Featured New Releases for
May 13, 2016

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Cash Money
Rap
Featuring a balance of late-night introspection and defiant boasting, Drake's fourth album finds him reflecting on his fame, failed relationships, and his hometown, Toronto.

— Tim Sendra

Oh No

Hyperdub
Rollicking, animated fun that skips across four decades of electronic post-disco, ranging from boogie to juke.

— Andy Kellman

Mirage

Magnetism
The German electro duo returns with an album that's filled with infectious hooks, layered synths, and inescapable, undeniable beats.

— David Jeffries

The Wild Swan

Atlantic / Gingerbread / Gingerbread Man Records
The third studio long-player from the soulful Northern Irishman, and his first outing for longtime tourmate Ed Sheeran's Gingerbread Man Records.

— James Christopher Monger

Absolute Loser

Easy Sound Recording Company / The Orchard
Eric D. Johnson's return to his band moniker after a five-year break blends his alt-country-imbued, sunny-melodied song with themes of surviving loss.

— Marcy Donelson

Down in Heaven

Grand Jury / Relativity Entertainment
The garage punkers' Jagger-steeped third LP draws inspiration from favorite British Invasion LPs of 1968.

— Marcy Donelson

Nocturnal Koreans

Pink Flag
Recorded at the same time as 2015's equally strong self-titled album, this set is much more than a collection of leftovers.

— Heather Phares

Under the Sun

Warp
The veteran producer's mostly ambient first album under his birth name, featuring Linda Perhacs and Thom Yorke, ranges from folk to techno.

— Andy Kellman

The Odd Tape

Mello Music Group
Rap
He's got three 2016 releases, but the producer/rapper's all-instrumental beat tape might be the most worthy of them all.

— David Jeffries

Night Sports

Atlantic / Fueled by Ramen Records / Photo Finish Records
Sick jokes and slick beats are still the thing on the electro duo's 2016 album.

— David Jeffries

Blanco

Barsuk
The wayfaring indie rock troubadour mines his synth-heavy Bazan Monthly 7" series to populate his third solo LP.

— Timothy Monger

Prismrose

Blue Chopsticks / Drag City
A collection of pieces for electric guitar that gives the post-rock trailblazer plenty of space to work out his ideas.

— Mark Deming

EP

Fire Records
Swedish duo's debut EP finds them already fully formed and sounding like a Euorpean cousin to Broadcast.

— Tim Sendra

Ullages

PTKF
Recorded in a converted church, the band's second album is the glossy -- but just as gloomy -- flip side to its gritty debut.

— Heather Phares

Should I Remain Here at Sea?

Manqué Music
The spiritual sequel to their debut album and introspective rock-leaning sibling to their simultaneously released sixth album, the synth-heavy Taste.

— Neil Z. Yeung

Taste

Manqué Music
The cool electronic heart to the reflective soul of the Montreal indie band's simultaneously released Should I Remain Here at Sea?

— Neil Z. Yeung

Fool

Brainfeeder
Unclassifiable Dutch producer Mitchel van Dinther's full-length debut for Brainfeeder is playful and unpredictable.

— Paul Simpson

Cloud Nine

RCA
Sparklingly light and celestial debut from the Norwegian electronic music producer and a stacked roster of guest vocalists.

— Neil Z. Yeung

Tired of Tomorrow

Relapse Records
The group's second album (mostly) subtracts metal from their shoegaze-metal hybrid and replaces it with dream pop wispiness and echoing pianos.

— Tim Sendra

Adventures

Morr Music
Textured, experimental synth pop from Berlin-based Fenster sideman Rémi Letournelle.

— Marcy Donelson

Kin

Ex Voto Records
Dreamy and at times subdued, the band's fourth album reflects the emotional impact of major life changes.

— Heather Phares

Hull Down

Acute
Recorded after their final proper album, previously unreleased, predominantly dance-oriented material that embraced and mastered studio technology.

— Andy Kellman

Union and Return

Mexican Summer
The producer's third album takes inspiration from 19th century German Romantic painters and strips the irony from his music.

— Heather Phares

Still Life [LP]

Carpark Records
Lush and expansive, the globetrotting Brooklyn-based dream pop duo's third album is their most introspective work yet.

— Paul Simpson

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