The Akademie für Alte Musik Berlin presents lively performances of Telemann's concertos for various instruments, including the rare calchedon.
This is one of those rare recordings that break entirely new ground yet remain a pure pleasure.
The Basel-based ensemble Le Miroir de Musique performs the few extant works of 15th century theoretician Johannes Tinctoris.
A lovingly executed re-recording of Teenage Fanclub's classic 1991 album.
A dense, soul-searching blast of civic-minded indie rock/alt-pop comfort food.
On their second LP, Childhood trade dreamy dance-rock that worked for a summery mix of '70s soul, psych-pop, and new wave that works even better.
Recorded from 1969 to 1971, 22 rare tracks offer a look at what the underappreciated pop genius was doing before Big Star.
The pianist's superb third High Note release features bassist Buster Williams, drummer Lenny White, and vibraphonist Steve Nelson.
This fine anthology by Damrau will help Meyerbeer's cause. Plainly a labor of love, brava!
This compilation assembles all 15 of the artist's Gamble, Huff, and Bell sessions in a single volume, and includes an unreleased track.
A triple-disc set containing everything Elvis Presley recorded between 1953-1955, including all the Sun sessions and Louisiana Hayride performances.
Emilio Percan's performances of Brahms' Violin Concerto and Third Symphony follow practices of the 19th century Meiningen Court Orchestra.
A fluorescent, hypnotic album with an '80s-style electro-funk, hip-hop, and EMD-influenced sound.
The absorbing modular synthesizer-bass clarinet duo's first album with a chamber ensemble.
Singer John Feldmann strikes a self-reflective if still energetically punk tone with backing from MxPx's Mike Herrera, Story of the Year's Phil Sneed, and blink-182's Travis Barker.
Ritual is the goth-metal's troupe leanest set of material to date, and its moody charms are administered with both muscle and grace.
Two large-scale works for piano and orchestra by Bulgarian composer Dimitar Nenov are explored on this Hyperion release.
Moving from the bedroom to the studio, the project's second record gains fidelity and scope without losing any emotional depth.
A stripped-down yet emotionally rich feast of countrypolitan-tinged confessionals that find the sweet spot between balmy '70s FM pop and 21st century indie Americana.
Much more restrained than their usual output, the industrial collective's musical interpretation of Friedrich Nietzsche's novel is among their best works.
The magnificat Bright Phoebus declares its intentions as the English folk equivalent of Sgt. Pepper's Lonely Hearts Club Band.
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The magnificent Bright Phoebus declares its intentions as the English folk equivalent of Sgt. Pepper's Lonely Hearts Club Band.
This double-disc package offers painstaking mono remasters of Nyro's enduring first two albums and contains the artist's versions of many of the songs that established her.
This 2017 Accent release by Laurence Cummings and the Göttingen Festival Orchestra marks the 300th anniversary of the premiere of Handel's Water Music.
The Symphony No. 3 and the rather rare Latin American Sketches constitute reflections on major populist landmarks of Copland's career.
By turns thunderous and moody, the London power trio's fifth album is their toughest and most immediate-sounding to date.
The English singer/songwriter's exquisite third studio LP is a welcome return to a more acoustic palette.
An artful, literate, musically balanced album from the Georgia outfit.
This is of a rather specialized nature, but is still entirely listenable and even enchanting for the general listener.
The sheer power of Marek Janowski's reading of Beethoven's Missa Solemnis puts it among the greatest performances of all time.
Mark Elder leads the Hallé Orchestra in this recording of Parsifal, presented at the BBC Proms for the Wagner bicentennial.
Vocal performances shine on an unapologetically retro fourth LP, her first with producers Niles City Sound (Leon Bridges).
The debut collaboration between the Decemberists and Olivia Chaney is as committed a piece of retro-leaning English folk-rock as one could hope for.
Riccardo Muti and the Chicago Symphony Orchestra deliver a convincing performance of Bruckner's unfinished Ninth that feels complete.
An earthy yet sophisticated album showcasing the guitarist's adept melodicism and love of groove.
A smart, quietly rebellious collection of mature country, all written by female songwriters.
The Texan electropop songstress delivers her most confident release to date.
Present-day dystopian sci-fi and murky funk on one of two simultaneously released albums from the left-field duo.
The colorful music of Manuel de Falla is presented in audiophile recordings by Kazuki Yamada and the Orchestre de la Suisse Romande.
The Galactic drummer's trio and a host of NOLA luminaries pay a heartfelt, soulful tribute to the late Allen Toussaint's music and genius.
The enigmatic world and sound traveler utilizes the Swedish nykepharpa as the central instrument in his arsenal on this quietly arresting date.
Steven Osborne delivers sparkling performances of impressionistic piano concertos by Maurice Ravel and Manuel de Falla.
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The band's third album takes some artistic chances, but still delivers the modern pop/rock goods.
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The band's second album repeats the winning formula of their classic debut while giving it just the right amount of tweaks.
The great saxophonist's new quartet celebrates ten years together with this startling, inspired live offering.
The second full-length in a year from the Chris Robinson Brotherhood is a testament to the benefits of a working band.
The Australian quartet's second album is a (near) duplicate of their first, with the same pleasing ratio of hooks and scruff.
Gluzman's Brahms is a superb reading in the Russian tradition. Highly recommended throughout.
Remarkable proper debut from the multidimensional Grammy-nominated Roc Nation signee.
On her most assertive album yet, Katie Crutchfield examines a damaging relationship with the aid of a full band and production by John Agnello.