Editors' Choice for March 2016

Album cover for Jomsviking

Jomsviking

Metal Blade

The tenth LP from the pillaging and plundering Viking metal horde is also their first concept album.

— James Christopher Monger

Album cover for What I'm Feelin'

What I'm Feelin'

RCA
R&B

Over four years after his previous studio LP, one of the era's most remarkable singers returns beside Mark Batson for more modern red-dirt soul.

— Andy Kellman

Album cover for The Black

The Black

Sumerian Records

On their debut with new vocalist Denis Stoff, the U.K. metalcore quintet emerge from a difficult period with their tightest album yet.

— Neil Z. Yeung

Album cover for Aa

Aa

LuckyMe

M.I.A., Future, and Pusha-T join the "Harlem Shake" producer as he proves he's much, much more than a one-hit wonder.

— David Jeffries

Album cover for Beautiful Lies

Beautiful Lies

Atlantic

The British alternative pop singer matures with confidence, lush production, and a fuller sound that marks a bid for the mainstream.

— Neil Z. Yeung

Album cover for Patch the Sky

Patch the Sky

Merge

Bob Mould stares into the face of darkness and finds sustenance in his power trio on the galvanizing Patch the Sky.

— Stephen Thomas Erlewine

Album cover for Gensho

Gensho

Relapse Records

Two veteran Japanese acts collaborate for the sixth time with a different aesthetic approach to deliver endless possibilities for discovery.

— Thom Jurek

Album cover for Painkillers

Painkillers

Island / Virgin EMI

The Gaslight Anthem frontman has found a way to distill his band's fiery nostalgia into something a little more refined, but no less affecting.

— James Christopher Monger

Album cover for Tropix

Tropix

Six Degrees

The Brazilian singer and songwriter gets cool and nocturnal on this wildly diverse back-to-the-beat dancefloor killer.

— Thom Jurek

Album cover for Silver Mountain

Silver Mountain

Rune Grammofon

On their second collaboration, Norway's electric jazz trio and Sweden's psych guitarist dig deep into prog, Miles, and space rock.

— Thom Jurek

Album cover for Versus

Versus

Happy Happy Birthday to Me Records

The band's third album in three years ups the songcraft and blows out its guitar pop sound in thrilling fashion.

— Tim Sendra

Album cover for Heron Oblivion

Heron Oblivion

Sub Pop

Sprawling yet controlled psych-folk from a quartet featuring members of Espers, Comets on Fire, and Six Organs of Admittance.

— Paul Simpson

Album cover for Freaks of Nurture

Freaks of Nurture

Reverberation Appreciation Society

The band's second album is a swirling psych-rock grower, with upgrades in the sonics and songs.

— Tim Sendra

Album cover for Get Your Hand in My Hand

Get Your Hand in My Hand

Bar/None Records

Album number four offers more of their poignant, singer/songwriter fare, including a cover of "Sky High," penned by bandleader Darren Jessee for Ben Folds Five.

— Marcy Donelson

Album cover for Full Circle

Full Circle

Matador

The emotional cycle of love and loss are at the core of this gorgeous debut from the electronic London trio.

— Neil Z. Yeung

Album cover for Post Pop Depression

Post Pop Depression

Concord Loma Vista / Loma Vista

The proto-punk icon teams up with Josh Homme of Queens of the Stone Age for a set of bold, intelligent rock & roll.

— Mark Deming

Album cover for Standards

Standards

Triple Crown Records

Breathtakingly performed and arranged emo-pop that's heavy on the emotion and light on the drama, while still being hooky and sometimes even fun.

— Tim Sendra

Album cover for Modern Day Man

Modern Day Man

Rounder

After a long absence, the guitarist returns with a poignant collection penned by aces and produced by J.D Crowe.

— Thom Jurek

Album cover for Krokofant 2

Krokofant 2

Rune Grammofon

On its second album, this Norse power trio draws on a wider pool of sources to execute their unique brand of 21st century jazz rock.

— Thom Jurek

Album cover for Magnetismo

Magnetismo

Soundway

The sophomore effort by this sophisticated electro cumbia band absorbs many influences and expands musical frontiers.

— Thom Jurek

Album cover for For a Reason

For a Reason

Light in the Attic Records

One-off dubby post-punk project of Charles Bullen, co-founder of influential U.K. experimental rock group This Heat.

Album cover for Full Circle

Full Circle

Sony Music

A moving, intimate record that takes stock of the full scope of the country legend's musical life.

— Stephen Thomas Erlewine

Album cover for More Rain

More Rain

Merge

The dusty-voiced bard turns in another solid effort of ever-deepening subtleties.

— Timothy Monger

Album cover for Midwest Farmer's Daughter

Midwest Farmer's Daughter

Third Man Records

A smart, soulful retro-country debut that feels caught between the country and the city, along with the head and the heart.

— Stephen Thomas Erlewine

Album cover for No Manchester

No Manchester

Cooking Vinyl

Delightful tribute to the music of Morrissey by an all-star cast of Mexican musicians led by Camilo Lara of Mexican Institute of Sound.

— Tim Sendra

Album cover for iii

iii

Atlantic / Warner Bros.

Beat-heavy and soul-infused collection of intelligent avant pop gems from hook maestro trio.

— Neil Z. Yeung

Album cover for Prosthesis

Prosthesis

Dirtnap Records

This group's fusion of garage punk guitars and new wave electronics is more powerful than ever on its fourth album.

— Mark Deming

Album cover for Luneworks

Luneworks

Because Music

Irish musician Jack Colleran takes the atmospheric sound of his EPs in a more personal, experimental direction on his debut album.

— Paul Simpson

Album cover for The Hills

The Hills

Tin Angel

The follow-up to On Sunset is another brilliantly crafted, passionately sung, soft R&B-flavored song cycle about life in Hollywood.

— Tim Sendra

Album cover for Pennied Days

Pennied Days

Domino

Fine sophomore effort from this Minneapolis indie pop outfit is a smart, evocative song cycle about love gone wrong.

— Mark Deming

Album cover for Upheld by Stillness

Upheld by Stillness

Harmonia Mundi

This highly original recording asserts that today marks a golden age of choral music comparable to that of the Renaissance.

— James Manheim

Album cover for Dry Food

Dry Food

Heavenly

A beguiling debut full of vulnerable introspections and weird abstractions.

— Timothy Monger

Album cover for United Crushers

United Crushers

Mom + Pop Music

Conceived as modern protest songs, the band's impassioned third album brings more purpose to their atmospheric music.

— Heather Phares

Album cover for Dame Fortune

Dame Fortune

RJ's Electrical Connections
Rap

Phonte, Josh Krajcik, and Blueprint join the producer on this ambitious, '70s-flavored success.

— David Jeffries

Album cover for Old Magick

Old Magick

Fortuna POP!

The singer/songwriter's second solo album uses a smaller crew, drawing focus to his sharp lyrics and breezy melodies.

— Marcy Donelson

Album cover for Sunwatchers

Sunwatchers

Castle Face

Joyous, hypnotic free rock from a New York-based ensemble led by Jim McHugh of Nymph and Dark Meat.

— Paul Simpson

Album cover for Distance Inbetween

Distance Inbetween

Ignition Records

After a long break filled with solo projects, the band returned with a heavily '70s rock-influenced album that was recorded live in the studio.

— Tim Sendra

Album cover for We Disappear

We Disappear

Saddle Creek Records / The Thermals

The trio follow their excellent 2013 "comeback" Desperate Ground with another emotionally wired, musically powerful album, their seventh.

— Tim Sendra

Album cover for Arcology

Arcology

Software

Ryan McRyhew expands on his already impressive hybrid electro sound with his sci-fi-inspired second full-length as Thug Entrancer.

— Paul Simpson

Album cover for Southern Family
Various Artists

Southern Family

Elektra / Low Country Sound

Producer Dave Cobb's multi-artist mosaic portrays the rich complexities of modern Southern music.

— Stephen Thomas Erlewine

Album cover for Stiff

Stiff

Downtown / Downtown Records

Texas combo lays out peppy grooves that are nervous but soulful on its sixth album.

— Mark Deming

Album cover for Forever Sounds

Forever Sounds

Damnably

The stellar Cincinnati band transmits from space on an album full of beautifully bent guitar sounds and ghostly filtered vocals.

— Mark Deming