson

Preoccupations

Jagjaguwar
The Canadian indie rockers adopt a new name and a more accessible sound that's still full of rough, oddly moving beauty.

— Heather Phares

Alienist

Angry Love Productions
Genesis Breyer P-Orridge's long-running group continues its 21st century psychedelic rock sound while nodding to its acid house era.

— Paul Simpson

Spaceland

Morr Music
Sindri Már Sigfússon abandons his project's folkier origins for glitchy, R&B-inflected electropop on an LP informed by the onset of panic attacks.

— Marcy Donelson

Dead Blue

Wrecking Light
Inspired by the duo's move to the seaside, Still Corners' third album creates a compelling tension between their experimental and pop impulses.

— Heather Phares

Sumerlands

Relapse Records
Philly power metal quintet readily references the music's unholy lineage, while adding enough individuality to create a memorable debut.

— Thom Jurek

Tidal Wave

Hopeless Records
Tidal Wave sees Taking Back Sunday pay homage to their emo roots without falling back on destructive habits.

— James Christopher Monger

The WiNK

Drag City
White Fence's Presley makes his solo debut on an off-kilter batch of songs produced and embellished by Cate Le Bon.

— Tim Sendra

Fixion

In My Room
The Danish electronic mastermind's icy, minimalistic fourth LP is assisted by a trio of well-suited vocal collaborators.

— Timothy Monger

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