Editors' Choice for March 2013

Album cover for She

She

Rainwater
R&B

The soul-rooted cross-genre singer and songwriter tops her seven-year-old debut and incinerates Cee Lo's "Fool for You" in the process.

— Andy Kellman

Album cover for Like a Rose

Like a Rose

Warner Bros.

Pistol Annie Ashley Monroe delivers a dynamite debut that feels simultaneously retro and modern.

— Stephen Thomas Erlewine

Album cover for Exai

Exai

Warp

Booth and Brown's lengthy 11th album has too many unique standouts to be disregarded as merely another Autechre release.

— Andy Kellman

Album cover for Hymnal

Hymnal

Kranky

The fourth Benoit Pioulard album delivers sublimely serene ambient folk inspired by European churches and religious iconography.

— Heather Phares

Album cover for Miami

Miami

!K7

Thrilling, sometimes bleak chamber techno from the German trio, who are aided by several vocalists including Om'Mas Keith and Gudrun Gut.

— Andy Kellman

Album cover for Sleeper

Sleeper

Smalltown Supersound

Carmen Villain's debut is full of daring, rewarding songs that could be described as fever dream pop.

— Heather Phares

Album cover for Free Reign II

Free Reign II

Domino

This version of Clinic's most psychedelic album features Daniel Lopatin's even trippier mixes.

— Heather Phares

Album cover for The Next Day

The Next Day

ISO

An elegant evocation of Berlin-era David Bowie, The Next Day is a sweet coda to a towering career

— Stephen Thomas Erlewine

Album cover for Delta Machine

Delta Machine

Columbia

Dark, damned, and simmering, the veteran synth pop group take it slow and sensual on their 13th studio effort.

— David Jeffries

Album cover for Mala

Mala

Nonesuch

While not quite a return to the brilliance of his early days, the newest work from this freak folk maven sheds the confusion of his last few albums.

— Fred Thomas

Album cover for Understated

Understated

AED Records

His second post-illness album is a triumph of songcraft and the human spirit, delivered in his typically droll and clear-eyed fashion.

— Tim Sendra

Album cover for The New Life

The New Life

Slumberland

On their second album, the band ditch noise pop in favor of dramatically rendered post-rock psychedelic songcraft with positive results.

— Tim Sendra

Album cover for Golden Grrrls

Golden Grrrls

Slumberland / Night School

The Scottish trio hits all the right C-86-inspired indie pop notes on its excellent debut album.

— Tim Sendra

Album cover for Exile

Exile

Sony Music

The Manchester duo's sophomore album is a grand, apocalyptic masterpiece that mixes '80s synth pop and contemporary R&B in a wholly original fashion.

— Matt Collar

Album cover for Entrench

Entrench

Season of Mist

The Canadian trio delivers a merciless musical gut punch on its fifth album, Entrench.

— Gregory Heaney

Album cover for Lady

Lady

Truth & Soul
R&B

Veteran R&B singers Terri Walker and Nicole Wray combined forces to create Lady, and their first album is a modern retro-soul classic.

— Tim Sendra

Album cover for The Blue Room

The Blue Room

Emarcy

The singer successfully revisits songs from Ray Charles' Modern Sounds in Country and Western Music and interprets other songwriters through its lens.

— Thom Jurek

Album cover for Cut to Impress

Cut to Impress

RPM

Cut to Impress does indeed impress, full of well-recorded, well-sung tracks that are poised to shine on contemporary country radio.

— Steve Leggett

Album cover for The Chronicles of Marnia

The Chronicles of Marnia

Kill Rock Stars

Indie rock's premier shredder lets her hooky songwriting do the heavy lifting on her expansive and rousing fourth album, The Chronicles of Marnia.

— Gregory Heaney

Album cover for Abandon All Life

Abandon All Life

Southern Lord Records

Nails deliver 17 minutes of hyper-intense heavy metal savagery on Abandon All Life.

— Gregory Heaney

Album cover for Woman

Woman

Loma Vista

Robin Hannibal (Quadron) and Mike Milosh (aka Milosh) offer achingly romantic soul-pop elegance on their plush debut.

— Andy Kellman

Album cover for Love from London

Love from London

Yep Roc

Released just days after his 60th birthday, Love from London signals a return to the trippy psych-rock of Fegmania! and Globe of Frogs.

— James Christopher Monger

Album cover for The Other Life

The Other Life

eOne

Crossing more genres than one can count, the ever defiant singer and songwriter turns in his most ambitious--and consistent--set to date.

— Thom Jurek

Album cover for Carry On

Carry On

Atlantic

Over the course of four discs, Carry On tells the complex tale of Stephen Stills in compelling detail.

— Stephen Thomas Erlewine

Album cover for Bloodsports

Bloodsports

Universal / Warner Music

Suede deliver an elegantly lean, quietly forceful, wholly successful comeback with Bloodsports.

— Stephen Thomas Erlewine

Album cover for +FE Music: The Reworks

+FE Music: The Reworks

Foreign Exchange Music
R&B

A consistent compilation from the eclectic, R&B-oriented label's immediate and extended FE family that features three excellent new songs.

— Andy Kellman

Album cover for Comedown Machine

Comedown Machine

RCA

One of the Strokes' most consistent albums, Comedown Machine demonstrates the band's flair for undeniable hooks and melodies.

— Heather Phares

Album cover for Live

Live

Secretly Canadian

A unique and riveting experience, this live album captures the comedian's announcement to the world that she has cancer.

— David Jeffries

Album cover for Someone for You

Someone for You

Castle Face

The band's debut matches punk energy with catchy melodies on a batch of hooky tracks that conjure up memories of '70s power pop.

— Tim Sendra

Album cover for Impossible Truth

Impossible Truth

Merge

The guitarist and friends wonderfully revisit the ghosts of the singer/songwriter era and track the disappearing American landscape.

— Thom Jurek

Album cover for Change Becomes Us

Change Becomes Us

Pink Flag

Reworking lesser-known songs from 1979 and 1980, Change Becomes Us is a vital-sounding latter-day Wire album.

— Heather Phares