Editors' Choice for March 2019

Album cover for Death Becomes Her

Death Becomes Her

Hyperdub

Powerful full-length debut from the South African experimental club producer, filled with self-assured vocals and disorienting rhythms.

— Paul Simpson

Album cover for Cows on Hourglass Pond

Cows on Hourglass Pond

Domino / Domino Recording

Solo work from Animal Collective founder sounds more grounded and inspired than much of his usually cluttered and abstract output.

— Fred Thomas

Album cover for Fountain Fire

Fountain Fire

Drag City

Over six instrumentals and two vocal tracks, the guitarist and songwriter quietly dazzles with his playing abilities and production strategies.

— Thom Jurek

Album cover for Health

Health

FatCat Records

Health continues to push the Scottish songwriter forward, pairing the spectral melodies of past outings with club-ready beats and flourishes of snappy R&B.

— James Christopher Monger

Album cover for Chris Cohen

Chris Cohen

Captured Tracks

The third solo album from this understated songwriter juxtaposes intense family themes with relaxed, friendly sonics.

— Fred Thomas

Album cover for Lux Prima

Lux Prima

30th Century Records / BMG

The singer/songwriter's first album in five years is a sophisticated, sonically adventurous collaboration with Danger Mouse.

— Heather Phares

Album cover for Liv

Liv

Mute

A far cry from his earlier, more conventional indie rock, Blumberg's second Hebronix album is harsh, harrowing, and utterly captivating.

— Paul Simpson

Album cover for Live at Baker's

Live at Baker's

Omnivore

A 2006 date in Detroit showcases the guitarist and his quintet interpreting jazz, blues and soul standards -- and a revisioned "Scorpio."

— Thom Jurek

Album cover for Empath

Empath

Inside Out Music

Rock's most chameleon-like polymath offers a maximalist, startling aural view of his entire soundworld simultaneously, accompanied by a stellar cast.

— Thom Jurek

Album cover for Bahir

Bahir

Soundway

The L.A.-based musical polymath and a host of international guests offer a brave new music that melds East African styles, jazz, funk, and soul.

— Thom Jurek

Album cover for Still on My Mind

Still on My Mind

BMG

Sparkling fifth album that updates the English singer's hybrid electro-folk/trip-hop sound with reinvigorated production.

— Neil Z. Yeung

Album cover for Transient

Transient

Karaoke Kalk

The German duo's mesmerizing electro-organic songwriting expands into multilingual territory on their 13th LP.

— Timothy Monger

Album cover for Capsule Losing Contact

Capsule Losing Contact

Numero

Essential collection of the '90s lo-fi space rock trio's home-recorded and brilliant output, with some nifty rarities added.

— Tim Sendra

Album cover for To Each His Own

To Each His Own

Bella Union

The Midlake frontman's solo debut builds on his flagship band's predilection toward pairing dusty indie folk with sunset 70's pop.

— James Christopher Monger

Album cover for Badbea

Badbea

AED Records

The third post-stroke album by the Scottish legend finds him in fine voice, writing tough rockers and gentle ballads while expanding his sonic horizons a touch.

— Tim Sendra

Album cover for Lifelike

Lifelike

Trouble in Mind

The band's second album adds more melody and experimentation to their minimalist post-punk.

— Heather Phares

Album cover for Agora

Agora

Touch

Recorded at home with a stripped-down set-up, Agora falls somewhere in between Fennesz's studio albums and his live improv material.

— Paul Simpson

Album cover for Late Night Tales

Late Night Tales

LateNightTales

Electro-acoustic producer offers up a warm mix of dusky jazz, pastel-colored ambient tracks, and orchestral soul sounds from around the globe.

— Fred Thomas

Album cover for Natural Facts

Natural Facts

Beyond Beyond Is Beyond

The New Jersey combo eschew jam band stereotypes on their harder-edged follow-up which includes psych, jangle pop, and post-punk elements.

— Timothy Monger

Album cover for Avec le Temps

Avec le Temps

ECM

On this remarkable, lyrical, and exploratory date, the Italian pianist leads a quintet featuring saxophone star Francesco Bearzatti.

— Thom Jurek

Album cover for Slow Century

Slow Century

Coastal Town Recordings

Working again with producer Norman Blake of Teenage Fanclub, the Norwegian quartet deliver a chiming modern jangle pop classic.

— Tim Sendra

Album cover for Doko Mien

Doko Mien

Merge

On their third full-length, the English Afro-funk outfit bridge the best elements of their previous records and extend them with infectious dance tunes.

— Thom Jurek

Album cover for Significant Changes

Significant Changes

Ninja Tune

House producer/DJ balances a concern for the planet with a shameless urge to have fun on her superb debut album.

— Paul Simpson

Album cover for L.A.'s Got Me Down

L.A.'s Got Me Down

Bar/None Records

The Elliott Smith disciple's Bar/None debut is an angsty, impulsive mix of grungy rock and yearning harmonies, all performed by Proffit.

— Marcy Donelson

Album cover for Quanta Series

Quanta Series

Mute

Seven years in the making, the Syrian-Armenian-American's stunning debut album connects the personal, global, scientific, and spiritual dimensions of healing.

— Heather Phares

Album cover for DJ-Kicks

DJ-Kicks

!K7

Laurel Halo's energetic, unpredictable DJ-Kicks volume winds through styles such as Detroit electro, U.K. bass, gqom, and more.

— Paul Simpson

Album cover for No Saint

No Saint

Big Machine Records

An invigorating debut that splits the difference between dusty Americana and bold mainstream pop.

— Stephen Thomas Erlewine

Album cover for Another Land

Another Land

Requiem Pour un Twister

The Chicago quintet's second album mixes all different types of underground '60s psych and pop into a technicolor concoction.

— Tim Sendra

Album cover for No Words Left

No Words Left

Arts & Crafts

A hushed and heartbroken, elegantly textured fourth album from the English singer/songwriter.

— Marcy Donelson

Album cover for Knife+Heart
M83

Knife+Heart

Mute

Anthony Gonzalez's soundtrack to an erotic thriller set in Paris' late-'70s gay pornography industry is as transporting as his other albums.

— Heather Phares

Album cover for Plastic Anniversary

Plastic Anniversary

Thrill Jockey

The duo celebrates their 25th anniversary with vibrantly creative and deeply disturbing explorations of plastic's ubiquity and dangers.

— Heather Phares

Album cover for Warheads on Foreheads

Warheads on Foreheads

Capitol / Universal

Massive 35-track anthology grabs highlights from over 30 years of studio albums from this metal institution.

— Fred Thomas

Album cover for Nick Waterhouse

Nick Waterhouse

Innovative Leisure
R&B

The vintage R&B scholar's fourth album contains some of his sharpest writing and most energizing performances.

— Andy Kellman

Album cover for Miss Universe

Miss Universe

ATO

The West Londoner's full-length debut frames themes of anxiety, ambition, and self-image in eccentric, staccato guitar pop.

— Timothy Monger

Album cover for Patty Griffin

Patty Griffin

PGM / Thirty Tigers

A spare and deeply personal album from the talented singer/songwriter that contemplates mortality and survival.

— Mark Deming

Album cover for Guns

Guns

Mello Music Group
Rap

On his most powerful work to date, the Brooklyn-based MC/producer addresses gun violence in today's society.

— Paul Simpson

Album cover for Sasami

Sasami

Domino

The ex-Cherry Glazerr synth player debuts with an album of adventurous dream pop with shoegaze and singer/songwriter influences.

— Tim Sendra

Album cover for The End

The End

Friends of Friends

The Los Angeles lo-fi beatmaker presents the even heavier, more apocalyptic follow-up to his brilliant Dark Red.

— Paul Simpson

Album cover for Sucker Punch

Sucker Punch

Island

Refreshing debut from the Norwegian pop singer/songwriter that appropriately captures the messiness of growing up.

— Neil Z. Yeung

Album cover for Immigrance

Immigrance

Ground Up Records

A cinematic blend of funky grooves that marry '80s new age flow with earthy blues-rock riffage and contemporary jazz sophistication.

— Matt Collar

Album cover for Whoosh!

Whoosh!

Tough Love

For their first album, the Australian band traded home recording for a studio, tightened up their sound, and made a jangling, warm-hearted Flying Nun-styled classic.

— Tim Sendra

Album cover for Westkust

Westkust

Luxury / Run for Cover Records

The Swedish shoegaze band drop the dreamier aspects of the sound and ramp up the noise on their thrilling second album.

— Tim Sendra

Album cover for Side Effects

Side Effects

City Slang

Wild-eyed, late-'60s-style psychedelia mixes with a bold punk energy on the Austin outfit's second outing for City Slang.

— Matt Collar