Featured New Releases for
March 8, 2019

Girl

Columbia
The country singer blurs genre boundaries on this ambitious, empowering sophomore set.

— Stephen Thomas Erlewine

When I Get Home

Columbia
R&B
The singer and songwriter follows her deeply pained, chart-topping third album with a luxuriant joy ride.

— Andy Kellman

Still on My Mind

BMG
Sparkling fifth album that updates the English singer's hybrid electro-folk/trip-hop sound with reinvigorated production.

— Neil Z. Yeung

Dusty Notes

Megaforce
Despite the return of their original drummer, this album sounds more like it was cut in 2018 than 1985, which isn't a bad thing.

— Mark Deming

Rap or Go to the League

Def Jam / Gamebread
Rap
The fifth album from the Atlanta rapper moves into more serious subject matter without losing any fun or energy.

— Fred Thomas

M83

Knife+Heart

Mute
Anthony Gonzalez's soundtrack to an erotic thriller set in Paris' late-'70s gay pornography industry is as transporting as his other albums.

— Heather Phares

Sasami

Domino
The ex-Cherry Glazerr synth player debuts with an album of adventurous dream pop with shoegaze and singer/songwriter influences.

— Tim Sendra

Cheers

Dualtone Music
Led by the blended three-part harmonies of their co-leaders, the quintet's vibrant fourth album was produced with Lucius' Dan Molad.

— Marcy Donelson

Sucker Punch

Island
Refreshing debut from the Norwegian pop singer/songwriter that appropriately captures the messiness of growing up.

— Neil Z. Yeung

Slow Century

Coastal Town Recordings
Working again with producer Norman Blake of Teenage Fanclub, the Norwegian quartet deliver a chiming modern jangle pop classic.

— Tim Sendra

Gathered

Fire Records
The Giant Sand founder slips into lounge lizard mode to engaging effect on this collection of performances from around the world.

— Mark Deming

L.A.'s Got Me Down

Bar/None Records
The Elliott Smith disciple's Bar/None debut is an angsty, impulsive mix of grungy rock and yearning harmonies, all performed by Proffit.

— Marcy Donelson

Liv

Mute
A far cry from his earlier, more conventional indie rock, Blumberg's second Hebronix album is harsh, harrowing, and utterly captivating.

— Paul Simpson

Beware of the Dogs

Secretly Canadian
Debut full-length from Australian singer/songwriter balances bold political lyrics with well-constructed, airy, indie arrangements.

— Fred Thomas

Munya

Luminelle Recordings
Woozy, synth-based songs partly influenced by yé-yé from Montreal's Josie Boivin.

— Marcy Donelson

Warpaint

Century Media / Red / Red Music
The L.A. sleaze merchants wear their age admirably on this album, released 20 years after their debut.

— Stephen Thomas Erlewine

Hexed

Nuclear Blast
The band's tenth album is catchier and more technical than earlier 2000s releases, and seeks to integrate its entire history moving forward.

— Thom Jurek

Nick Waterhouse

Innovative Leisure
R&B
The vintage R&B scholar's fourth album contains some of his sharpest writing and most energizing performances.

— Andy Kellman

Lemon Lime

Exploding in Sound
The album's title reflects a deliberate mix of sweet jangle and distortion on the St. Louis group's Exploding in Sound debut.

— Marcy Donelson

Future Perfect, Present Tense

Some Kinda Love
The sophomore full-length effort from the London-based indie pop group follows the same sonic trajectory as their languid 2017 debut.

— James Christopher Monger

To Each His Own

Bella Union
The Midlake frontman's solo debut builds on his flagship band's predilection toward pairing dusty indie folk with sunset 70's pop.

— James Christopher Monger

Hopefully, Again

Memphis Industries
The shimmering debut from the Italian couple/duo suffuses their lo-fi sound with effortless cool.

— Neil Z. Yeung

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