Featured New Releases for
April 13, 2018

The Other

Sub Pop
Thoughtful introspection and more expansive arrangements mark a fresh approach to Tuff's self-produced, still radiantly psychedelic fourth LP.

— Marcy Donelson

Joyride

RCA
R&B
Smooth, multi-dimensional return from the pop-R&B singer following myriad snags and delays.

— Andy Kellman

The Lookout

Raven Marching Band Records
Veirs' understated vocals are paired with arrangements that are as pillowy and warm as they are spilling over with interesting ideas.

— James Christopher Monger

Persona

Erased Tapes Records
Fifth album of exquisitely produced, introspective techno from British musician Ryan Lee West.

— Paul Simpson

HiggledyPiggledy

Memphis Industries
The second Slug album features Ian Black doing everything himself and crafting another heady set of arty, poppy prog rock.

— Tim Sendra

Let's Make Love

Six Degrees
Blending their signature exoticism with a more straightforward pop approach, the New York dance band offer a welcome comeback.

— Timothy Monger

Verdugo

Joyful Noise
A relatively more hopeful, less personal, and just as elegant companion album to 2017's Lemon Cotton Candy Sunset.

— Marcy Donelson

Occasus

Western Vinyl Records
Seventh album from Keith Kenniff's neo-classical solo project Goldmund, blending fragile piano melodies with subtle textural experimentation.

— Paul Simpson

Last Night

Moshi Moshi Records
Mixing dance-pop, rap, and poetry, the London-based trio reflect on the club scene of their home city on their second full-length.

— Paul Simpson

Ember

Hollywood
Album six for the Pennsylvania band is yet another collection of standard post-grunge/nu-metal blasts.

— Neil Z. Yeung

Take the Fall

Wharf Cat Records
This 2018 EP from New York's downtown post-punk lifers finds them as strong and edgy as they were in their '80s heyday.

— Mark Deming

Quarterboy

Team Love Records
This roughshod four-track debut from lo-fi indie pop songwriter Dean Engle is essentially a set of demos for his full-band debut a year later.

— Timothy Monger

Feel Great

Relapse Records
Wrong continue to excel at pairing the jerky, start/stop riffage and abrupt tonal shifts of Helmet with the pummeling brevity of classic punk.

— James Christopher Monger

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