Editors' Choice for October 2018

Album cover for ACR:Set

ACR:Set

Mute

Judicious catalog-spanning overview of the funk-inspired post-punk band, including a new recording with Barry Adamson.

— Andy Kellman

Album cover for abysskiss

abysskiss

Saddle Creek Records

A hushed, spare, engrossing set of solo songs from the Big Thief leader with production by Luke Temple.

— Marcy Donelson

Album cover for Icon of Ego

Icon of Ego

Ba Da Bing Records

On their third (and best) album, the Rhode Island trio evolve into a sophisticated prog-pop outfit whose bracing arrangements are as ingenious as their hooks.

— Thom Jurek

Album cover for Bad Behavior

Bad Behavior

Believe Direct Limited / Park the Van

A solid modern pop album -- the band's best yet -- played with subtle weirdness and full of quietly catchy songs.

— Tim Sendra

Album cover for Stay out Late

Stay out Late

New West

The Houston psych-Americana combo turns to elegant textural pop on their Talk Talk-influenced fifth album.

— Timothy Monger

Album cover for Wanderer

Wanderer

Domino

Forged by personal and creative struggles, the singer/songwriter's tenth album is some of her most tender and uncompromising music.

— Heather Phares

Album cover for Decade

Decade

Red River / Red River Entertainment

With the help of his son, Dave Davies revives and polishes lost songs from the 1970s.

— Stephen Thomas Erlewine

Album cover for Here If You Listen

Here If You Listen

BMG / BMG

A collaboration with Croz's "Lighthouse Band" that plays like a soothing, surprising hybrid of Steely Dan, Joni Mitchell, and CSN.

— Stephen Thomas Erlewine

Album cover for Torn in Two

Torn in Two

Friends of Friends

A wide-angled musical image of a world in flux from the Los Angeles electronic composer and producer.

— Timothy Monger

Album cover for Blow.

Blow.

Motéma Music

The New York-based saxophonist leaves jazz behind on a date that uses his quartet, singers, and guest players to successfully wed indie and art rock.

— Thom Jurek

Album cover for Monte Sagrado

Monte Sagrado

Sony Music Latin

After two prolonged battles with cancer, the artist returns with his first studio album in nine years and it's a rocker.

— Thom Jurek

Album cover for Humble Pi

Humble Pi

Stones Throw
Rap

Brief yet explosive collaboration between endlessly creative MC Homeboy Sandman and psych-rap maestro Edan.

— Paul Simpson

Album cover for Dose Your Dreams

Dose Your Dreams

Merge

The Canadian punk iconoclasts throw musical boundaries to the wind on a sprawling and strikingly accomplished concept album.

— Mark Deming

Album cover for Overload

Overload

Brainfeeder
R&B

Varied and generous left-of-center R&B from the singer, songwriter, and producer, her first proper album in three years.

— Andy Kellman

Album cover for Silver Drop

Silver Drop

Chapter Music

The Australian lo-fi bedroom pop oddball offers an engaging debut full of oblique humor and an unexpected sweetness.

— Timothy Monger

Album cover for Vector

Vector

Inside Out Music

The prog metal sextet deliver their heaviest, most creative -- and shortest -- recording to date, pushing ever forward while retaining their sonic trademarks.

— Thom Jurek

Album cover for Anon.

Anon.

Hopeless Records

On album four, the Australian post-hardcore quintet takes steps into arena-ready, pop-friendly territory.

— Neil Z. Yeung

Album cover for Electric Messiah

Electric Messiah

eOne

Back for another round of bludgeoning stoner thrash, High on Fire unleash a brass-knuckled haymaker on their eighth studio effort.

— James Christopher Monger

Album cover for Memory

Memory

Deutsche Grammophon

A program of well-worn pieces, connected by a diffuse concept and beautifully done.

— James Manheim

Album cover for Bay of Rainbows

Bay of Rainbows

ECM

Cut live at New York's Jazz Standard, the guitarist's Streams trio quietly astonishes with fluid, spectral improvisation.

— Thom Jurek

Album cover for Like a Baby

Like a Baby

Stones Throw

Art-pop crooner Jerry Paper expresses the anxiety of living in modern society over smooth, bubbly funk.

— Paul Simpson

Album cover for Love Is Magic

Love Is Magic

PTKF

The singer/songwriter's fourth album dives into electronic sounds and delivers some of his funniest and most heartbreaking songs.

— Heather Phares

Album cover for Aviary

Aviary

Domino

The multifaceted artist's sixth album responds to the chaos of 21st century life with some of her most challenging and beguiling music.

— Heather Phares

Album cover for La Fenice

La Fenice

ECM

Captured in 2006 when the pianist had resumed performing solo concerts, this show is one of breathtaking invention.

— Thom Jurek

Album cover for Masana Temples

Masana Temples

Guruguru Brain

The Japanese band's fifth album is less unpredictable and wild than previous efforts, but balances that by being more tuneful and unified.

— Tim Sendra

Album cover for WAX

WAX

Rostrum

Scottish singer/songwriter/guitarist rekindles her fire on a viscerally charged triumph of a sixth album.

— Neil Z. Yeung

Album cover for Little Big

Little Big

Ropeadope

A decade after Invisible Cinema, the journeyman pianist, bandleader and composer delivers a sequel performed by an illustrious new quartet.

— Thom Jurek

Album cover for Broken Politics

Broken Politics

Smalltown Supersound

A sorrowful but defiant LP, produced by Kieran Hebden, with vocals recorded at a Woodstock studio that hosted Don Cherry.

— Andy Kellman

Album cover for Hallucinations

Hallucinations

Omnivore

Great collection of singles, album tracks, and demos from the early-'90s power pop-meets-psych group co-headed by the Three O'Clock's Michael Quercio.

— Tim Sendra

Album cover for Best of R.E.M. at the BBC

Best of R.E.M. at the BBC

BBC / Craft Recordings / Craft Records / Universal

A generous sampler of a big box chronicling all of R.E.M.'s BBC sessions.

— Stephen Thomas Erlewine

Album cover for Honey

Honey

Interscope / Robyn

Returning from years of grief and healing, the pop mastermind delivers some of her most satisfying and innovative music.

— Heather Phares

Album cover for Unreality

Unreality

Dais

Immensely beautiful, affecting solo debut from Kennedy Ashlyn, formerly of darkwave duo Them Are Us Too.

— Paul Simpson

Album cover for Traces

Traces

Fantasy

A surprisingly soulful and moving comeback from the Journey singer.

— Stephen Thomas Erlewine

Album cover for Fall into the Sun

Fall into the Sun

Merge

Third album from recently reunited indie punks is their first new material in five years and easily their most mature and confident.

— Fred Thomas

Album cover for Certainty Waves

Certainty Waves

Polyvinyl

After taking a break that involved Meric Long learning about synths, the guitar-and-drums duo returns with a noisy, invigorated seventh LP.

— Marcy Donelson

Album cover for Los Angeles

Los Angeles

Rune Grammofon

Paying homage to the musical heritage of the City of Angels, HP Gundersen and company deliver an irresistible collection of sophisticated pop.

— Thom Jurek

Album cover for Pink Skies

Pink Skies

Trouble in Mind

The Connecticut quartet take a step into uncharted territories of free-form jamming and avant psych on their second strong outing on Trouble in Mind.

— Tim Sendra

Album cover for All These Things

All These Things

V2

The Norwegian singer/songwriter travels to L.A.'s Sunset Sound with producer Larry Klein and a host of studio aces and comes up with a late-night gem.

— Thom Jurek

Album cover for Inconsolable

Inconsolable

Top Shelf Records

Doom metal group Thou make a surprising but entirely successful shift into brooding folk on one of several EPs they released in 2018.

— Paul Simpson

Album cover for Trench

Trench

Atlantic / Fueled by Ramen Records

Immersive follow-up to their breakthrough that delves into darker and ultimately more hopeful themes.

— Neil Z. Yeung

Album cover for Eternal Return

Eternal Return

Relapse Records

The Richmond, Virginia-based doom metallers' fifth full-length effort delivers a nuanced and ethereal take on the style.

— James Christopher Monger

Album cover for Where the River Goes

Where the River Goes

ECM

Most of the quintet from the guitarist's Rising Grace returns -- with Eric Harland on drums -- delivering original tunes in deeply intuitive interplay.

— Thom Jurek