Featured New Releases for
January 31, 2020

Funeral [Deluxe]

Young Money
Rap
The rap icon's 13th studio LP hits at every style under the sun over its 24-track run.

— David Crone

High Road

RCA
Kesha gets seriously silly on this rallying call to party.

— Stephen Thomas Erlewine

Likewise

Saddle Creek Records
The Hop Along leader's disarmingly tender solo debut opts for keyboard-centric arrangements featuring harp by Mary Lattimore.

— Marcy Donelson

Treat Myself

Epic
The "All About That Bass" singer's third major-label album finds her further embracing a contemporary pop and R&B sound.

— Matt Collar

Have We Met

Merge
Dan Bejar evokes classic synth pop, experimental soundscapes, and the thoughts of some very pretentious dude on his project's 11th album.

— Mark Deming

Silver Tongue

Merge
The singer/songwriter's openhearted fourth album is some of her most confident and confessional music.

— Heather Phares

Be Up a Hello

Warp
After several albums of heady concepts, the electronic visionary returns to his IDM roots on this refreshingly direct collection.

— Fred Thomas

Aloha

Anti-
The third album from this smart and imaginative retro-soul artist is his most subdued to date but still exciting and rewarding.

— Mark Deming

All Monsters Are Human

eOne
R&B
The candid singer/songwriter's first independent release is as sturdy and forthright as any of her preceding four albums for Atlantic.

— Andy Kellman

The World at Night

Family Jukebox / Ile Flottante Music
The singer/songwriter's witty, moving fifth album is dedicated to his late Jonathan Fire*Eater bandmate Stewart Lupton.

— Heather Phares

Laughing Gas

Captured Tracks
This five-song EP collects leftover tracks in the same style as 2019's high-gloss, synth-heavy album Indigo.

— Fred Thomas

Pang

Perpetual Novice
The former Chairlift singer's first album under her own name is an epic, artful statement of transformation.

— Matt Collar

I vs I

Community Music
An elaborate self-recorded breakup album of anthemic pop, rap, and Bowie-esque art rock that walks the line between dazzling and suffocating.

— Marcy Donelson

If I Am Only My Thoughts

Last Gang Records
The calm and precise debut album from the Canadian trio is a warm blanket of melancholy played and sung with melodic spareness and restrained emotion.

— Tim Sendra

Chaos and a Dancing Star

BMG
Teaming with producer/multi-instrumentalist Chris Braide again, the pop chameleon delivers a set that is at once musically ambitious and passionately rendered.

— Thom Jurek

When We Stay Alive

Memphis Industries
The band confronts the aftermath of physical and emotional trauma with evocative sounds and unflinching honesty.

— Heather Phares

Stray Fantasies

Western Vinyl Records
Keith and Hollie Kenniff marry articulate dance grooves and shimmering, delay-blurred atmospheres on a set fit for dancing and daydreaming.

— Marcy Donelson

Say Nothing

Atlantic / Roadrunner Records / Theory
The Canadian hitmakers continue to shed their post-grunge past on their socially conscious, pop-forward seventh album.

— James Christopher Monger

Hurry Up and Wait

BMG / Ratbag Records / Rise Records
Australian garage punk goofballs polish up their production but still sound charmingly snotty and fun.

— Mark Deming

Warna

Verve
The jazz piano prodigy makes his Verve debut with a warm, delicately soulful album.

— Matt Collar

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