Featured New Releases for
February 26, 2016

99 Cents

Atlantic
Santi White's third album offers some of her catchiest and most subversive music yet.

— Heather Phares

Dig in Deep

Redwing Records
On the blues-rock icon's self-produced 20th album, virtually everything she's learned about making a great record is on display.

— Thom Jurek

Orchids and Violence

Nonesuch
The renegade traditionalist offers a mirror-image double album of the same bluegrass and traditional standards -- half acoustic, half electric.

— Thom Jurek

For All Kings

Megaforce
The thrash legends' 11th studio album is tight and punishing, with just the right amount of melodic might.

— James Christopher Monger

Loop the Loop

Deek
Delightfully unorthodox pop from Nathan Jenkins and a cast of associates including Sampha, Laura Groves, and Shabaka Hutchings.

— Andy Kellman

Plaza

Mexican Summer
Equally sharp-edged and wistful, the group's psych-pop sounds more confident than ever.

— Heather Phares

Charlene

eOne
R&B
A decade after her second album, the soft-voiced yet 100-percent soul singer makes a pleasingly relaxed and intimate return.

— Andy Kellman

Mambo Nassau

Light in the Attic Records
Whimsical jolts of wriggling rhythms and delighted exclamations, cut at Nassau's Compass Point with synthesizer wiz Wally Badarou.

— Andy Kellman

Zulu Rock

Light in the Attic Records
Recorded in South Africa years before Paul Simon's Graceland, an exuberant album that rejects exoticism in favor of kinship and play.

— Andy Kellman

Rainbow Ends

Omnivore
After more than 40 years, the smart pop wunderkind returns, older, wiser, and not always lucky in love.

— Mark Deming

How to Dance

Merge
Third album from this rootsy North Carolina trio spotlights articulate, passionate songwriting and Heather McEntire's superb voice.

— Mark Deming

Sisters

Leaving Records
The Anticon-affiliated beatsmith produces some of his best and most reflective material on his second release for Leaving Records.

— Paul Simpson

You Exist

Hypercolour
DMX Krew's first album for Hypercolour is far more reserved and streamlined than his early, pastiche-like material on Rephlex.

— Paul Simpson

Crystal Cafe

HHBTM / Soft Power
The London trio's second album is a snarling blast of noisy indie rock with a soft(ish) pop underbelly.

— Tim Sendra

Stranger Things

MAMA Records
The noise pop band's third album has all of the energy and solid songwriting that their previous album lacked.

— Tim Sendra

Dissonants

Rise Records
An infectious mix of propulsive, visceral hard rock and melodic choruses, marking the Australian band's bid for the mainstream.

— Neil Z. Yeung

Eternal Delight

Not Not Fun
The duo's debut trades foggy distortion for a cleaner approach that makes their dream pop more alluring and haunting than ever.

— Heather Phares

Better

Brian McKnight Music
R&B
Throughout the first release for his own label, the veteran R&B artist seems to enjoy making music more than ever.

— Andy Kellman

Devil on the Balcony

eOne
The Brooklyn band's sophomore album offers more of their beach-destined indie rock flush with delay, surf guitar tones, and timeless melodies.

— Marcy Donelson

Death Index

Deathwish
Industrial-tinged punk collaboration between Merchandise frontman Carson Cox and Italian hardcore veteran Marco Rapisarda.

— Paul Simpson

Hum

Beyond Beyond Is Beyond
Debut album from Dutch singer Marina Tadic and members of Jacco Gardner's band is a perfect blend of sweet songs and lightly psychedelic production.

— Tim Sendra

Feels

Castle Face
Noisy but engaging debut album from California garage/punk/psych act, led by Laena Geronimo, formerly of the Like.

— Mark Deming

In the Sodium Light

Ba Da Bing Records
Following a relocation to California, the New Zealand indie veterans are as brooding as ever on their eighth full-length album.

— Paul Simpson

Overreactivist

The End / Warner Bros.
On this passionate and uplifting journey, frontman Michael Grubbs urges for hope and love in times of uncertainty.

— Neil Z. Yeung

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