Neil Diamond was a Uni artist in the late '60s and early '70s, the period that coincided with his greatest commercial success and most consistently popular singles. This three-CD, 74-track set is just what it says it is: every last song from all six of his 1968-1972 Uni studio albums, plus seven cuts from his live Gold and Hot August Night records (also originally released on Uni). It shouldn't be taken as the total summary of Diamond's early career, as it's missing all of the hits for Bang Records that were recorded before he joined Uni (though the seven live songs do include versions of most of those big Bang hits). For all his talents as a major pop singer/songwriter, Diamond was really not a good album artist, and hearing six albums at once is going to test the limits of all but his devoted fans. If you do take the plunge, though, it's rather interesting to hear that Diamond was certainly a more eclectic stylist than he's usually given credit for, even if some of his odder ventures were rather lousy. There's some country, some near-gospel, and quite a few covers of other major singer/songwriters. Still, there's no getting around it: Only the hit singles (of which there are quite a few, to be fair) really reach out and grab you. Much of the rest sounds like the AM pop of the hit singles, but not nearly as good. There are some obscure above-average songs to be heard here, like the small 1968 hit "Two-Bit Manchild," the Dion-like bluesy "Dig In," and "Coldwater Morning." But these are balanced by some real turkey goofball experimentation, like the raps on "The Pot Smoker's Song," the country satire "You're So Sweet Horseflies Keep Hangin' Round Your Face," the kiddie tune "I Am the Lion" (where it almost sounds like he's trying to dilute Arthur Brown's "I am the god of hellfire!" shtick for the little ones when he sings the title!), "Crunchy Granola Suite," and the weird art-cum-mainstream pop of "African Suite." In addition, as an interpreter of other people's songs, Diamond is not too interesting, though you'll hear plenty of that on this set, including covers of "Chelsea Morning," "Both Sides Now," Randy Newman's "I Think It's Gonna Rain Today," "Until It's Time for You to Go," "Mr. Bojangles," and "Everybody's Talkin'." Not to harp too much on the absence of Bang material, but it should also be noted that the version of "Shilo" (from his 1968 album Velvet Gloves & Spit) is not the same as the one on the hit Bang 45.