A lively, vivid Italienisches Liederbuch from singers one wouldn't necessarily associate with Hugo Wolf.
New development in holy minimalism relies on effects arising from interactions of electronics, a string quartet, and a vocal group.
Attractive Warlock recital uses contemporary folk song settings to set off his distinctive style.
Superbly etched readings by Prohashka and Faust of Kurtág's miniature Kafka texts.
A Sterling debut album by an operatic singer who wisely chooses the operatic songs of Rachmaninov for her program.
Instrumental and vocal renditions of classic pop dance tunes are unusually convincing and idiomatic.
Impressive works from a neglected Flemish composer by a strong specialist group.
A superb new opera about police violence and its effects finds a powerful musical language.
Beautifully sung Orthodox choral music explores the nature of John Tavener's influence.
Beautifully sung Icelandic pieces trace connections among contemporary music, earlier repertory, and rock avant-garde.
Concert production of La bohème captures the headlong action despite pandemic-era restrictions.
Vaughan Williams rarities and more, performed with crack authenticity by an underrated choir.
A strong sampling of works by three contemporary choral composers, within the same stylistic universe, but quite individual.
An immensely useful collection of Barber's complete songs compiled by pianist Perez.
Splendid performances of underexposed music from the court of the Sun King.
The Choir of Girton College returns with more fascinating and neglected music by Ingegneri.
Ecumenical and eclectic choral music by Samuel Adler features a work written for the 75th anniversary of Kristallnacht.
Tenor Bostridge scores with a selection of gorgeous and little-known Neapolitan Baroque arias.
Everything clicks in this Bach release from countertenor Davies, from the program to the orchestral accompaniment to the organ.
Gorgeous art song repertory from Poland, largely unknown outside that country, receives a fresh look from countertenor Orliński.
Highly dramatic St. John Passion draws energy from its live, socially distanced performance in a theatrical setting.
Satisfying album of tenor-baritone duets harks back to an earlier era of opera stardom.
A conceptually vague but musically startling program helps DiDonato score anew.
This recording of early Latin sacred music by Handel features a major new talent.
Historically oriented performance of Pelléas et Mélisande impresses with vivid instrumental shadings.
A lovely, ethereal recording of the lesser-known of Rachmaninov's two large pieces of sacred chamber music.
Program from King's College traces the events of Easter week in fine performances of well-chosen material.
A magnificent Schütz recording captures not only the sumptuous style but the expressiveness the composer learned from two Italian trips.
Working from the premise that the heart of Monteverdi lies in recitatives, the ensemble Les Épopées delivers a remarkable performance.
Soprano Davidsen confirms her status as a major star in this recital of Grieg songs familiar and rarer.
A gripping cantata retelling and juxtaposing the stories of Sophocles' Antigone and anti-Nazi martyr Sophie Scholl.
Glass vocal works, originally for other media, work great as art songs in fine performances by Achrainer and Namekawa.
Bach-meister Suzuki turns to one of Bach's little-known predecessors in excellent performances.
Ambitious "metaphysical" song selections feature a lively dialogue between baritone Goerne and new accompanist Daniil Trifonov.
Obscure but attractive oratorios -- cantatas, really -- show Heinichen's wholesale transfer of the Italian Baroque style to Germany.
A strong entry in ORA's Renaissance Gems and Their Reflections series focuses on Victoria.
A splendid sophomore release by this new girls' choir, fitting an admirable variety of material into the English choral tradition.
Tippett's first opera succeeds in an energetic reading by Gardner.
Gripping, superbly performed collection of some of Schubert's most daring songs from baritone Hasselhorn.
Subject matter and artist meet bewitchingly in this survey of some supernatural Handelian females.
Fascinating music from Feshareki, blending classical composition, electronics, and turntablism.
Choral performances of Anglican psalm chants reveal their variety and responses to the biblical texts.
A splendid, spacious historical-instrument reading of the St. Matthew Passion.
Pristine performances in unusual intersections between the minimalist music of saxophonist Forshaw and traditional choral polyphony from Tenebrae.
Powerful release from the chamber choir The Crossing, featuring settings by Edie Hill of texts about extinct birds.
An unusual release from The Sixteen finds resonance in wartime, although recorded earlier.
Fresh new compositions, set to adaptations of a short text by John Henry Newman, represent something new from The Sixteen.
An energetic and enjoyable recording of Rameau's neglected final opera, a medieval spoof.
A convincing evocation of music that might have been heard at France's big royal wedding of 1660.