Editors' Choice for April 2020

Album cover for Sister Dynamite

Sister Dynamite

In the Red Records

The L.A. punk veteran delivers her toughest and most personal solo album yet, full of joyous rebellion and pride.

— Mark Deming

Album cover for Never Will

Never Will

Rhino / Warner Music

Ashley McBryde gets bold and empathetic on her excellent second album.

— Stephen Thomas Erlewine

Album cover for Shortly After Takeoff

Shortly After Takeoff

Bella Union

The American expat completes his excellent Manchester Trilogy with pop savvy, enigmatic arrangements, and plenty of gallows humor.

— Timothy Monger

Album cover for Juice

Juice

Yep Roc

The Canadian trio's sixth album showcases a rousing and organic blend of '90s and '80s alt-rock influences.

— Matt Collar

Album cover for Confusing Mix of Nations

Confusing Mix of Nations

Mexican Summer

Debut album from former Regal Degal members moves from wiley experimentation to more intentionally crafted synth pop grandeur.

— Fred Thomas

Album cover for Bug on Yonkers

Bug on Yonkers

Castle Face

The Oh Sees side project tackle the songs of psychedelic iconoclast Michael Yonkers with their usual twisted glee.

— Tim Sendra

Album cover for Belle Époque

Belle Époque

Deutsche Grammophon

A diverse collection of music from the Belle Époque era reveals connections and contains attractive finds.

— James Manheim

Album cover for West Coast Highway Cosmic

West Coast Highway Cosmic

Alive Records

With keyboardist Bob Patient fully integrated into the lineup, this crew serves up a wooly collection drenched in psych-blues rock.

— Thom Jurek

Album cover for While Looking Up

While Looking Up

Mack Avenue

The saxophonist offers a buoyant, harmonically nuanced album as an antidote to our divisive and troubled times.

— Matt Collar

Album cover for Shapeshifting

Shapeshifting

Legacy / Sony Music

Eighteen albums in, the guitarist continues to showcase his innovative songwriting prowess in addition to his iconic playing.

— Thom Jurek

Album cover for America at War

America at War

Sunnyside Communications

On his second large-ensemble recording, the New York guitarist and composer offers a meditation on America's obsession with armed conflict.

— Thom Jurek

Album cover for Years

Years

BMG / Easy Eye Sound

With the assistance of producer Dan Auerbach, the hardcore country singer explores his mortality.

— Stephen Thomas Erlewine

Album cover for City Burials

City Burials

Peaceville Records

After a four-year break, Stockholm's favorite prog metal band emerges with a dynamic reflection on memory, loss, grief, and rage.

— Thom Jurek

Album cover for Personalia

Personalia

Captured Tracks

Second album from this avant-pop project wraps vulnerable lyrical content in tightly constructed, somewhat neurotic synth pop.

— Fred Thomas

Album cover for High January

High January

Tin Angel

The ever-consistent soft rock group called in Sean O'Hagen to produce, and the result is heartwarmingly smooth and reliably comfortable.

— Tim Sendra

Album cover for PITH

PITH

Carpark Records / Wax Nine Records

The Chicago band's second album is a thrilling blast of noisy guitars and sticky melodies that's brimming with energy and ideas.

— Tim Sendra

Album cover for Blizzards

Blizzards

Cambria Instruments

Nathan Fake's strongest, most exciting album is a rapturous collection of spontaneously recorded analog techno tracks.

— Paul Simpson

Album cover for For Their Love

For Their Love

ATO

A collection of sumptuous and dark '60s-leaning orchestral folk-pop that often evokes the Wally Stott string arrangements of Scott Walker.

— James Christopher Monger

Album cover for Womb

Womb

4AD

The duo's first album in five years brings more confidence, eloquence, and substance to their moody electro-pop.

— Heather Phares

Album cover for The Fun Ones

The Fun Ones

RJ's Electrical Connections

The producer digs into vintage funk and hip-hop on this outsized love letter to creativity and the power of music.

— Heather Phares

Album cover for Shelby Lynne

Shelby Lynne

Everso Records

This self-titled offering is a candid, poignant, and nakedly honest meditation on the complexities of romance, desire, and love itself.

— Thom Jurek

Album cover for Mysteries Unfold

Mysteries Unfold

RareNoise Records

The Belgian-born, Berlin-based singer and composer delivers an expertly wrought demonstration of skill and creativity on her accessible RareNoise debut.

— Thom Jurek

Album cover for Celestial Love

Celestial Love

Modern Harmonic

A truly joyous set from the Philadelphia-period Arkestra, mixing jazz and swing standards with Sun Ra originals.

— Paul Simpson

Album cover for Oh Yeah?

Oh Yeah?

Trouble in Mind

Fourth album from this psychedelic free rock band streamlines their vision for heavier, more consistent compositions.

— Fred Thomas

Album cover for The New Abnormal

The New Abnormal

Cult Music / RCA

Complicated, ambitious, and emotionally raw, the band's sixth album is a surprising and rewarding triumph.

— Heather Phares

Album cover for It Is What It Is

It Is What It Is

Brainfeeder
R&B

Shaken by the death of Mac Miller, Stephen Bruner nonetheless reaches a new peak with his fourth album.

— Andy Kellman

Album cover for I Feel Alive

I Feel Alive

Musique TOPS

Another batch of reliably warped, well-crafted songs from the AM pop-inspired indie outfit.

— Marcy Donelson

Album cover for What the Dead Men Say

What the Dead Men Say

Roadrunner / Roadrunner Records

Pushing their creative envelope once more, these Floridians reference their catalog while opening the gates to new sonic frontiers.

— Thom Jurek

Album cover for Survival

Survival

Mint / Mint Records

Singer/songwriter Cassia Hardy comes into her own on these tender, defiant outsider anthems.

— Heather Phares