Twenty years after forming, the band deliver a career peak with their sixth album's twisted sonics and fun, wide-ranging songwriting.
The erstwhile home recordist challenged a half-dozen engineers to put their "best" quality forward on an eerily disjointed and dynamic ninth LP.
After a five-year absence, the group return with a bulked-up and refined version of their sound that adds even more energy and drama.
The second solo album from the Ride guitarist/songwriter traverses a wide range of styles while meditating on self-acceptance and the passing of time.
On their 11th studio album, this experimental institution embrace their pop side while still pushing their sound to new, strange places.
Members of Burnt Palms, Lunchbox, and Kids on a Crime Spree make a not-to-be-missed trio debut for fans of punk-leaning D.I.Y. indie pop.
Melancholy and inspiring, heartbroken and resolute, this is perfectly produced emo(tional) pop with great songs, and in Lili Trifilio, an impressive songwriter and vocalist.
The group's self-produced double album is a striking mix of ambition and heart that plays to their enduring strengths and reveals new ones.
The tenth studio album from one of indie pop's best-loved bands uses their familiar cheerful sounds to deliver weighty lyrical themes.
Delivering earthy illustrations of the many kinds of love and how they're expressed, the singer/songwriter's tenth album is one of her most moving.
A significant leap forward for the group with a more nuanced feel, better songwriting, and interesting creative choices.
The polished synth pop of this sixth set channels the spirits of Depeche Mode, Erasure, and Pet Shop Boys.
A late-career stunner that finds Doug Martsch giving the band's trademark indie rock sound a deeply psychedelic overhaul that's subtle and dreamily melancholy.
The Scottish multi-instrumentalist offers another set of sophisticated, elegant pop with a optimistic feel.
The sixth album from this abstract pop auteur replaces detail-oriented songcraft with smears of dense synth pop and plastic funk.
A mystical fusion of synth pop, dream pop, and R&B, the project's third album transforms fantastical sensuality into an inspiring sense of self.
The debut album from this band partly made up of ex-members of Ought turns away from that act's often emphatic style toward streamlined post-punk.
Genre- and period-hopping sophomore solo set that finds the prolific Australian singer dipping into various eras of his career.
The urgent tenth set from the indie rock stalwarts revitalizes the band and their sound in surprising, rewarding ways.
The Chicago trio furthers the enhanced clarity and emotional depth that began on their 2020 album, applying both to some of their best songs to date.
The 13th album from Canadian indie chameleon Dan Bejar finds him pushing his established idiosyncrasies into more experimental places than ever before.
The band's confident second album takes a quieter, slower approach that highlights their warmth, sensuality, and humor.
Trading in space rock ramble for a singer/songwriter-meets-noise rock approach, the group's fourth album is a slowcore triumph.
The British group's second collaboration and first original studio album with electronic artist Blanck Mass.
Hooky, '90s-style indie rock infused with Anne's potent, queer-oriented perspective.
The band's first album for Castle Face brings their fascinating concoction of post-punk, dub, kosmische, and psych into clearer view.
The stunning debut album from Pascal Stevenson's project delivers unflinchingly dark art-pop with a surprising streak of empathy.
The triumphant fifth set from the Florence Welch-fronted outfit finds healing through the power of physical release.
The Brits' ninth album acts as a stylistic retrospective while also pushing their Krautrock-rooted sound in new directions.
After a detour into acoustic sounds, the band return with a dark, dangerous, and thrilling album that adds dance grooves and death to the mix.
After some lineup changes and a rethink, the band come out blazing on a set of guitar-heavy, emotionally shattered post-punk- and shoegaze-inspired songs.
A stunning late-in-the-game indie rock revelation from a Chicago group barely out of high school but full of knowledge and inspired skill.
Recorded at the band's own studio, their crisp, engaging eighth album finds opportunities to grow closer -- or start over -- during moments of crisis.
The second full-length from this hard-to-pin-down artist expands his hybrid sound, jumping from '90s-informed alt-rock to rap to sad indie folk.
Filled with rapturous sounds and literary songwriting, Hval's 4AD debut is a dazzling distillation of her music.
The full-length debut from this experimental London duo is pop at its most baffling, but is kept listenable and thrilling by its captivating design.
The alt-rock outfit faces existential dread and global uncertainty with wit, heart, and another set of groove-based gems.
The solo debut from the former Priests lead vocalist is a confounding rush of noisy experimentalism and futurized pop.
Co-produced by Sonny DiPerri (My Bloody Valentine, DIIV), the debut of melodic shoegaze afficionado John Cudlip impresses with songs as well as sound.
Emilie Rex and Rick Alverson (Drunk, Spokane) revisit the distinctively hushed, haunted sound of their debut on the grief-informed follow-up.
The group's second album adds British folk and American slowcore influences to their sad and beautiful sound with great success.
A sublime record of sunny Euro-disco grooves, quirky indie pop melodies, and impeccable musicianship.
A warm embrace of sweet psychedelia from the team who made the thrilling Bon Voyage album; this time the feeling is peace rather than turmoil.
The genre-defying collective returns from a nine-year hiatus with arresting, wide-ranging songs united by unguarded emotions.
A less volatile, resigned state of mind inhabits an album whose brooding, alienated lyrics are often at odds with its shiny, '80s pop veneer.
Entirely self-recorded and produced sixth album from L.A. punk duo pushes their experimental tendencies to the forefront.
The Devon indie trio's debut is a beguiling fusion of cool motorik grooves and big melodies.
This joint album from the longtime collaborators taps into the essence of their individual strengths and delivers its songs with a newfound sense of carefree joy.
Based on the music for the dance piece The Sun Still Burns Here, Mike Hadreas' sixth album encompasses his music's extremes of beauty and rawness.
Inspired by their late friend and collaborator Philippe Zdar, the band puts their melodies and exuberance up front with winning results.
The band's fully realized yet surprising debut album adds complexity to their bracing mix of industrial, post-punk, and electronic music.
The esteemed sorcerer of pop surrealism's tightest and most potent outing in years.
Emerging from a lengthy hiatus, the multifaceted artist delivers uncompromising, empowering songs made for and in difficult times.
The Auckland indie rockers delve still deeper into melancholy on their third album, brimming with rock-solid hooks and vulnerability.
The fourth album of beautifully pristine bummer pop that trades murky melancholy for shimmering sadness and loses nothing in the process.
Molina's first album that combines -- perfectly -- the bracing power pop crunch, melody-rich Baroque pop, and tender ballads he has previously kept separate.
The group's cheeky, occasionally heartbroken debut captures twenty-something angst with all the wit and fun of their viral singles.
The duo's sixth album explores growth and loss with a hazy montage of storytelling and symbolism that feels as well-worn as a vintage garment.
Nearly a decade after Mosquito, the trio returns with a consistently engaging set of songs that hover between reflection and elation.
The singer/songwriter's seventh album rewrites her rulebook with songs that heighten the spectacle -- and liberation -- of her music.