Canadian pianist Angela Hewitt has specialized in Baroque and Classical music, and her Beethoven is about as delicate as some might expect. But there's a difference between applying delicacy to works that are not conventionally played that way, and applying it to already delicate works. There are two of each here. Hewitt runs counter to type in the early Piano Sonata No. 2 in A major, Op. 2/2, and Piano Sonata No. 5 in C minor, Op. 10/1. In the Op. 10 work, perhaps a preparatory essay for the tumultuous "Pathétique" sonata that followed in the same key, Hewitt will be underpowered for many. But all is redeemed in the gentler pair, the Piano Sonata No. 24 in F sharp major, Op. 78, and Piano Sonata No. 31 in A major, Op. 110. Hewitt takes moderate tempi in these, infusing a sense of spontaneity into the brief, tightly constructed Op. 78 and opening up the fugal counterpoint in the Op. 110 finale. Hewitt's Bachian training really applies in this work, whose first movement is also particularly raptly, almost mystically done. It's hard to offer a general judgment on this set, but for those buying online, in pieces, know that the last two selections are must-haves.
Share this page
AllMusic Review by James Manheim
|Piano Sonata in A major Op. 2 No. 2|
|Piano Sonata in C minor Op. 10 No. 1|
|Piano Sonata in F sharp major Op. 78|
|Piano Sonata in A flat major Op. 110|