Editors' Choice for March 2020

Album cover for Velvet

Velvet

More Is More Records

A glitter-dipped exercise in '70s disco-era funk, rock, and soul that makes the most of Lambert's swaggering vocal charisma.

— Matt Collar

Album cover for Hunted

Hunted

Domino

The singer/songwriter lets down her guard on raw, intimate versions of songs from Hunter with striking results.

— Heather Phares

Album cover for Let It All In

Let It All In

Thrill Jockey

The ninth album from this long-running folk rock band finds them exploring both fiery cosmic sprawl and mellow, understated territory.

— Fred Thomas

Album cover for The Night Chancers

The Night Chancers

Heavenly / Le Label

With this album, Dury perfects his formula of sneering asides and darkly witty observations over swooning strings and slinky trip-hop.

— Tim Sendra

Album cover for Superstar

Superstar

Caroline Rose Music / New West

The onetime Americana singer/songwriter delivers an audacious and sly pop album about modern stardom.

— Stephen Thomas Erlewine

Album cover for 3.15.2020

3.15.2020

mcDJ Recording
R&B, Rap

Mashing and melding sounds, textures, feelings, and trips into a weird, wild, and wonderful mess, this is the second classic Gambino album in a row.

— Tim Sendra

Album cover for Sad Happy

Sad Happy

Prolifica Recordings

The Liverpool indie rockers find the magic space between happiness and heartache on their literate, effusive fourth album.

— Matt Collar

Album cover for England Is a Garden

England Is a Garden

Ample Play

Never more focused or fun, hooky, or political, the long-running band have crafted their masterpiece after nearly 30 years of making music together.

— Tim Sendra

Album cover for The Early Years 1979-1981

The Early Years 1979-1981

Mercury

Complete collection of the group's early recordings highlighted by remastered albums, radio sessions, rare tracks, and a previously unreleased live show from 1980.

— Tim Sendra

Album cover for Tub of Lard

Tub of Lard

Thrill Jockey

The debut LP from this noisy sludge metal act pushes the aggression of Amphetamine Reptile-styled noise rock into new, ugly places.

— Fred Thomas

Album cover for Void Moments

Void Moments

Trouble in Mind

Touching on post-punk, shoegaze, dub, and jazz, the Chicago trio's swift evolution continues with some of their most dazzling music.

— Heather Phares

Album cover for Healer

Healer

Atlantic / Canvasback / Parlophone

The Los Angeles band's exuberant fourth album finds them drawing inspiration from their '90s indie rock influences with a surrealistic glee.

— Matt Collar

Album cover for Atomic

Atomic

Thrill Jockey

The direct yet expansive fifth solo album from cellist/composer Alison Chesley.

— Paul Simpson

Album cover for Eyelet

Eyelet

Fire Records

The Welsh trio's life-affirming third album celebrates the power of connection with contemplative yet lively songs.

— Heather Phares

Album cover for Dixie Blur

Dixie Blur

Bella Union

Recording at Jack Clement's Nashville studio with a crack session band, the California-based singer/songwriter revisits his North Carolina roots.

— Thom Jurek

Album cover for Possession

Possession

Hollywood / Polydor

The electro-rock crew contemplate life and society with typically addictive production and witty lyrics.

— Neil Z. Yeung

Album cover for Last Desert

Last Desert

Pi / Pi Recordings

On his first date as a leader since 2015, the guitarist/composer and his stalwart sextet offer a kaleidoscopic overview of modern jazz.

— Thom Jurek

Album cover for Walking Proof

Walking Proof

New West

The singer and songwriter ups her game across the board on this well-crafted and expressive fourth album.

— Mark Deming

Album cover for Silver Landings

Silver Landings

Verve

An understated, impeccably produced comeback full of reflective songwriting and a smooth, late-'70s West Coast pop feel.

— Timothy Monger

Album cover for The Ghost of Orion

The Ghost of Orion

Nuclear Blast

Despite threats of life-threatening illness, lineup changes, emotional strain, and doubt, these British metallers deliver the goods in spades.

— Thom Jurek

Album cover for Folkesange

Folkesange

Relapse Records

The shift away from black metal in favor of acoustic neo-traditional, gothic folk, offers listeners drama, resonance, tenderness, and mystery.

— Thom Jurek

Album cover for Gigaton

Gigaton

Monkeywrench / Virgin EMI

Pearl Jam grapple with climate change and the Trump era on this charged, adventurous album.

— Stephen Thomas Erlewine

Album cover for You Made Me

You Made Me

Faux-Lux / Gare du Nord

A lovingly played and sung covers album of songs both old and new that have made an impact on the singer/songwriter throughout his life.

— Tim Sendra

Album cover for Endless Dream

Endless Dream

Pbj Musik Ab

The venerable trio's eighth album is a bracing reminder that they have never stopped making hooky, inventive, and sneakily heartfelt indie rock.

— Tim Sendra

Album cover for Mozartissimo

Mozartissimo

Deutsche Grammophon

Mozartissimo is a compilation of Rolando Villazón's performances of Mozart, selected to create a well-rounded portrait of singer and composer.

— Blair Sanderson

Album cover for Satin Doll

Satin Doll

Nonesuch

A futuristic jazz standards album from the saxophonist and electronic musician that pushes the songs into ever-more-cosmic galaxies.

— Matt Collar

Album cover for 925

925

Domino

The stylistic shape-shifting of this London indie band's debut album never outshines the strength of the songwriting.

— Fred Thomas

Album cover for No Time for Love Songs

No Time for Love Songs

Red House Records

The husband-and-wife duo shade their earthy Americana tones with a vintage West Coast feel on their Shooter Jennings-produced fourth album.

— Timothy Monger

Album cover for Three

Three

Northern Spy

The 21st album by Australia's long-lived trio is a masterwork of composition, communication, investigation, and mystery.

— Thom Jurek

Album cover for Eternity Bay

Eternity Bay

Full Time Hobby

Second set of whispery, ruminating indie pop from a duo who draw on '50s exotica and gentle jazz to create a universe all their own.

— Marcy Donelson

Album cover for Rejoice

Rejoice

World Circuit

A ten-year-old recording documenting a historic meeting gets dusted off, completed, and lives up to its title.

— Thom Jurek

Album cover for The Ripple Effect

The Ripple Effect

Craft Recordings / Craft Records

Previously unissued live date from 2008 from the American banjo master and the Malian kora legend that reveals two improvisers at their peak.

— Thom Jurek

Album cover for Heavy Light

Heavy Light

4AD

Seventh album is another stylistically shifting collection of heady pop featuring an extended crew of backing vocalists and themes of hindsight and nostalgia.

— Fred Thomas