Featured New Releases for
September 30, 2016

22, A Million

Jagjaguwar
The third Bon Iver album is a fractured, electronically altered future folk album that's beautiful and strange at once.

— Tim Sendra

Head Carrier

Pixies
The indie rock legends' first album with bassist Paz Lenchantin features some of their friendliest, jangliest songs yet.

— Heather Phares

Remember Us to Life

London / Rhino / Sire Records / Warner Bros.
Strings ranging from a small ensemble to full orchestra mark Spektor's reflective but still whimsical seventh studio album.

— Marcy Donelson

Atrocity Exhibition

Warp
Rap
The Detroit rapper, assisted by producer Paul White on ten tracks, is in top grim form on his first Warp release.

— Andy Kellman

Yellowcard

Hopeless Records
The bittersweet final album from the Jacksonville band that devastates with emotion and nostalgia, both a gift and perfect farewell to fans.

— Neil Z. Yeung

Dusk

Trouble in Mind
The duo's third album in three years adds more keyboards and drums to the mix without losing any of their restrained autumnal brilliance.

— Tim Sendra

The Easy Truth

Mello Music Group
Rap
Solid East-meets-Midwest hip-hop collaboration between Brooklyn MC Skyzoo and Detroit beatmaker Apollo Brown.

— Paul Simpson

The Altar

Harvest / Virgin EMI
Laying herself bare with unflinching honestly and vulnerability, the alt-pop singer presents a sacrificial broken heart on The Altar.

— Neil Z. Yeung

Blood on the Keys

Alive Naturalsound Records
The blues punk's third solo outing is fiery, dynamic, and more varied than his earlier works.

— Timothy Monger

Sorceress

Atomic Fire / Nuclear Blast
The Swedish band's 12th studio album tautly balances prog rock and traces of its historic past while traveling in new directions.

— Thom Jurek

RR7349

Relapse Records
After two of its members scored the hit Netflix series Stranger Things, Austin synth wizards S U R V I V E deliver their first album for Relapse.

— Paul Simpson

Super Low

Bayonet Records
Artful post-punk jangle meets Athens-inspired college rock from this crafty Atlanta-based quintet.

— Timothy Monger

FEAR

Ear Music
18 albums in, these veteran prog rockers prove they have plenty left in the tank by delivering their best recording since 2004's Marbles.

— Thom Jurek

Blood Bitch

Sacred Bones
Combining vampire and menstrual imagery with avant synth-pop, Hval's fourth album is equally scary, sexy, raw, and sophisticated.

— Heather Phares

Never Twice

Innovative Leisure
R&B
The retro-R&B stylist's refined third album features Leon Bridges and a cover of Bob Dylan's "Baby, I'm in the Mood for You."

— Andy Kellman

Masculin Feminin

Numero
Gathering their first two albums plus singles and rarities, this collection makes fascinating connections between the band's past and present.

— Heather Phares

Blue Mountain

Columbia / Columbia/Legacy / Legacy / Legacy Recordings / Roar / ROAR Records / Sony Music / Tri
A spare, spacy tribute to the cowboy songs dear to Bob Weir's heart.

— Stephen Thomas Erlewine

High in Place

Captured Tracks
The group's second, self-produced album features collaborations with Jenny Lewis and members of Real Estate.

— Heather Phares

Kodama

Prophecy / SPKR / Weltnetz
The French duo successfully return elements of black and post-metal back into their mix on this dynamic set.

— Thom Jurek

No Exit

Ear Music
Audio and video document celebrating the iconic singer's 50th anniversary tour in 2014, featuring Ed Harcourt on piano and backing vocals.

— Thom Jurek

Rich Man

Concord / Concord Records (Canada)
The blues-rock guitarist's first album in 17 years is a funky, soulful workout that is his best record.

— Stephen Thomas Erlewine

Marked for Death

Sargent House
Marked for Death finds Emma Ruth Rundle both dancing with and exorcizing a slew of personal demons via a brooding blast of icy alt-rock and doomy sludge metal.

— James Christopher Monger

Live in San Diego

Reprise / Rhino
An otherwise blues-heavy 2007 live album highlighted by an easy-rolling rare duet with Clapton idol J.J. Cale.

— Stephen Thomas Erlewine

Capsule: 1999-2016

Saddle Creek Records
A collection rounding up 19 choice cuts from the Omaha, Nebraska dance-rock veterans, including a pair of brand-new tracks recorded in 2016.

— James Christopher Monger

Double Take

Universal
Unheard songs from the great blue-eyed soul singer are revived with the help of such friends as Rod Stewart, Elton John, and Willie Nelson.

— Stephen Thomas Erlewine

Open to Chance

Paradise of Bachelors
Singer, storyteller, and fingerpicking stylist Kayla Cohen adds a full band including pedal steel for her still delicate third Itasca LP.

— Marcy Donelson

Kestrels

Sonic Unyon
Following lineup changes and gear theft, Canadian indie rock trio Kestrels re-emerge stronger than ever with their third album.

— Paul Simpson

Low

The Exit Papers

Temporary Residence
Experimental soundscapes for a movie that doesn't exist; a worthy experiment, but one that isn't fully successful.

— Mark Deming

Human Energy

Ninja Tune
On his third album for Ninja Tune, Travis Stewart sharpens his production style into an ecstatic brand of abstract, futuristic pop.

— Paul Simpson

Premium

Saddle Creek Records
Gossamer vocals, steel guitars, and vintage synths mark the solo debut of Brooklyn producer and Celestial Shore frontman Sam Owens.

— Marcy Donelson

Hometown Life

BMG / Sony BMG
The Godsmack frontman's second solo outing is mature and vulnerable, embracing blues, country, and R&B on a collection of intimate self-reflection.

— Neil Z. Yeung

13

Smalltown Supersound
On their debut for Smalltown Supersound, the improvising trio bring their PA into the studio and make some exceptional intuitive noise.

— Thom Jurek

City Club

Cult Records
City Club does away with the "beach goth" aesthetic of prior outings, adding punchy synths and a newly funked-up rhythm section.

— James Christopher Monger

Says You

Paper Bag Records
The experimental indie outfit's first release since 2012's Animator is a five-track EP built on improvisation that retains its rough edges.

— Marcy Donelson

Eusa

Mute
Inspired by the beloved island the composer calls home, these solo piano works are comforting but never dull.

— Heather Phares

Leyendas

Erato
This is a remarkable meeting of performer and venue, a rare pleasure that will lead listeners to rediscover familiar favorites.

— James Manheim

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