It's a kind of geek indie in modern terms, but the principal wonder of the album is that, in very distant 1980, Tony Mansfield and crew had managed to compose and record something that modern indie bands (with cozy DAWs, but without brains and fantasy) can't output. Oodles of creative fantasy in the songs: pitched voices, ring modulators, multi-layers, reverse audio and so on. And everything harmonically packed with very laudable sound mastering (right compressors, sane sound levels, not just stupid tube saturators on every instrument like in modern indie!). Amazing for 1980, 5 stars!