Editors' Choice for September 2016

Album cover for My Woman

My Woman

Jagjaguwar

The indie crooner premieres synths and a five-piece backing band on parts of LP four, which follows the emotional stages of an ill-fated relationship.

— Marcy Donelson

Album cover for The Easy Truth

The Easy Truth

Mello Music Group
Rap

Solid East-meets-Midwest hip-hop collaboration between Brooklyn MC Skyzoo and Detroit beatmaker Apollo Brown.

— Paul Simpson

Album cover for The Altar

The Altar

Harvest / Virgin EMI

Laying herself bare with unflinching honestly and vulnerability, the alt-pop singer presents a sacrificial broken heart on The Altar.

— Neil Z. Yeung

Album cover for Masculin Feminin

Masculin Feminin

Numero

Gathering their first two albums plus singles and rarities, this collection makes fascinating connections between the band's past and present.

— Heather Phares

Album cover for Porcupine Meat

Porcupine Meat

Rounder / Rounder Records

On his best-produced album in years, the 83-year-old blues, soul, and funk wildman cuts the mustard and then some.

— Mark Deming

Album cover for 22, A Million

22, A Million

Jagjaguwar

The third Bon Iver album is a fractured, electronically altered future folk album that's beautiful and strange at once.

— Tim Sendra

Album cover for The Manuscript

The Manuscript

Shanachie
R&B

Another solid addition to the Chicago native's deep discography of gospel-rooted soul, made with much of the crew that worked on Angie Stone's Dream.

— Andy Kellman

Album cover for We're All Gonna Die

We're All Gonna Die

Hub Records

A literate, lightly experimental fifth album from the Los Angeles outfit finds them pushing their rootsy rock in imaginative directions.

— Matt Collar

Album cover for KoKoro

KoKoro

The Control Group

Adding a diverse array of world instruments to the already forward-thinking pop sound makes for the Swedish artist's most interesting record to date.

— Tim Sendra

Album cover for False Readings On

False Readings On

Temporary Residence

Matthew Cooper continues to blend classical and shoegaze elements on his seventh full-length under the name Eluvium.

— Paul Simpson

Album cover for Negative Growth

Negative Growth

In the Red Records

Another album of brutally aggressive, sonically challenging modern punk from the Bay Area quartet.

— Tim Sendra

Album cover for Physicalist

Physicalist

Kranky

Brooklyn synth trio Forma make their Kranky debut with their ambitious, thoroughly stunning third album.

— Paul Simpson

Album cover for Ilusión

Ilusión

Metamorfosis / Sony Music

On her finest recording to date, this set showcases the contemporary singer/songwriter's skills in commanding a dazzling array of styles.

— Thom Jurek

Album cover for Big Mess

Big Mess

ATL / Atlantic / Canvasback

An exuberant, hooky album that finds the group balancing a newfound maturity with their playful, hippie-pop sensibilities.

— Matt Collar

Album cover for Become Zero

Become Zero

Thrill Jockey

Cellist/composer Alison Chesley's stunning fifth album (and first for Thrill Jockey) reflects on the death of both of her parents.

— Paul Simpson

Album cover for Stillicide

Stillicide

Sargent House

The Seattle-based trio delivers both might and magic via an 11-track blast of glacial post-rock/stoner metal grandeur.

— James Christopher Monger

Album cover for Blood on the Keys

Blood on the Keys

Alive Naturalsound Records

The blues punk's third solo outing is fiery, dynamic, and more varied than his earlier works.

— Timothy Monger

Album cover for Sonderlust

Sonderlust

Joyful Noise

K Ishibashi's third solo LP tweaks his sound toward the electronic and loads elaborate design into wistful dance grooves.

— Marcy Donelson

Album cover for KIN

KIN

Virgin EMI

A bright, colorful celebration of life that functions as a counterpoint to the meditative Invisible Empire/Crescent Moon.

— Stephen Thomas Erlewine

Album cover for Secular Hymns

Secular Hymns

Verve

The acclaimed vocalist delivers an intimate set of covers recorded with her trio at the Parish Church of Saint Mary the Virgin in England.

— Matt Collar

Album cover for FEAR

FEAR

Ear Music

18 albums in, these veteran prog rockers prove they have plenty left in the tank by delivering their best recording since 2004's Marbles.

— Thom Jurek

Album cover for Sorceress

Sorceress

Atomic Fire / Nuclear Blast

The Swedish band's 12th studio album tautly balances prog rock and traces of its historic past while traveling in new directions.

— Thom Jurek

Album cover for Psi

Psi

Warp

With the help of a guest vocalist, patten's second album for Warp is more focused and immediate than past efforts.

— Paul Simpson

Album cover for RR7349

RR7349

Relapse Records

After two of its members scored the hit Netflix series Stranger Things, Austin synth wizards S U R V I V E deliver their first album for Relapse.

— Paul Simpson

Album cover for Gotta Get Back

Gotta Get Back

Royal Potato Family

The singer/songwriter/guitarist reconnected to early childhood inspiration including family for this spirited and eclectic outing.

— Marcy Donelson

Album cover for Sea of Noise

Sea of Noise

Records
R&B

Inspirations for the tight retro-soul octet shift from the fiery '60s ballads of their debut to the more socially conscious era that followed.

— Marcy Donelson

Album cover for Here

Here

Merge

The Scottish guitar pop outfit return with an album of warm, poetic beauty and folk-inflected lyricism.

— Matt Collar

Album cover for Practice

Practice

Domino

Witty, fun, and rollicking debut by a brainy pop band fronted by legendary producer Clive Langer.

— Tim Sendra

Album cover for Nothing More to Say

Nothing More to Say

Daptone

Striking debut from Queens, New York band channeling vintage reggae and rocksteady; vocalist Dan Klein died three months before release.

— Mark Deming

Album cover for Cosmonaut

Cosmonaut

Tapete Records

The sophisticated pop band's fourth album since their 2010 re-formation shows that they haven't lost a step and maybe even gained a couple.

— Tim Sendra

Album cover for Leyendas

Leyendas

Erato

This is a remarkable meeting of performer and venue, a rare pleasure that will lead listeners to rediscover familiar favorites.

— James Manheim

Album cover for Dusk

Dusk

Trouble in Mind

The duo's third album in three years adds more keyboards and drums to the mix without losing any of their restrained autumnal brilliance.

— Tim Sendra

Album cover for Super Low

Super Low

Bayonet Records

Artful post-punk jangle meets Athens-inspired college rock from this crafty Atlanta-based quintet.

— Timothy Monger

Album cover for Heads Up

Heads Up

Rough Trade

Recorded in just a few months, the band's third album adds urgency to their hypnotic music.

— Heather Phares

Album cover for Yellowcard

Yellowcard

Hopeless Records

The bittersweet final album from the Jacksonville band that devastates with emotion and nostalgia, both a gift and perfect farewell to fans.

— Neil Z. Yeung