Featured New Releases for
March 24, 2015

To Pimp a Butterfly

Aftermath
Rap
Already excellent Compton rapper transcends to new levels of musicality and expression with this visceral, heartbreaking, and unrelenting masterstroke.

— Fred Thomas

My Weekly Reader

429 Records
The neo-cabaret singer sashays her way through a '60s songbook divided between folk-rock, oldies standards, and underground satire.

— Stephen Thomas Erlewine

Mr. Wonderful

Atlantic
Rap
On this excellent LP, the chef turned rapper enters the big leagues with all his underground cred intact.

— David Jeffries

For All My Sisters

RED Music Solutions / Sony Music
The band collaborates with producer Ric Ocasek on some of its poppiest misfit anthems yet.

— Heather Phares

Hinterland

Warp
Inspired by Julie Campbell's time exploring Manchester's decaying outskirts, her second album finds funky, joyful resilience in isolation.

— Heather Phares

Jekyll Island

Fire Records
The band's third album sees them sticking with their winning formula of noisy indie rock and poppy noise-rock without missing a step.

— Tim Sendra

Complete Strangers

Easy Sound Recording Company
Vetiver add gentle electronics to their smooth soft rock sound, stepping even further away from their folky beginnings.

— Tim Sendra

The Ark Work

Thrill Jockey
On the long-awaited follow-up to Aesthethica, the Brooklyn quartet spiral out from the margins of heavy metal.

— Thom Jurek

Time to Go Home

Hardly Art
Second album from this Seattle group that blends beguiling, mysterious guitar songs with sharply funny lyrical themes.

— Fred Thomas

Lovetap!

RCA
Hooky, neon-colored, '80s arena rock- and synth pop-influenced debut from the Los Angeles outfit.

— Matt Collar

The Silence

Drag City
Excellent debut by Masaki Batoh's new band uses psychedelic rock and folk sources to travel the inner spaceways.

— Thom Jurek

2.0

Warner Bros.
Themes of humans vs. technology pervade this melodic, groove-filled, distorted, uneasy electropop debut from Brooklyn producer/remixer Alan Wilkis.

— Marcy Donelson

Hold On

Ramseur Records
The indie combo's tuneful fifth album offers their defining wit and eclectic instrumentation with a still jolly but more heartache-filled song set.

— Marcy Donelson

Gale Maze

Castle Face
The San Francisco group's debut shows them to be experts at excavating and blowing out the desperately dour post-punk sound of the early '80s.

— Tim Sendra

Radio Days

Tartelet
The Danish producer's first full-length expands on his smoky version of house with seductive flair.

— Heather Phares

Toto XIV

Frontiers Records
Still studio slick, the latter-day Toto nevertheless possess a surprising sense of urgency and adventure here.

— Stephen Thomas Erlewine

Hey Love

Arts & Crafts
Eighth album from Canadian indie folksinger finds power in graceful, melancholic statements and expanded instrumentation.

— Fred Thomas

Dream a Garden

Night Slugs
Fascinating stylistic shift from Jack Latham, who swaps metallic dancefloor tracks for contemplative, warped dream pop.

— Andy Kellman

I Don't Prefer No Blues

Big Legal Mess Records
On his second killer effort, the octogenarian Mississippi bluesman revels in the heart of a juke joint Saturday night.

— Thom Jurek

Unspell

Subfield
Dark, subtle, yet sharp dance music fills the excellent debut album from this Belgian producer.

— David Jeffries

Nerve Endings

Epitaph
The debut from the Kentucky-based post-hardcore outfit is as emotionally frayed as it is shot through with moments of soaring, alt-rock grandeur.

— James Christopher Monger

Summer Bones [LP]

Pure Noise
A slickly produced set of festival-ready emo pop singalongs shot through with enough punk/hardcore spirit to appease the breakdown crowd.

— James Christopher Monger

Chaos and the Calm

Republic / Virgin EMI
Debut album from the British singer and songwriter with a passionate, soulful blend of pop, folk, R&B, and rock.

— Mark Deming

Lux

Decca
This departs from earlier easy-on-the-ears collections in several ways, and it's worth the time of anyone who likes virtuoso choral singing

— James Manheim

The French Collection

Deutsche Grammophon
Beczala is both dramatically and vocally convincing, getting exciting support from the Orchestre de L'Opéra National de Lyon under Altinoglu.

— James Manheim

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