The most influential, unique voice in the musical avant-garde, with a keen sensitivity to the acoustical realities and possibilities of sound.
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Album Highlights

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Composition Highlights

Title Year Avg. Duration Genre
Gesang der Jünglinge, for electronics & taped boy's voice 1955 13:21 Electronic/Computer Music
Zyklus, for solo percussion 1959 11:44 Chamber Music
Kontakte, for piano, percussion & electronic sounds 1958 35:02 Chamber Music Avant-Garde Music
Kontra-Punkte, for 10 instruments 1952 13:19 Chamber Music
Kurzwellen, for 6 players 1968 49:56 Electronic/Computer Music
Helikopter String Quartet (from "Mittwoch" from "LICHT"), for 4 helicopters & string quartet 1992 38:04 Miscellaneous (Classical) Chamber Music
Mikrophonie I for tam-tam, microphones & 2 filters with potentiometers 1964 29:41 Electronic/Computer Music
Gruppen, for 3 orchestras 1955 23:01 Orchestral
Klavierstück XI, for piano 1956 12:24 Keyboard
In Freundschaft, for melody instrument 1977 14:53 Chamber Music
Carré, for 4 choruses & 4 orchestras 1959 33:56 Choral Orchestral
Donnerstag from "LICHT," opera in 3 acts, a greeting, and a farewell, for 15 musical interpreters 1978 03:34:21 Opera
Studie I, electronic music 1953 10:00 Electronic/Computer Music
Dienstag from "LICHT," opera 1977 02:31:50 Opera
Klavierstück IX, for piano 1954 11:18 Keyboard
Tierkreis, for 12 music boxes or ensemble 1974 25:32 Chamber Music
Samstag from "LICHT," opera 1981 03:16:59 Opera
Klavierstück V, for piano 1954 05:46 Keyboard
Klavierstück X, for piano 1954 28:05 Keyboard
Aus den sieben Tagen, 15 text compositions for "intuitive" music 1968 03:33:08 Chamber Music
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