Contains 18 of the boogie sides this great country duo cut (with harmonica player Wayne Raney) between 1945 and 1952, though it inexplicably fails to include their biggest hit from this time, "Blues Stay Away From Me" (later recorded by Johnny Burnette and Gene Vincent). This is the bluesiest and most raucous material cut by the harmonizing siblings. These tunes sound about as close to rock & roll as any other music recorded by white musicians prior to the 1950s, and still makes fine party music today, with its thumping shuffle beats, bluesy solos, and loose abandon. The great "Beale Street Boogie," cut in 1947 (and unissued at the time), is one of the dozens of songs which could make a strong case for being the first rock & roll record. There's a classic opening bluesy call-and-response riff, a long electric guitar solo duel, and appropriate homage to Memphis' famed Beale Street, certainly one of the locales most responsible for brewing together the basic ingredients of rock & roll -- "the Beale Street Boogie is eight beats to the bar," they sing in unison, just in case you don't get the point. Compared to their early recordings, the Delmores seem less pious and devout on these sessions and more concerned with celebration than lamentation.
AllMusic Review by Richie Unterberger