Gérard Grisey

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Like so many French composers of the latter third of the twentieth century, Gérard Grisey began more or less as an academic-style twelve-tone composer but found, as he moved through his twenties, that…
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Composition Highlights

Title Year Avg. Duration Genre
Talea, for flute, clarinet, violin, cello & piano 1986 Chamber Music
Prologue, for viola & resonators 1976 Chamber Music
Modulations for 33 musicians Orchestral
Partiels for 16 or 18 musicians 1975 Orchestral
Vortex temporum, for flute, clarinet, violin, viola, cello & piano 1995 Chamber Music
Périodes, for 7 musicians 1974 Chamber Music
Epilogue, for 4 horns & large orchestra 1985 Concerto
Transitoires, for large orchestra 1980 Orchestral
Jour contre jour, for chamber ensemble 1979 Orchestral
Solo pour deux, for clarinet & trombone 1981 Chamber Music
L'Icône paradoxale, for 2 female voices & large orchestra 1993 Vocal Music
Anubis, for saxophone 1983 Chamber Music
Tempus ex machina, for six percussionists 1979 Chamber Music
Le Noir de l'Etoile, for percussion ensemble Chamber Music
Chants (4) pour franchir le seuil, for soprano & ensemble Vocal Music
Stèle, for two percussionists 1995 Chamber Music
Nout, for saxophone 1983 Chamber Music
Charme, for clarinet 1969 Chamber Music
Le Temps et l'Écume, for 4 percussionists, 2 synthesizers & chamber orchestra 1988 Orchestral Electronic/Computer Music
Anubis-Nout, two pieces for contrabass clarinet (à la mémoire de mon ami Claude Vivier) 1983 Chamber Music
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