Editors' Choice for March 2012

Album cover for Transverse

Transverse

Mute

Captured live, two Throbbing Gristle members and one from Factory Floor create droney music that should satisfy any post-industrial shaman.

— David Jeffries

Album cover for Flamenco Sketches

Flamenco Sketches

Angel Records / Blue Note

Chano Dominguez's Flamenco Sketches is a brilliant jazz-flamenco re-visionising of Miles Davis' Kind of Blue and two of his other compositions.

— Thom Jurek

Album cover for Seeds

Seeds

SomeOthaShip
R&B

Despite being produced entirely by Madlib, Seeds is in contention for Muldrow's most personal release to date.

— Andy Kellman

Album cover for Sees the Light

Sees the Light

Hardly Art

La Sera's second album is just as strong song-wise as their debut; tougher sounding and less reverb-y as well.

— Tim Sendra

Album cover for I Travel Alone

I Travel Alone

Numero
R&B

Numero's three-disc I Travel Alone collection is the definitive statement on Ohio soul and funk master Lou Ragland's early career.

— Thom Jurek

Album cover for Rock and Roll Night Club

Rock and Roll Night Club

Captured Tracks

This debut of lo-fi bedroom glam is best tackled song-by-song, as it zips from Lou Reed produced by Ariel Pink dreaminess to Ween-ish goofiness.

— Fred Thomas

Album cover for The MF Life

The MF Life

Universal Republic
R&B

Though it's led by the wholly contemporary ballad "4 AM," Fiona's second album refines the throwback approach of the promising 2009 debut.

— Andy Kellman

Album cover for The OF Tape, Vol. 2

The OF Tape, Vol. 2

Odd Future / Sony Music
Rap

Although their official debut is merely a mixtape, Odd Future remains a vital force in the hip-hop underground with this thrilling set.

— David Jeffries

Album cover for Sonik Kicks

Sonik Kicks

Island

Paul Weller is determined not to repeat himself on Sonik Kicks, pushing himself into startling fresh territory with abandon.

— Stephen Thomas Erlewine

Album cover for Quakers

Quakers

Stones Throw
Rap

Three producers, 32 emcees, and 41 tracks strong, Quakers' debut is a massive triumph for underground hip-hop.

— Heather Phares

Album cover for Songs

Songs

Downtown / Mad Decent

Rusko's second full-length is a dubstep album that isn't afraid to go outside the box.

— Jason Lymangrover

Album cover for We Are Nobody

We Are Nobody

Lo Recordings

The Chap set aside irony on this surprisingly melancholy set of songs, which ranks among the band's finest work.

— Heather Phares

Album cover for Open Your Heart

Open Your Heart

Sacred Bones

With Open Your Heart, the Men channel their intensity in new ways, making for one of the year's most satisfying listens.

— Chrysta Cherrie

Album cover for AwE NaturalE

AwE NaturalE

Sub Pop

Stellar Sub Pop debut from a Seattle-based duo who hold their own with fellow alternative rap/R&B veterans such as Georgia Anne Muldrow and Sa-Ra.

— Andy Kellman

Album cover for Bleed Bleed Bleed

Bleed Bleed Bleed

Captured Tracks

Multi-national synth pop troupe expands their lineup on their fourth album and comes up with a deeper, more realized take on their gritty, late-night sound.

— Fred Thomas

Album cover for Metal Dance

Metal Dance

Strut

Two discs of mostly thrilling, obscure, and underground dance music released throughout the '80s, compiled by the man behind Playgroup and the Output label.

— Andy Kellman

Album cover for Always

Always

Polyvinyl

Xiu Xiu celebrate their 10th anniversary with a set of searching, uncompromising songs dedicated to the band's devoted fans.

— Heather Phares

Album cover for In Between

In Between

Kanine Records

The album is heavily influenced by the shoegaze sound of the '90s but is good enough to measure up favorably to the genre's best.

— Tim Sendra