Editors' Choice for February 2012

Album cover for Vee Vee

Vee Vee

Merge

Mining melody from discord, Archers of Loaf show why they're one of the quintessential bands of the '90s on the sophomore outing, Vee Vee.

— Gregory Heaney

Album cover for I Will Set You Free

I Will Set You Free

Central Control / Central Control International

Barry Adamson's I Will Set You Free celebrates his post-punk past and rock/pop influences. He expertly employs them in his own sonic universe.

— Thom Jurek

Album cover for Extinctions

Extinctions

Shelflife

Burning Hearts' second album has the same near-perfect mix of lovely melodies, warm synth pop, and haunting lyrics that their debut displayed.

— Tim Sendra

Album cover for Maraqopa

Maraqopa

Secretly Canadian

With his tenth studio outing, Maraqopa, Jurado offers his most colorful and nuanced set of songs yet, pushing ghostly Americana to its least predictable limits.

— Fred Thomas

Album cover for Toward the Low Sun

Toward the Low Sun

Drag City

On Toward the Low Sun, Dirty Three remind us -- after seven years -- just how creative, powerful, and important they are as a band.

— Thom Jurek

Album cover for Pre Language

Pre Language

Kranky

Joined by new drummer Steve Shelley, Disappears turn in their most confident and accessible album yet.

— Heather Phares

Album cover for Be the Void

Be the Void

Anti-

Dr. Dog take a rawer, more instinctive approach on their seventh album, Be the Void.

— Gregory Heaney

Album cover for Plumb

Plumb

Memphis Industries

Plumb crams 15 tightly wound, cleverly arranged, and impossible to ignore pop gems into just 35 minutes.

— James Christopher Monger

Album cover for Some Nights

Some Nights

Fueled by Ramen Records

With help from Kanye's producer, Fun. have created a dark, beautiful, and exhilarating indie rock equivalent of My Beautiful Dark Twisted Fantasy with Some Nights.

— Tim Sendra

Album cover for The Keychain Collection

The Keychain Collection

Brownswood

Following a track on a Brownswood Bubblers compilation and an EP, Gang Colours' debut album sticks to a subdued hybrid of downtempo and U.K. garage.

— Andy Kellman

Album cover for Visions

Visions

4AD

The dazzling hybrid of dream pop, synth pop, R&B, and dance music on Grimes' 4AD debut helped shape the sound of the 2010s.

— Heather Phares

Album cover for Arrow

Arrow

Partisan

A dynamic new lineup helps the Heartless Bastards rock harder and soar higher than ever before on Arrow.

— Heather Phares

Album cover for The Russian Wilds

The Russian Wilds

American

Howlin Rain's The Russian Wilds is an expertly constructed, dynamically rendered, and inspirationally delivered tour de force through rock history.

— Thom Jurek

Album cover for Mr. M

Mr. M

City Slang

Dedicated to late friend and collaborator Vic Chesnutt, Mr. M features gently abstract sketches of people coming to terms with loss and unkind fate.

— Andy Kellman

Album cover for Otis Taylor's Contraband

Otis Taylor's Contraband

Telarc / Universal Distribution

Otis Taylor expands his provocative 21st century blues while embodying its spirit on the stellar Contraband.

— Thom Jurek

Album cover for Biokinetics

Biokinetics

Type

Highly influential release from Thomas Köner and Andy Mellwig which helped define the nautical dub techno sound.

— Paul Simpson

Album cover for Ghostory

Ghostory

Vagrant

The group's first album without Claudia Deheza features their most direct lyrics, along with some of their finest light and heavy material.

— Andy Kellman

Album cover for Animal Joy

Animal Joy

Sub Pop

Blends the expansive, cinematic scope of contemporaries like Other Lives and the National with the arty drama of "San Jacinto"-era Peter Gabriel.

— James Christopher Monger

Album cover for X5

X5

EMI

A compact, inexpensive box that represents an astonishing 1979-1982 run from one of post-punk's most creative and vital acts.

— Andy Kellman

Album cover for Into the Waves

Into the Waves

Drag City

Cliffie Swan's Sophia Knapp delves into mellow pop from the '70s and '80s, pulling off her flights of fancy flawlessly.

— Heather Phares

Album cover for Young & Old

Young & Old

Fat Possum Records

No sophomore slump here as Tennis cut back on doo wop mystery, but add in a healthy dose of uptempo pop excitement.

— Tim Sendra

Album cover for Leaving Eden

Leaving Eden

Nonesuch

This set, produced by Buddy Miller, feels like a Saturday night throw down under the summer stars. It almost seems timeless, perhaps because it defies time.

— Steve Leggett

Album cover for Love Backed by Force

Love Backed by Force

What's Yr Rupture?

Known for years as a lost masterpiece of outsider folk art, this is the first proper reissue of this revered bedroom punk classic from 1981.

— Fred Thomas

Album cover for Listen, Whitey! The Sounds of Black Power 1967-1974
Various Artists

Listen, Whitey! The Sounds of Black Power 1967-1974

Light in the Attic Records
R&B

A crucial piece of U.S. history featuring content from Black Panther Party leaders Eldridge Cleaver and Elaine Brown, the Last Poets, and Gil Scott-Heron.

— Andy Kellman