THE POINT OF IT ALL stands as another solid offering from one of contemporary R&B’s most reliable craftsmen.
His fourth full-length for the German label is his most song-based to date.
Just enough sonic trickery makes Remixes an enjoyable addition to Headlights' catalog and an attractive listen for fans of first-rate indie pop with electronics.
McDuff not only had a knack for picking the right tunes to cover but for writing them as well.
A CROSS THE UNIVERSE captures a particularly madcap and energetic performance from San Francisco.
Cole adopts a self-consciously dramatic, melismatic style of delivery that evokes the vocal virtuosity of divas.
Musiq’s performances here possess the stylish assurance that distinguished ‘70s soul producers like Gamble & Huff and Van McCoy.
Stunning 1968 Ann Arbor acoustic show that premiered the fan favorite "Sugar Mountain."
On this four-disc set of highlights from 1992-2008 BBC sessions and concerts, Weller and company sound big and bold, finding new meaning in familiar tunes.
![Album cover for Brighten the Corners [Nicene Creedence Edition]](https://fastly-s3.allmusic.com/release/mr0001270055/front/220/x7nJ-8RpDYelK4slCFsANh_TZlp6n_cq-Emr2zx15tU=.jpg)
CORNERS remains what it always was--a catchy set of rockers and ballads.
The two-part 12" Vasco (six sides of vinyl in total) is transferred to CD, including the astonishing "Minimoonstar," stretched to over 31 minutes here.
Released in 1974 on ABC, EXTRASENSORY PERCEPTION was the lone LP cut by Detroit soul legend Richard "Popcorn" Wylie.
Brimming with the kind of delicately melodic folk-pop that defines his solo craft.
On this ambitious, abstract, and difficult work, Xela uses harsh yet strangely lulling electronics to draw listeners into a realm of enveloping dread and fear.