After disbanding New Grass Revival, Béla Fleck began re-creating the role of the banjo in the same way Charlie Parker redefined the role of the saxophone. But Fleck may be the least innovative member of this quartet: Howard Levy gets chromatics from his blues harp, Victor Wooten picks banjo rolls on his bass, and Roy "Future Man" Wooten plays a Frankenstein-monster drum-machine/guitar synthesizer. For all the flash, there's little pretense; the group's astonishing musicianship keeps an "aw-shucks" accessibility that lets everybody follow the melody while they marvel.
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AllMusic Review by Brian Mansfield