Featured New Releases for
March 15, 2019

Lux Prima

30th Century Records / BMG
The singer/songwriter's first album in five years is a sophisticated, sonically adventurous collaboration with Danger Mouse.

— Heather Phares

Punk

Burger Records
The Japanese quartet's second album is another giddy blast of genre-splicing pop, this time with a more organically blended approach.

— Tim Sendra

Plastic Anniversary

Thrill Jockey
The duo celebrates their 25th anniversary with vibrantly creative and deeply disturbing explorations of plastic's ubiquity and dangers.

— Heather Phares

No Saint

Big Machine Records
An invigorating debut that splits the difference between dusty Americana and bold mainstream pop.

— Stephen Thomas Erlewine

Bend Sinister

Beggars Banquet
A two-disc expansion of the band's grim 1986 LP includes a Peel Session and previously-unreleased alternate takes and mixes.

Immigrance

Ground Up Records
A cinematic blend of funky grooves that marry '80s new age flow with earthy blues-rock riffage and contemporary jazz sophistication.

— Matt Collar

Another Land

Requiem Pour un Twister
The Chicago quintet's second album mixes all different types of underground '60s psych and pop into a technicolor concoction.

— Tim Sendra

Bahir

Soundway
The L.A.-based musical polymath and a host of international guests offer a brave new music that melds East African styles, jazz, funk, and soul.

— Thom Jurek

High Anxiety

Thrill Jockey
The fourth album from this Chicago noise metal trio is an unrelenting collision of riffs and antisocial sentiments.

— Fred Thomas

Downer Edn

Goner Records
Rage, honesty, and a massive fog bank of guitar sounds fuel the second album from these adventurous Australian punk rockers.

— Mark Deming

Época

R&S
Berlin-based experimental techno duo branch out, incorporating acoustic instruments and vocals into their bracing soundscapes.

— Paul Simpson

Egowerk

Saddle Creek Records
The most electronics-forward release of the group's career, Egowerk evokes the friction-fueled lo-fi emissions of the Faint's early days, but with a measured hand.

— James Christopher Monger

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