Featured New Releases for
December 4, 2012

Pale Fire

The Control Group
This Swedish songwriter moves further away from the soft chamber pop of her earliest work, incorporating more electronic elements into her dark pop.

— Fred Thomas

Synthetica [Deluxe Edition]

Crystal Math / MMI
Picking up where Fantasies left off, Synthetica is another glossy modern pop gem filled with hooky songs brilliantly sung by Emily Haines.

— Tim Sendra

Warrior

RCA
Ke$ha's second album Warrior is a gloriously tacky call to arms for freaks, burnouts, slackers, and white trash all around the world.

— Stephen Thomas Erlewine

O.N.I.F.C.

Atlantic
Rap
The follow-up to this stoner MC's 2011 breakout Rolling Papers narrowly avoids becoming the dreaded sophomore slump, but still feels uninspired.

— Fred Thomas

Parklive

Virgin
Blur's concert at the conclusion of the 2012 London Olympics is captured on the triumphant Parklive.

— Stephen Thomas Erlewine

No Sleep Til Houston

SMC Entertainment / SMC Recordings
Rap
With help from Bun B and others, the rapper celebrates his hometown of Houston on this back-to-basics winner of a mixtape.

— David Jeffries

My Way

INgrooves / Singso
The velvety-voiced reggae singer's first album in five years is a comfortable return to form and smooth as silk.

— David Jeffries

Right Place Right Time

Epic
The 2009 X Factor runner-up's third album features catchy funk and soul-inflected pop that brings to mind a mix of Maroon 5 and the Wanted.

— Matt Collar

Dig This!

Real Gone Music
The sophomore effort from Blue Note’s first female signing is a stone killer example of jazz-funk in its prime, and one of her finest records.

— Thom Jurek

Wayfaring Stranger

Real Gone Music
The flute master’s only date for Blue Note reveals a chameleon-like balancing act between early jazz-funk and free improv.

— Thom Jurek

Say Who

Kingston Sounds
This collection from one of roots reggae's best-known vocalists shows his distinctive talent touching his best-known hits and obscurities alike.

— Fred Thomas

Anthology

Cherry Red
A repackaging of best love songs and a few rarities from this U.K. group who experienced their cult-following glory days in the early '90s.

— Fred Thomas

Prokofiev

Decca
Jansen's reading of No. 2, ably accompanied by the London Philharmonic Orchestra under Vladimir Jurowski, has a pearly quality throughout, a kind of bright ease, that comes only at the highest levels of technique.

— James Manheim

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