Featured New Releases for
November 6, 2012

Live at Hull 1970

Geffen
Recorded the night following the concert that became the legendary Live at Leeds, this live recording is equally powerful but somewhat redundant.

— Fred Thomas

R.E.D.

Motown
R&B
Dominated by compliant dance-pop, Ne-Yo's first Motown album is closer to a modern Dancing on the Ceiling than In a Special Way.

— Andy Kellman

Luxury Problems

Modern Love
Creeping, spellbinding menace from the "knackered house" sovereign, joined here by opera-trained singer Alison Skidmore and other voices.

— Andy Kellman

Iamamiwhoami [CD/DVD]

To Whom I May / To Whom It May Concern
The viral stars prove that there's more than just gimmickry to their music with their debut's evocative electronic pop.

— Heather Phares

Now

H&I
R&B
Released to mark her 50th anniversary as a recording artist, this set is heartwarming but hurt by slick production.

— David Jeffries

Temporal

Ipecac / Liberator
This posthumous release of rarities from the now defunct post-metal icons explores the depths of the band's catalog.

— Gregory Heaney

WOW

Monkeytown
This mini-album, which arrived shortly after the meticulous Parastrophics, showcases Mouse on Mars' mischievous, hyperactive side.

— Heather Phares

Rave Age

Different
Pascal Arbez nods to EDM's thriving popularity on this revved-up yet eclectic set, which spans dancefloor burners as well as synth pop.

— Heather Phares

Take the Crown

Island / Universal
The ninth LP from the British warhorse finds Robbie doing what Robbie does best: writing and performing effortless pop music.

— John Bush

The Inner Mansions

Lefse Records
A song cycle examining love and spirituality, this is some of Teen Daze's most polished yet emotional music.

— Heather Phares

Sleepwalking

Graveface Records
Combining swirling lo-fi synth-y pop, sticky sweet vocals, and spookily unsettling words, the trio scares and soothes on their debut.

— Tim Sendra

Miracle

Essential Records
The 12th studio outing from the venerable CCM rockers utilizes the seasoned, commercial pop knob twiddling of producer Brendan O'Brien.

— James Christopher Monger

The Fear Record

The End
2012 re-recording of the band's landmark 1982 offering is equal parts middle finger to the pitfalls of album licensing and a straight-up cash grab.

— James Christopher Monger

LateNightTales

LateNightTales
The British indie pop trio picks its favorite late-night listening from '70s disco to more contemporary ambient electronic artists.

— Matt Collar

Just to Feel Anything

Editions Mego
In their most accessible and polished release to date, this once-noisy trio incorporates drum machines and cinematic compositions into their synth-heavy sound.

— Fred Thomas

The Fame Recordings

Ace
Dan Penn recorded these 24 tracks -- only one of which was previously released -- at Muscle Shoals, Alabama's Fame Studios between 1964 and 1966.

— Stephen Thomas Erlewine

Kings & Thieves

Century Media
Only months after being fired from Queensrÿche, vocalist and songwriter Geoff Tate strikes out on his own.

— Thom Jurek

Résumé

ECM
The electric standup bassist combines solo pieces from live performances, rearranges them, and adds other instruments to create new compositions.

— Al Campbell

Various Artists

Now That's What I Call Music! 44

EMI
Hot 100 number ones from Maroon 5 and Flo Rida, along with PSY's global phenomenon "Gangnam Style," are featured on 2012's fourth Now round-up.

— Andy Kellman

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