Featured New Releases for
August 2, 2019

First Taste

Drag City
The garage punk overachiever is in quieter and less aggressive form, but still kicking up a big cloud of joyous noise.

— Mark Deming

Blood Year

Sargent House
Recorded with Converge's Kurt Ballou, Russian Circles' seventh studio album is one of their most unmistakably raw, direct releases.

— Paul Simpson

Various Artists

Ann Arbor Blues Festival 1969

Third Man Records
Unreleased archival recordings of a legendary weekend of deep blues, featuring Muddy Waters, B.B. King, Howlin' Wolf, and more.

— Mark Deming

Yes

50 Live

Rhino
A double-disc souvenir of the prog-rock band's 50th anniversary tour.

— Stephen Thomas Erlewine

How Far

Arrowhawk
The excellent third album by a Detroit trio whose sweet and bouncy noise pop has a dark lyrical undercurrent.

— Tim Sendra

I

Sacred Bones
Atom™ constructs an hour-long minimal techno odyssey from isolated stems recorded by Chilean Krautrock enthusiasts Föllakzoid.

— Paul Simpson

GUV I

Run for Cover Records
Brilliantly written and executed lo-fi power pop from the restless musical mind of Fucked Up's Ben Cook.

— Tim Sendra

Rewind, Replay, Rebound

Republic / Virgin EMI
The Danish-American quartet re-channel the ghosts of arena rock's past and emerge with their strongest collection of songs to date.

— Thom Jurek

A Dream Is U

Memphis Industries
Evoking Baroque pop, Merseybeat, and Spector, the full-length debut of Tom McClung (WU LYF) is filled with well-crafted retro pop for romantics.

— Marcy Donelson

Really Well

Tin Angel
The Montreal-based indie pop group's third album has style-defining mercurial tendencies but ultimately goes down easy.

— Marcy Donelson

Blume

Domino
An earthy debut from the London jazz group that sounds like a mix of the Jazz Messengers and Hugh Masekela.

— Matt Collar

Everybody Split

Trouble in Mind
The Melbourne band's debut teeters between the brash tunefulness of their contemporaries and experimental post-punk in intriguing ways.

— Heather Phares

Finch

I Love You
The Texan indie folk duo's sixth album plays to their sense of drama with lush strings and effortless harmonies.

— Timothy Monger

Happy

Deranged
The second album from this angsty dark pop trio offers a massive production upgrade and clearer emotional threads than earlier work.

— Fred Thomas

Cross Record

Ba Da Bing Records
Reflecting numerous major life changes, Emily Cross' third album as Cross Record is her most daring work yet.

— Paul Simpson

Lovesick

Graveface Records
The third album from this long-running band trades in the last of their indie impulses for a wash of full-tilt shoegaze fuzz.

— Fred Thomas

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