Editors' Choice for August 2016

Album cover for Something to Ruin

Something to Ruin

Partisan / PTKF

On their third album, Tim Perry's exuberant 11-piece spins bright harmonies while tackling the fallout of corporatization and gentrification.

— Marcy Donelson

Album cover for The Powerful Now

The Powerful Now

Shanachie
R&B

A surprisingly diverse yet hardly aimless album from the Georgia native, made with early collaborator Eddie Stokes.

— Andy Kellman

Album cover for Moon Saloon

Moon Saloon

Bella Union

On their second LP, the New Englanders vanquish all trendiness in favor of free-flowing, yet widely accessible exploration.

— Timothy Monger

Album cover for Anything But Words

Anything But Words

Warner Bros.

Stellar debut from the Interpol frontman and Wu-Tang leader that meshes so well it sounds like they were meant to be together all along.

— Neil Z. Yeung

Album cover for Till the Tomb

Till the Tomb

NUA Entertainment

The British trio move away from the tropical jams of their debut and deliver a sophisticated, hypnotically jazzy sophomore album.

— Matt Collar

Album cover for And Then Like Lions

And Then Like Lions

ATO

Elegant arrangements and songcraft mark the folk-pop stylists' third LP, written in a period of personal loss for leadman Israel Nebeker.

— Marcy Donelson

Album cover for Lady in Gold

Lady in Gold

Nuclear Blast

The international quartet's second studio offering adds psychedelic soul, R&B, and gospel to its hard-rocking attack and delivers a winner.

— Thom Jurek

Album cover for Mangy Love

Mangy Love

Anti-

On his eighth LP, the refreshingly renegade songwriter takes on life's messiness and timely sociopolitical topics with a smooth '70s veneer.

— Marcy Donelson

Album cover for Animal Races

Animal Races

Empty Cellar

California retro-rockers combine '60s sounds and 21st century energy on their excellent third album.

— Mark Deming

Album cover for Easy Travels

Easy Travels

Ernest Jenning

Infectious, lightly fuzzed pop, brimming with personality, hooks, and some extremely solid studio craft.

— Timothy Monger

Album cover for Dark Harvest

Dark Harvest

Golden Brown

Debut album of bewitching neo-psych-pop with vintage electronic underpinnings from former Brown Recluse leader.

— Tim Sendra

Album cover for Impossible Dream

Impossible Dream

Gndwire Records

Sticking with the more robust, indie rock sound of 2014's Last War, the songwriter's world-weary sixth LP delivers more well-crafted, catchy gems.

— Marcy Donelson

Album cover for Activity

Activity

Chapter Music

The Australian indie dance trio's sophomore full-length is an impressive leap forward from their 2012 debut.

— Paul Simpson

Album cover for Dead Ringers

Dead Ringers

Relapse Records

Jenks Miller's longstanding experimental project is a moody, sprawling, haunted, post-psych gem.

— Thom Jurek

Album cover for At Swim

At Swim

ATO

A beguiling collection of aqueous and often elegiac indie folk ballads that seep syrup-slow into your bones.

— James Christopher Monger

Album cover for Real

Real

Bloodshot

Outstanding fourth album from the singer/songwriter adds a dash of pop gloss, but still feels as powerful and honest as ever.

— Mark Deming

Album cover for Bruckner 0-9

Bruckner 0-9

CPO

Mario Venzago leads five different orchestras in his period performances of Bruckner's symphonies in this CPO box set.

— Blair Sanderson

Album cover for Rubicon

Rubicon

ECM

On his ECM leader debut, the Norwegian bassist surrounds himself with friends to deliver a set of intimate, smart, expansive compositions.

— Thom Jurek

Album cover for Lovers

Lovers

Blue Note

The iconic guitarist and a 22-piece chamber orchestra deliver a startling, innovative jazz concept record on love and romance.

— Thom Jurek

Album cover for Guidance

Guidance

Sargent House

The Chicago-based heavy instrumental rock trio go with their instincts on their impressive-as-ever sixth full-length.

— Paul Simpson

Album cover for The Love That Remains

The Love That Remains

Nettwerk

The Brooklyn outfit's first album since the departure of singer Deirdre Muro is an uplifting set of heartachingly romantic '80s-style pop and dance music.

— Matt Collar

Album cover for A Place Called Bad

A Place Called Bad

Numero / Numero Group

Nearly complete career retrospective of one of the best, most exciting bands of the '80s, full of guitar noise, howling vocals, and rock & roll fire.

— Tim Sendra

Album cover for Keep It Together

Keep It Together

Temporary Residence

Collection of non-LP material by a short-lived Baltimore-based post-rock group that included Temporary Residence founder Jeremy DeVine.

— Paul Simpson

Album cover for Tonight's Music

Tonight's Music

Fire Records

Ramshackle and often mesmerizing, the first collection of new music to be released under the Moles moniker in over 20 years doesn't disappoint.

— James Christopher Monger

Album cover for A Weird Exits

A Weird Exits

Castle Face

Another raging album, their 16th, laced as usual with lacerating solos, but now with two drummers and a spot of Krautrock jamming.

— Tim Sendra

Album cover for Boyish Girl Interrupted

Boyish Girl Interrupted

Bentzen Ball Records / Secretly Canadian

The comedian's first HBO standup special offers her unique take -- and pace -- on health ordeals, life on the road, and strange encounters.

— Marcy Donelson

Album cover for Home of the Strange

Home of the Strange

Atlantic / Fueled by Ramen Records

Polished production and exciting new directions mark the California indie rock band's third effort as their most exciting and fun album to date.

— Neil Z. Yeung