Evgeny Kissin

Beethoven: Piano Sonatas No. 3, No. 14 "Moonlight", No. 23 "Appassionata", No. 26 "Les Adieux", No. 32; 32 Variations in C minor

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Beethoven: Piano Sonatas No. 3, No. 14 "Moonlight", No. 23 "Appassionata", No. 26 "Les Adieux", No. 32; 32 Variations in C minor Review

by James Manheim

Evgeny Kissin, one of the world's great piano technicians, rarely played Beethoven during the first part of his career. When he did, it was the Piano Sonata in C sharp minor, Op. 27, No. 2 ("Moonlight"), which appears here, along with works to which he came for the first time. The recordings here were all made live, in line with Kissin's belief that studio recordings offer only a pale substitute for the live performance experience, between 2006 and 2016, and each one places the pianist's technical gifts in the service of a novel and often profound interpretation. Works from all three Beethoven periods are presented, but you might start by sampling the finale of the Piano Sonata No. 3 in C major, Op. 2, No. 3, whose leaping opening figure is often treated as a prime example of the young Beethoven's obstreperous nature. Here it is an elegant group of pirouettes, akin to the music in the ballet The Creatures of Prometheus, Op. 43. Few pianists other than Kissin could have made the whole gesture hang together so effortlessly. In the last movement of the Piano Sonata No. 23 in F minor, Op. 57 ("Appassionata"), the opening diminished chord is not the usual slice of gripping panic, but almost incidental to the flawlessly rendered contrapuntal complexities to come. In general it's fair to say that you'll hear details in these performances that you may have missed in a lifetime of listening to Beethoven, and that each performance proceeds both logically and thrillingly. The inclusion of two variation sets, the 32 Variations on an Original Theme in C minor, WoO 80, and the finale of Beethoven's last sonata, the Piano Sonata No. 32 in C minor, Op. 111, is an inexplicably rare programming decision that sets the stage for the mysteries of late Beethoven. The live sound in most of these performances is consistent and is miked close to Kissin, avoiding resonance; the effect is to put you in the pianist's orbit and to minimize the coughers in the audience (which, at several points, Kissin does too). This is a major Beethoven release.

Track Listing - Disc 1

Sample Title/Composer Performer Time Stream
Piano Sonata No. 3 in C major Op. 2/3
1 Evgeny Kissin 10:34 Amazon
2 Evgeny Kissin 08:20 Amazon
3 Evgeny Kissin 03:05 Amazon
4 Evgeny Kissin 05:15 Amazon
32 Piano Variations on an Original Theme in C minor WoO 80
5 Evgeny Kissin 00:18 Amazon
6 Evgeny Kissin 00:11 Amazon
7 Evgeny Kissin 00:11 Amazon
8 Evgeny Kissin 00:11 Amazon
9 Evgeny Kissin 00:12 Amazon
10 Evgeny Kissin 00:24 Amazon
11 Evgeny Kissin 00:11 Amazon
12 Evgeny Kissin 00:25 Amazon
13 Evgeny Kissin 00:23 Amazon
14 Evgeny Kissin 00:34 Amazon
15 Evgeny Kissin 00:16 Amazon
16 Evgeny Kissin 00:18 Amazon
17 Evgeny Kissin 00:27 Amazon
18 Evgeny Kissin 00:21 Amazon
19 Evgeny Kissin 00:21 Amazon
20 Evgeny Kissin 00:30 Amazon
21 Evgeny Kissin 00:30 Amazon
22 Evgeny Kissin 00:32 Amazon
23 Evgeny Kissin 00:18 Amazon
24 Evgeny Kissin 00:13 Amazon
25 Evgeny Kissin 00:13 Amazon
26 Evgeny Kissin 00:13 Amazon
27 Evgeny Kissin 00:17 Amazon
28 Evgeny Kissin 00:32 Amazon
29 Evgeny Kissin 00:09 Amazon
30 Evgeny Kissin 00:12 Amazon
31 Evgeny Kissin 00:11 Amazon
32 Evgeny Kissin 00:13 Amazon
33 Evgeny Kissin 00:17 Amazon
34 Evgeny Kissin 00:12 Amazon
35 Evgeny Kissin 00:32 Amazon
36 Evgeny Kissin 00:26 Amazon
37 Evgeny Kissin 02:04 Amazon
Piano Sonata No. 14 in C sharp minor "Moonlight" Op. 27/2
38 Evgeny Kissin 06:40 Amazon
39 Evgeny Kissin 02:10 Amazon
40 Evgeny Kissin 07:12 Amazon
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